A detective, despondent after the murder of his wife and forced to resign, is brought back to the force when a serial killer appears to be taunting him and turns out to be superhuman.

백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

苏念身负奇葩家族诅咒，亲吻异性后午夜 12 点会变成小狗，需被吻者再次回吻小狗形态的她，才能在 100 天时限内解除诅咒，否则将永远变不回人。 一次醉酒后，她误吻了有严重恐狗症的总裁傅承洲，为破解诅咒，只能白天主动接近傅承洲，夜晚以小狗形态小心翼翼躲着他。过程中，她不仅要应对爱慕傅承洲的富家千金林芊芊的刁难，还要提防反派陈斌的加害，两人在啼笑皆非的相处中情愫渐生，傅承洲也逐渐克服恐狗症。

苏念有个家族诅咒，亲吻男人后会在零点变成狗。必须让被吻的人再次亲吻小狗状态的苏念才能解除诅咒，100天后若不解除诅咒将永远变不回人！苏念因醉酒亲吻了总裁傅承洲，为解除诅咒，几次三番地接近他，不料竟发现傳承洲有严重的恐狗症！！富家干金林芊芊对傅承洲爱慕有加，不断给苏念使绊子，甚至联合反派陈斌加害苏念。苏念为了破除诅咒，白天当人晚上当狗，两人在白天的相处中感情逐渐升温，晚上一人一狗开启啼笑皆非的故事。

看似一起普通的离婚诉讼却引发出一桩令人惊诧的凶杀案。方亚萍（张闽 饰）离婚诉讼被法院终止后，她的辩护律师肖琦（严晓频 饰）决定弄清事情真相。方家保姆陈月仙（张文蓉 饰）对肖的来访充满抵防，她告诉肖琦方家时常“闹鬼”。患反应性精神病的方亚萍向肖琦反映丈夫曹东明（王诗槐 饰）与一个叫杨妮（麦文燕 饰）的女人关系不正常。原来杨曾是曹当年的恋人，被港商抛弃后回到本市，见曹已结婚，主动中止了与曹的来往。方亚萍再次犯病住院，肖琦乔装患者入院探究，方亚萍终于向肖琦说出真相。原来，方父从海外回国寻找失散三十年的妻女，告诉她们家中藏有祖上留下的百两黄金，只有夜里两点方能打开保险柜......

看似一起普通的离婚诉讼却引发出一桩令人惊诧的凶杀案。方亚萍（张闽 饰）离婚诉讼被法院终止后，她的辩护律师肖琦（严晓频 饰）决定弄清事情真相。方家保姆陈月仙（张文蓉 饰）对肖的来访充满抵防，她告诉肖琦方家时常“闹鬼”。患反应性精神病的方亚萍向肖琦反映丈夫曹东明（王诗槐 饰）与一个叫杨妮（麦文燕 饰）的女人关系不正常。原来杨曾是曹当年的恋人，被港商抛弃后回到本市，见曹已结婚，主动中止了与曹的来往。方亚萍再次犯病住院，肖琦乔装患者入院探究，方亚萍终于向肖琦说出真相。原来，方父从海外回国寻找失散三十年的妻女，告诉她们家中藏有祖上留下的百两黄金，只有夜里两点方能打开保险柜......

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

A disgraced FBI agent and an American career criminal play a zero-sum game of cat and mouse across Europe. At the center of it all is the daring, epic raid on a bank vault deep beneath the streets of Zurich.

一场意外，让萧宁魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。