傅凌云，外号“天启”，是互联网领域公认的顶级天才程序员。为了照顾妻子蒋欣欣对“职场精英”身份的莫名排斥，他选择隐藏自己的光芒，低调地在蒋欣欣的公司担任技术总监，夜以继日地工作，支撑着公司的技术命脉。然而，傅凌云在结婚纪念日遭遇了双重打击。傅凌云甩出辞职信，揭露钟焕南的无能与谎言，并宣布独立创业。凭借“天启”的金字招牌和过硬技术，他瞬间成为投资人争抢的香饽饽，获得首富千金乔曦的百亿投资，估值飙升。

백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

重生回到 1988 年，他带着上一世被家人吸血、逼走妻子、凄惨冻死的悔恨，决心改写命运。面对重男轻女的母亲、即将沦为吸血鬼的家人，以及产后虚弱的妻子和嗷嗷待哺的女儿，他不再愚孝，果断护妻宠女，拒绝原生家庭的压榨。他誓要凭借先知与担当，挣钱养家，让妻女过上安稳日子，弥补前世所有亏欠，活出不一样的人生。

这年的冬天，肖惠兰终于决定跟丈夫邱立山分手，带着儿子邱冬，正式的搬离丘家。 离婚的原因到底是什么？ 肖惠兰其实自己也说不清楚，夫妻之间的事情，就是一句话，“有理由说不清”。邱立山是一家证券行的基金经理。正当壮年，人长得又帅气，目前事业发展得如鱼得水，回到家里，就自然要饭来张口，衣来伸手。肖蕙兰在一个小宾馆当会计，回到家里忙于家务，跟邱立山一天说不上三句话。肖惠兰认为自己像邱立山的保姆胜于妻子，夫妻生活早没有了激情、浪漫；面对自己受到了的漠视。肖惠兰觉得自己的生活要有所改变，可怎么改变？肖惠兰并没有考虑清楚，她用了一种简单的方式，期望能够提醒丈夫对自己重视和关怀，肖惠兰提出离婚。

这年的冬天，肖惠兰终于决定跟丈夫邱立山分手，带着儿子邱冬，正式的搬离丘家。 离婚的原因到底是什么？ 肖惠兰其实自己也说不清楚，夫妻之间的事情，就是一句话，“有理由说不清”。邱立山是一家证券行的基金经理。正当壮年，人长得又帅气，目前事业发展得如鱼得水，回到家里，就自然要饭来张口，衣来伸手。肖蕙兰在一个小宾馆当会计，回到家里忙于家务，跟邱立山一天说不上三句话。肖惠兰认为自己像邱立山的保姆胜于妻子，夫妻生活早没有了激情、浪漫；面对自己受到了的漠视。肖惠兰觉得自己的生活要有所改变，可怎么改变？肖惠兰并没有考虑清楚，她用了一种简单的方式，期望能够提醒丈夫对自己重视和关怀，肖惠兰提出离婚。

傅家大小姐傅清欢原本生活优渥，但傅家一夜之间破产，她的丈夫陆峥竟是她的仇人。与此同时，沈柔一直觊觎陆峥，不断对傅清欢进行陷害，使她的生活陷入绝境。傅清欢在家庭巨变和婚姻背叛的双重打击下，不得不面对生活的艰辛与敌人的陷害。然而，她并没有放弃，而是坚强地站了起来，决心揭开真相，为自己讨回公道。在这个过程中，她逐渐发现自己的内在力量，并寻求反击的机会。

傅家大小姐傅清欢原本生活优渥，但傅家一夜之间破产，她的丈夫陆峥竟是她的仇人。与此同时，沈柔一直觊觎陆峥，不断对傅清欢进行陷害，使她的生活陷入绝境。傅清欢在家庭巨变和婚姻背叛的双重打击下，不得不面对生活的艰辛与敌人的陷害。然而，她并没有放弃，而是坚强地站了起来，决心揭开真相，为自己讨回公道。在这个过程中，她逐渐发现自己的内在力量，并寻求反击的机会。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

一场意外，让萧宁魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。