Two strangers meet in a subway car. Both bring their past with them. Both look from their present. Both will determine their future in that fleeting, and ephemeral, vital journey that brings them together briefly.

Two strangers meet in a subway car. Both bring their past with them. Both look from their present. Both will determine their future in that fleeting, and ephemeral, vital journey that brings them together briefly.

这部 10 分钟的作品是 Henri Plaat 纯视觉电影的绝佳范例。

这部 10 分钟的作品是 Henri Plaat 纯视觉电影的绝佳范例。

一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」

一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」

Two-part documentary series which goes inside the fast and fiercely competitive world of financial traders to meet the men and women who play the markets in London, New York, Chicago and Amsterdam.

Two-part documentary series which goes inside the fast and fiercely competitive world of financial traders to meet the men and women who play the markets in London, New York, Chicago and Amsterdam.