刘家窑走出科研巨头刘艳雪、首富卫国青与诺奖得主沈天齐，三人竟联名起诉恩师楚宏。楚宏，昔日支教楷模，今成被告。审判中，楚宏仅认罪未多言。关键时刻，刘艳雪，龙国最年轻院士，提出用新研发的记忆读取器探查真相，获法官批准。此案引发全球关注，记忆技术首试司法，真相待揭。

在 Dingo Studios 中，有個名為「今天也辛苦了 (수고했어， 오늘도)」的小單元，是為辛苦打工的年輕人加油打氣的特別活動。由知名藝人突然出現在主角的工作場所，和他們一起工作、傾聽他們的辛勞並給予建議，在送主角們回家之外還會有意外的禮物。最後，也是最重要的一點，就是給他們一個大大的擁抱，並說一聲：「今天也辛苦了。」

《今天你也辛苦了》湖南卫视原创事件型人文关怀类节目，选取“辛苦了的中国人”作为记录对象，并为他们送上量身定制的温暖惊喜，达成人间所愿。以每集12分钟的微型记录形式，带给大家48个满满感动的惊喜，让普通小人物成为主角。

《今天你也辛苦了》湖南卫视原创事件型人文关怀类节目，选取“辛苦了的中国人”作为记录对象，并为他们送上量身定制的温暖惊喜，达成人间所愿。以每集12分钟的微型记录形式，带给大家48个满满感动的惊喜，让普通小人物成为主角。

2001年1月20日、放送終了記念イベントにて上映された短編。テレビシリーズを担当した監督たちの演出上の特徴を次々と再現したり、「ズ・ザイン・ダの人間体にライジングマイティキックを放つ桜子」というシーン（村田和美が野上彰のファンであることから実現した楽屋オチ）が飛び出すなど、メタフィクションな要素が盛り込まれた番外編である。出演者は全員友情出演で、すべての役名に「友情」の文字が加えられ、さらにスタッフまで友情参加扱いになっている。撮影はデジタルカメラで行われ、「デジカメ撮影」のテロップ（テレビシリーズ放送時に挿入されていた「ハイビジョン撮影」のテロップのパロディ）が挿入されている。

Ahmed, a Syrian refugee who had hoped to find love with Mehdia, an Ethiopian cleaning lady, but it seems impossible in Beirut - Will this pair of sentimental refugees successfully find the path towards freedom.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

【垃圾】是一齣發生在一個香港老社區的迷你「公路電影」。 　　「社區 」(Community) 是一個奇怪的詞，它不像「家庭」般溫暖，但對一些人來說，像故事中的角色，他們並沒有一個模範的家，然而在這個晚上，他們「有著」彼此。 　　七十多歲的笑姨，在家中再次受到兒子無情無理的恐嚇虐待。忍養一生，她決定把一早就應拎掉的梳化推出家外，獨自步行到垃圾站。在夜半的街角，笑姨碰上認識了卅多年的老街坊堂哥。 　　這一個夜，二人行行停停，推著破舊沉重的梳化，走過夜靜的老街、便利店、公園、天橋底、垃圾站......；路上遇見不同的人、物、以及孤獨的風景......。這段路，看出二人與家人的問題，也看到了那血濃於水的羈絆；老朋友的相助，給悲傷的笑姨帶來了點點溫暖和生氣；可是，殘忍的現實卻仍舊荒涼重復。 　　隨着燈光、場景、聲音、剪接，觀眾彷如置身其中，和兩個主角一起在炎熱的夜空中，在香港的老社區遊走。透過溫婉溫和的視角，感受他們的疲憊、失望、關注、擔憂、無奈與及「放下」......。 　　老和死之間，還隔著一段人生。

16mm胶片拍摄。姐姐前来告知自己多年未见的弟弟关于母亲的丧事，家庭中积压多年的情绪在暗中发泄出来。