描写某生产大队老队长，教育小会计如实填写填写年终报表的故事。

《轻松+愉快》虚构了一个荒诞的北方，群氓的家伙们在互相拥抱中厮杀，在称兄道弟的关系中互相关爱与猜疑，在互相点燃的希望中灰飞烟灭！ 　　电影…

高山峰和江常輝飾演一對同志配偶，透過發生在兩人兒子身上的遭遇，呈現同婚在台合法化後的社會氛圍

高山峰和江常輝飾演一對同志配偶，透過發生在兩人兒子身上的遭遇，呈現同婚在台合法化後的社會氛圍

方律早上出门着急，结果拿错了手机，把老婆晨曦的手机拿出来了，正准备去换回手机的方律因为一条短信把别人的车给撞了，还和对方打了起来。当晨曦赶到现场时看到方律和下属方怡举动亲密，误会他们有什么事，拿了手机之后扭头就走。结果夫妻俩相互之间的误会越来越多。

塞巴斯蒂安（巴普蒂斯特·勒卡普兰 饰）生命中只有一个心愿：什么也不做。他的世界，就是他的沙发。他并不想维持生活，只想发呆。但今天，如果你什么也不做，那你什么也不是。塞巴斯蒂安的两个室友安娜（夏洛特·勒·邦 饰）和布鲁诺（费利克斯·莫阿蒂 饰）则不断地做 实习打零工，在室 友的影响下，塞巴斯蒂安不得不做一点事来改变现状…… 　　电影改编自罗曼·莫内里小说《床，沙发，我的人生》。

塞巴斯蒂安（巴普蒂斯特·勒卡普兰 饰）生命中只有一个心愿：什么也不做。他的世界，就是他的沙发。他并不想维持生活，只想发呆。但今天，如果你什么也不做，那你什么也不是。塞巴斯蒂安的两个室友安娜（夏洛特·勒·邦 饰）和布鲁诺（费利克斯·莫阿蒂 饰）则不断地做 实习打零工，在室 友的影响下，塞巴斯蒂安不得不做一点事来改变现状…… 　　电影改编自罗曼·莫内里小说《床，沙发，我的人生》。

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

有点糊涂的30岁左右女性小薰，是在东京都内一家小商社工作的普通OL。唯一有点特别的是，不知不觉在房间里，和每天懒散的轻松熊，喜欢恶作剧的轻松熊，还有擅长打扫卫生的小黄鸡一起生活。用定格动画描绘了，对自己认真的性格稍微抱有自卑感的小薰，和过着无忧无虑生活的轻松熊们一起度过的丰富多彩的12个月。一个温柔又苦乐参半的故事。

Just For Laughs Gags is a Canadian silent comedy show that is under the Just For Laughs brand. JFL Gags airs on CBC Television and Comedy Network in Canada, and on Telemundo in the United States. This series' format is the typical hidden camera comedy show, playing silly pranks on unsuspecting subjects while hidden cameras capture the people's response (similar to UK hidden camera comedy shows). This show plays music in the background, but does not contain any sound and dialogue (except for brief sound effects). It is filmed in downtown Montreal and rural Québec although some segments are filmed in the UK or Mexico. Sound effects, music and a laugh track are added in post-production (the footage is presumably shown to a studio audience to supply a laugh track, although it may be 'canned'). 　　The show is shown in many countries and on airlines, because no translation is required. Viewers commonly can't tell if it is Canadian or British due to the style. 　　The Just For Laughs Gags formula has been used by the BBC for UK audiences. However, the formula has been used before Gags did, such as Candid Camera and The Tonight Show though both of these shows used a large amount of dialogue. 　　A sister version of the show is produced in Northern Ireland and is called simply Just For Laughs. Most of the show is filmed in and around Belfast, Northern Ireland and Glasgow, Scotland however some clips are shown from the Canadian show. The format of the show, however, is identical to that of the version filmed in Canada. The British version is produced by Wild Rover Productions Ltd for the BBC.