自称闷蛋的女记者要访问达利，大师扭扭拧拧一次两次都做不成，他遥不可及，在超现实里、在画内画外、在别人梦中、在电影技巧里。不让昆丹杜皮埃玩荒谬开放叙事他会周身唔聚财，已玩过搞笑超级英雄救地球（《鬼鼠鼠咳烟战队》），今回借着达利正式宣布自己是布纽尔首徒：《灭绝天使》的框中框、《中产阶级拘谨的魅力》的梦中梦、《模糊情欲对象》不同演员演同一角色；把弄招牌二撇鸡，扭曲挂表滴滴答答，时空无始无终尽情回环，眼花撩乱赏心悦目。

自称闷蛋的女记者要访问达利，大师扭扭拧拧一次两次都做不成，他遥不可及，在超现实里、在画内画外、在别人梦中、在电影技巧里。不让昆丹杜皮埃玩荒谬开放叙事他会周身唔聚财，已玩过搞笑超级英雄救地球（《鬼鼠鼠咳烟战队》），今回借着达利正式宣布自己是布纽尔首徒：《灭绝天使》的框中框、《中产阶级拘谨的魅力》的梦中梦、《模糊情欲对象》不同演员演同一角色；把弄招牌二撇鸡，扭曲挂表滴滴答答，时空无始无终尽情回环，眼花撩乱赏心悦目。

Indonesia is the country with the biggest population of Muslims in the world. Even though the local transgenders, the "waria", seem to be tolerated by the public, they actually live on the fringe of society. Tales of the Waria tells the story of Tiara, Mami Ria, Suharni and Firnman (who have all refused to change sex as demanded by Muslim precepts), and their tragic struggle to assert their identity and their desire for love. Starting from the stories of the four waria characters, analyzing the complexity of their lives, filming in night clubs and beauty salons, American director Kathy Huang deals with topics which are often ignored by western filmmakers. She explores the relationship between Islam and transgenders, the socio-cultural situation of Indonesia, the issue of AIDS and the lives and struggles of those who have chosen to be neither men nor women. 　　Biofilmography - Kathy Huang 　　Kathy Huang studied Documentary Film Production at Stanford University. She began her career as a director with the short documentary Scribble's Creations (2004), inspired by her experience of teaching young people at risk, and set on the border between Mexico and the US. She directed Still Standing and Jaywalking in 2005, then Night Visions (2006) and Miss Chinatown U.S.A.(2007), which were shown at important international festivals like the Tribeca and Silverdocs and presented on American public television networks. Tales of the Waria is her first feature film.

《达达》的故事和达达的爱情，都是从偷窥开始的。叫达达的年轻女孩住在阁楼上，喜欢穿性感的小背心和短裤，跟着音乐的节拍跳恰恰，舞姿很美。邻家的男孩子赵野，经常借故走上天台，悄悄在窗外偷看达达跳舞。直到有一天被达达发现，她不但没有躲避这个偷窥自己的男孩子，还和他打情骂俏起来。如果生活继续像这样单纯而平静，可能达达未必就会看上赵野。 　　可是有一天，达达的继父不怀好意地告诉她，其实现在的妈妈是她的养母，她是从孤儿院里被领养的。深受震撼的达达于是走上了离家寻母之路，只不过她找来了赵野陪伴。就这样，两个年轻人在陌生的城市里同居，可单纯的赵野一直没有对达达动过粗，两个人在一起过了几天温暖、快乐、相互依偎的流浪生活。 　　达达寻母未果，她开始想念从小陪伴自己的妈妈，于是打道回府。不料母亲上夜班，只有继父在家，这个老色鬼借酒壮胆，对达达动手动脚。达达一气之下，当着赵野的面，把这个男人推下了楼……从此，目睹一切的赵野不敢再面对达达，他选择逃亡到异地和一帮打工仔混在一起。而达达在过了一段找不到自己、找不到爱的日子后，毅然选择了自首。 　　影片的最后，达达又快乐地跳起了恰恰，而赵野却说了一句：“我会等你。”

《达达》的故事和达达的爱情，都是从偷窥开始的。叫达达的年轻女孩住在阁楼上，喜欢穿性感的小背心和短裤，跟着音乐的节拍跳恰恰，舞姿很美。邻家的男孩子赵野，经常借故走上天台，悄悄在窗外偷看达达跳舞。直到有一天被达达发现，她不但没有躲避这个偷窥自己的男孩子，还和他打情骂俏起来。如果生活继续像这样单纯而平静，可能达达未必就会看上赵野。 　　可是有一天，达达的继父不怀好意地告诉她，其实现在的妈妈是她的养母，她是从孤儿院里被领养的。深受震撼的达达于是走上了离家寻母之路，只不过她找来了赵野陪伴。就这样，两个年轻人在陌生的城市里同居，可单纯的赵野一直没有对达达动过粗，两个人在一起过了几天温暖、快乐、相互依偎的流浪生活。 　　达达寻母未果，她开始想念从小陪伴自己的妈妈，于是打道回府。不料母亲上夜班，只有继父在家，这个老色鬼借酒壮胆，对达达动手动脚。达达一气之下，当着赵野的面，把这个男人推下了楼……从此，目睹一切的赵野不敢再面对达达，他选择逃亡到异地和一帮打工仔混在一起。而达达在过了一段找不到自己、找不到爱的日子后，毅然选择了自首。 　　影片的最后，达达又快乐地跳起了恰恰，而赵野却说了一句：“我会等你。”

Documentary showcasing the life and works of surrealist artist Salvador Dali.

Starring: Marcel Duchamp, Man Ray, Jean Arp, Richard Huelsenbeck, Raoul 　　Hausmann and others. 　　Dadascope is a comprehensive portrait of the Dada movement with its specific techniques of sound and visual clash, word puns, chess, dice and other games of chance. Richter stated, "There is no story, no psychological implication except such as the onlooker puts into the imagery. But it is not accidental either, more a poetry of images built with and upon associations. In other words the film allows itself the freedom to play upon the scale of film possibilities, freedom for which Dada always stood - and still stands."