安美慧在母亲车祸离世前得知自己是海州首富安富康的私生女，却被安家拒之门外，受尽羞辱。目睹同父异母的妹妹安然享尽荣华，她愤懑不已。男友金虎透露，安然虽与方氏集团公子方子叶有婚约，但二人素未谋面且均抗拒联姻。两家为促成婚事，安排安然进入方氏工作，并紧急召方子叶回国接任总裁。安美慧灵光一闪——既然无人识得安然真容，这恰是顶替身份、逆天改命的契机。她决定冒充安然接近方子叶，借豪门婚约夺取本应属于自己的富贵人生，同时向蔑视她的安家展开报复。一场真假千金的身份置换与豪门暗战就此拉开序幕。

백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

女主：圆圆，男主：莫谨言。莫谨言携商业帝国强势归来，逼迫女主圆圆成为贴身女仆。他的未婚妻苏静暗中设局，妄图操控这段关系。朝夕相处间，圆圆逐渐被莫谨言的体贴入微所打动，他熟知她的每一个喜好。当爱情萌芽时，阴谋却悄然逼近。在各方势力的算计下，这段感情终究难逃悲剧收场。

盛总已老实夫人求放过

被抱养的弃婴楚狸女扮男装成九皇子，本想混日子，却得帝后宠爱，与权势滔天的摄政王一同遭皇子忌惮。杀伐果断的摄政王与活泼的她，在宫斗中擦出火花，上演爆笑“叔侄恋”。

被抱养的弃婴楚狸女扮男装成九皇子，本想混日子，却得帝后宠爱，与权势滔天的摄政王一同遭皇子忌惮。杀伐果断的摄政王与活泼的她，在宫斗中擦出火花，上演爆笑“叔侄恋”。

上瘾：禁欲总裁跪地求宠

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses