Halloran plays a practical joke on a man named Johnny. He shows him a fake newspaper with a headline reading "World to End Tonight --- 11:45 P.M." Johnny believes the headline and decides to live it up. He gets into trouble and shoots someone. A few minutes before 11:45 he sees the real headline and realizes that he has been tricked. Johnny finds Halloran and shoots him. The reporter dies at 11:45.

Halloran plays a practical joke on a man named Johnny. He shows him a fake newspaper with a headline reading "World to End Tonight --- 11:45 P.M." Johnny believes the headline and decides to live it up. He gets into trouble and shoots someone. A few minutes before 11:45 he sees the real headline and realizes that he has been tricked. Johnny finds Halloran and shoots him. The reporter dies at 11:45.

Luminous People – Dir. Apichatpong Weerasethakul (Thailand) 　　A group of people is sailing in the Mekong River, in the borderline between Thailand and Laos. Running against the wind, they anticipate the farewell. At some point in the river, the matriarch of the family throws the ashes along the stream. The white dust mixes with the mudded water. The boat turns back by the bridge connecting the two countries. The passengers show some tiredness and start to wander through their own worlds. The film disintegrates. Both the crew and the actors seem to be bewildered. They cruise the river of simulation while the memory of the late father lingers. Rain starts to fall. The boat is still moving when the night arrives. 　　Germano – Dir. Vicente Ferraz (Brazil) 　　After several years sailing inside the beautiful and polluted bay of Guanabara, Germano and his crew decide to look for other waters to go fishing. Despite the small boat and the old engine, they sail towards deep waters. At dawn, the engine breaks down – like fate showing a sign that non-industrial fishing is living its last moments. Germano resists the blow and reminds the others that the sea is endless. Cheerfully, he starts to tell them stories about the Portuguese sailors and their achievements. The next day, ironically, they’re rescued by a huge Russian oil-tanker which will drag them back to the polluted waters of the Guanabara bay. 　　One Way – Dir. Ayisha Abraham (India) 　　Shyam Bahadur came from Nepal to Bangalore, India, 35 years ago and he has worked as a security guard ever since. It is through his eyes and his voice, that from within the basement of the apartment building he resides in, he recollects the journey he made from the high mountains of the Himalaya’s in Nepal, to the Deccan Plateau of Bangalore City. This short film traverses between his memories of the past, the mundane present of a security guard’s daily routine, and his hopes for a future democratic Nepal. 　　Tarrafal - Dir. Pedro Costa (Portugal) 　　“When my father was buried, and I never even got a pair of socks from him, I took the shovel from the hands of the grave-digger (in the cemetery of Carnide, Lisbon) and filled the grave with earth myself. I, my corpse, will never be buried outside of Tarrafal.” - José Alberto Silva, 30 years old, born in Tarrafal, Santiago Island, Cape Verde, living in Bairro 6 de Maio, in Amadora, Portugal, presently awaiting extradiction. 　　Tombée de nuit sur Shangaï (Avril 2007) - Dir. Chantal Akerman (France) 　　I’d like to film as far away as possible, in Xanghai for instance, and describe, using voice-over, with an extreme precision, everything I know about my street in Paris, in the 20th District, which is quite mestizo and where Muslims and Africans constitute the majority. There’s a school, three bars, and a building recalling the Babel tower. My intention in thus to generate some disorder using the differences and similarities of those worlds.

Luminous People – Dir. Apichatpong Weerasethakul (Thailand) 　　A group of people is sailing in the Mekong River, in the borderline between Thailand and Laos. Running against the wind, they anticipate the farewell. At some point in the river, the matriarch of the family throws the ashes along the stream. The white dust mixes with the mudded water. The boat turns back by the bridge connecting the two countries. The passengers show some tiredness and start to wander through their own worlds. The film disintegrates. Both the crew and the actors seem to be bewildered. They cruise the river of simulation while the memory of the late father lingers. Rain starts to fall. The boat is still moving when the night arrives. 　　Germano – Dir. Vicente Ferraz (Brazil) 　　After several years sailing inside the beautiful and polluted bay of Guanabara, Germano and his crew decide to look for other waters to go fishing. Despite the small boat and the old engine, they sail towards deep waters. At dawn, the engine breaks down – like fate showing a sign that non-industrial fishing is living its last moments. Germano resists the blow and reminds the others that the sea is endless. Cheerfully, he starts to tell them stories about the Portuguese sailors and their achievements. The next day, ironically, they’re rescued by a huge Russian oil-tanker which will drag them back to the polluted waters of the Guanabara bay. 　　One Way – Dir. Ayisha Abraham (India) 　　Shyam Bahadur came from Nepal to Bangalore, India, 35 years ago and he has worked as a security guard ever since. It is through his eyes and his voice, that from within the basement of the apartment building he resides in, he recollects the journey he made from the high mountains of the Himalaya’s in Nepal, to the Deccan Plateau of Bangalore City. This short film traverses between his memories of the past, the mundane present of a security guard’s daily routine, and his hopes for a future democratic Nepal. 　　Tarrafal - Dir. Pedro Costa (Portugal) 　　“When my father was buried, and I never even got a pair of socks from him, I took the shovel from the hands of the grave-digger (in the cemetery of Carnide, Lisbon) and filled the grave with earth myself. I, my corpse, will never be buried outside of Tarrafal.” - José Alberto Silva, 30 years old, born in Tarrafal, Santiago Island, Cape Verde, living in Bairro 6 de Maio, in Amadora, Portugal, presently awaiting extradiction. 　　Tombée de nuit sur Shangaï (Avril 2007) - Dir. Chantal Akerman (France) 　　I’d like to film as far away as possible, in Xanghai for instance, and describe, using voice-over, with an extreme precision, everything I know about my street in Paris, in the 20th District, which is quite mestizo and where Muslims and Africans constitute the majority. There’s a school, three bars, and a building recalling the Babel tower. My intention in thus to generate some disorder using the differences and similarities of those worlds.

五年前，现实结构的裂隙让来自另一个维度的生物降临到了我们的世界，它们一心想要摧毁我们。一位父亲将女儿藏在岛上，保护她的安全，同时教导她如何生存以及如何应对即将到来的战斗。然而，当整个世界都处于岌岌可危的境地时，再也没有任何地方是安全的了

2008年——因一股神秘的力量出现，日本的动画、游戏、漫画、音乐、铁道、cos等御宅文化被消灭。就这样，在维持秩序的“SSC”维护下，御宅文化几乎消失殆尽。为了夺回御宅文化，比任何人还深爱秋叶原以及御宅文化的“御宅英雄”，以及崇拜他的3名魔法少女“安那其”、“Blue”、“Pink”举起反旗。舞台为2011年的日本，秋叶原革命军与SSC首领“SHOBON”展开激战。

杰西卡和她曾经最好的朋友劳拉，辛西娅还有凯伦在奥斯丁德克萨斯州高中十周年聚会上重逢。朋友们说好要在脸书上保持联络。然而，杰西卡开始担心，凯伦在脸书上发给她的消息变得越来越不那么频繁。她安排了一个惊喜突访在卡伦西雅图的家。但当她到达那里，凯伦的男友保罗将她拒之门外。他们的朋友在哪里？

杰西卡和她曾经最好的朋友劳拉，辛西娅还有凯伦在奥斯丁德克萨斯州高中十周年聚会上重逢。朋友们说好要在脸书上保持联络。然而，杰西卡开始担心，凯伦在脸书上发给她的消息变得越来越不那么频繁。她安排了一个惊喜突访在卡伦西雅图的家。但当她到达那里，凯伦的男友保罗将她拒之门外。他们的朋友在哪里？

故事是对在苏格兰岛上等待庇护的难民的一次另类观察。 它聚焦于一位背负重担背离祖国的年轻叙利亚音乐家奥马尔。

故事是对在苏格兰岛上等待庇护的难民的一次另类观察。 它聚焦于一位背负重担背离祖国的年轻叙利亚音乐家奥马尔。