백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

長い演奏旅行から家に戻ったセロ弾きのゴーシュ。しかしゴーシュは停車場でトランクを取り違えてしまい、子どもたちへのおみやげが入っているはずのトランクの中には、たくさんの「お話」が入っていた。子どもたちにせがまれたゴーシュは、しかたなしにお話を読み始めていく……。宮沢賢治の生誕100周年記念に制作された長編映画。主人公のゴーシュが賢治の童話「氷河ねずみの毛皮」「猫の事務所」「双子の星」を読み上げていくという形で、３本の短編アニメが挿入。物語のラストには宮沢賢治当人も登場する（演じるは賢治と同郷の新沼謙治）。

一场意外，让萧宁魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。

一场意外，让萧宁（潘毅鸿 饰）魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。

本剧讲的是美国西部拓荒时期，卡特赖特一家(the Cartwrights)——父亲及三个儿子——在内华达州太浩湖(Lake Tahoe)畔的庞德罗萨(Ponderosa)经营牧场、建立新生活的故事。是美国第一部彩色西部连续剧，从1959年播至1973年，总共400多集，胖哥哥HOSS和小弟弟JOE doh是主角，这部剧九十年代在地方台引进，中央8的每日佳艺曾放过2000年拍摄的前传《黄松牧场》。

本剧讲的是美国西部拓荒时期，卡特赖特一家(the Cartwrights)——父亲及三个儿子——在内华达州太浩湖(Lake Tahoe)畔的庞德罗萨(Ponderosa)经营牧场、建立新生活的故事。是美国第一部彩色西部连续剧，从1959年播至1973年，总共400多集，胖哥哥HOSS和小弟弟JOE doh是主角，这部剧九十年代在地方台引进，中央8的每日佳艺曾放过2000年拍摄的前传《黄松牧场》。

梶鲇太（山内賢 饰十二岁）是个由祖母一手带大的十二岁少年。有一天，祖母妹妹的孩子冴子（岡田茉莉子 饰）出现在鲇太面前。被祖母领回来的冴子刚刚因为和中学生一起看了电影而被女校勒令退学。鲇太受托带着冴子的情书来到安静的乡下探望疗养胸部疾病的加岛（木村功 饰）。加岛向鲇太展示了一棵大树，虽然外形酷似丝柏，却又不尽相同，是为了明天变成丝柏而努力的“明天”（大树的名字）。 　　不久在白雪皑皑的深山里，加岛和冴子殉情了。三年后，祖母去世，鲇太（鹿島信哉 饰十五岁）得到溪林寺住持的照顾。住持的女儿雪枝（根岸明美 饰）鼓励虽然学过单杠但是毫无斗志的鲇太拼命苦练，创造了大回环的新记录。得到自信的鲇太，在雪枝受到一伙流氓骚扰时挺身而出，经过一番格斗打退了五大三粗的成年人。 　　又过了三年，鲇太考进了东北的高中。在他的居停除了女主人和女儿玲子（久我美子 饰）之外，还有寄宿的木原、江见、佐山、竹内等人。对于十八岁的鲇太（久保明 饰十八岁）来说，这是第一次看到大人的世界，他也渐渐被成熟的玲子所吸引。 　　不久，玲子遇到了一桩进退两难的提亲。即使不情愿，为了病弱的母亲和家里的将来也只好屈从了。束手无策的鲇太日渐消瘦。有一天，玲子开了句玩笑，信以为真的鲇太直接从石墙上跳了下来。吓了一跳的玲子亲吻了鲇太...鲇太渐渐理解了玲子的良苦用心，默默地离开了这个家。

In a local manor, several tourists are led into an attraction, that promises vampires and ancient history. However, the horror here is more real than fake…