末世来临，世界水源枯竭，生物生存栖息地缩减，植物枯萎，人类的食物锐减，生存环境越来越差，陷入了缺水、缺粮食的艰难生活，只能靠着往日囤积的粮食和矿泉水生存，甚至一瓶水都要卖到上万块的高价，众人为了活下去无所不用其极。女主重生在自己最后一小瓶水被娘家抢走的时候，孩子们被活活渴死，女主被娘家用来去换了三瓶矿泉水最后受尽折磨而死。女主重生在拿走了家里最后一瓶水之前，同时，女主获得能够通往现代的金手指，女主决定要痛改前非，对自己的孩子们好。

相爱五年的男友竟爬上闺蜜的床，还要把自己送给老男人！小艺人含恨重生获得“满级大佬”能力，一路逆袭，抱得“美男归”。

这里没有宏大的历史叙事，有的只是一个个生活在敦煌，被敦煌守 护又守护敦煌的人，他们在敦煌找到自己的乌托邦，在敦煌追求自 己的人生梦想，也把敦煌的文化默默传承。该片以人与敦煌的情感 作为核心内容，通过讲述“敦煌人”的日常生活、情感挣扎与人生追 求，用年轻的视觉和体验诠释古老而神秘的敦煌，《我在敦煌》 ——等你。

成长在艰难的环境中，却又坚强不屈的焊接工人无铁，与俏丽的，又有些公主娇气的摄影师熙野之间命运般的神奇爱情；由于社会的冷待，怀着仇恨长大的常识，与不顾世俗的传统观念，不断挑战自己的熙天，对事业和爱情的追求。该剧以“敢于梦想，尽情相爱”为主题，通过不同个性的年轻人倾情演绎，生动地描绘了他们的事业和爱情，挫折和希望。

Follows the lives of three Palestinian friends exploring their national and sexual identity in Tel-Aviv during the Israel-Gaza conflict of 2014.

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

众荷喧哗，有一个人在寻找春天

该节目是一档外景纪实类读书节目，邀请写书人、出书人、爱书人作为主要嘉宾，共同前往一座远离喧嚣的岛屿。在这里，他们生活、相处、读书、写作，享受阅读带来的乐趣和意义。节目用有意思、接地气的内容，将好的书目、好的阅读方式以及嘉宾关于读书写作有意义的思考呈现给观众和用户，拉近普通人与“阅读”的距离。

このドラマは、押見修造氏の人気コミックを映像化するもの。ゲームと自慰行為に明け暮れる日々を送る青年・小森功(吉沢亮)がある朝、目を覚ますと、いつも尾行していた女子高生・吉崎麻理(池田)のなかに入ってしまったことが発覚し、中身が違うことに気づいたクラスメイトの柿口依(中村ゆりか)と真相を突き止めようとする。