恶毒后妈、绿茶妹妹接连施恶，没想到却被他救下，强势求娶。从此她一跃成为京都活阎王陆泽渊之妻，让父母和渣男前任惶惶不安。一段甜蜜恋情也由此展开……

恶毒后妈、绿茶妹妹接连施恶，没想到却被他救下，强势求娶。从此她一跃成为京都活阎王陆泽渊之妻，让父母和渣男前任惶惶不安。一段甜蜜恋情也由此展开……

백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

深夜，月光如水，洒在蜿蜒曲折的山路上。秦舒独自一人背着药篓，小心翼翼地行走在陡峭的山径上。四周静谧得只能听见自己的脚步声和偶尔传来的夜枭啼鸣。秦舒全神贯注地寻找着所需的草药，额头上已布满细密的汗珠。就在这时，她突然听到不远处传来一阵微弱的呻吟声。秦舒心头一惊，循着声音走去，发现草丛中躺着一个男人。走近一看，男人虽面色苍白，但依旧难掩其英俊的面容和非凡的气质。秦舒毫不犹豫地施展出自己所学的医术，对他进行紧急救治。经过一番努力，男人的情况终于稳定下来。

碰瓷的最高境界是什么？ 季如歌告诉你！ 她不仅撞上了封先生的车，还把封先生的心也给撞了，就这么一个小媳妇，封先生感悟颇深：宠、往死里宠！ 封皓爵：我太太是贫困出身，什么都不会，你们不要欺负她。 被欺负的人：…… 封皓爵：我在家里说一不二，我太太不会跟我顶嘴半句。 众人默：总裁，您先从搓衣板上下来再说这句话好吗？

戌井朔之助接受藩内命令，要暗杀佐久间森卫，然而佐久间同时是自己的妹夫，这让朔之助非常苦恼。妹妹田鹤学过剑道，也许行动时，会不得不挥刀相向。殊不…

沈涅与神秘女子叶娇娇结婚后，揭开了爷爷安排婚事的真相，并发现她与自己有着深厚的过去，最终携手揭露阴谋，治愈怪病，恢复幸福生活。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

陈默长期受妻子林晚打压，意外磕碰后绑定“宠妻升级系统”。从按摩、做糖醋排骨等基础任务起步，他逐步改变相处模式，林晚也从强势刻薄渐渐变得温柔体贴、懂得珍惜。历经家务反转、公开护夫、互相包容等一系列事件，两人打破“妻管严”与“强势妻”的僵局，最终完成终极任务，林晚承诺永远对陈默好。这段因系统开启的旅程，让彼此明白，最好的爱情是双向奔赴的懂得与珍惜。