此片以在民间广为流传的民国“鬼新娘”故事为背景，讲述了都市青年林青衣和梁晓光感人至深的爱情故事。

此片以在民间广为流传的民国“鬼新娘”故事为背景，讲述了都市青年林青衣和梁晓光感人至深的爱情故事。

接连离奇命案，一场灭族血祸，候补衙役丁不闻意外经历亲人的去世、挚友的离开，层层虚伪的事件背后揭开残酷真相，在此过程中与神秘游医莫桑语相知相恋，结识盟友，在仇恨和温情牵绊下经历了复杂交织的励志成长故事。

丁不闻在成长过程中意外经历爷爷的去世、挚友的离开，层层虚伪的事件背后掀开事情的真相，在此过程中相识盟友，与莫桑语相知，在仇恨和温情牵绊下复杂交织的励志成长故事。

民国年间，一个偏远小镇在战乱中艰难维持着安宁，而在七月十五俗称“鬼节”的这一夜，城中却出现了“百鬼出坟”的传言，先是有村民夜中与鬼赌命，又有村中老人头七之夜还魂归来，就连镇长家都出现了“五煞鬼”作祟的连环凶案。随着探长韩铭的深入调查，案情却逐步变得更加波诡云谲——水井深夜冒出血泉、棺材铺掌柜遇鬼买棺、老族长荒庙之中诡异自焚，而一切的源头，都来自在那晚进城的一个神秘戏班子……

民国年间，一个偏远小镇在战乱中艰难维持着安宁，而在七月十五俗称“鬼节”的这一夜，城中却出现了“百鬼出坟”的传言，先是有村民夜中与鬼赌命，又有村中老人头七之夜还魂归来，就连镇长家都出现了“五煞鬼”作祟的连环凶案。随着探长韩铭的深入调查，案情却逐步变得更加波诡云谲——水井深夜冒出血泉、棺材铺掌柜遇鬼买棺、老族长荒庙之中诡异自焚，而一切的源头，都来自在那晚进城的一个神秘戏班子……

大虞王朝中期，拥有 “通感万物” 能力的少女因能与草木对话、听懂鸟兽言语，被族人视为 “异类”，被迫离开生长的南境雨林。为寻找与自己同类的人，也为解开身上 “每感知一次奇物便会失去一段记忆” 的诅咒，她踏上了遍历九州的旅程。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。