백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

長い演奏旅行から家に戻ったセロ弾きのゴーシュ。しかしゴーシュは停車場でトランクを取り違えてしまい、子どもたちへのおみやげが入っているはずのトランクの中には、たくさんの「お話」が入っていた。子どもたちにせがまれたゴーシュは、しかたなしにお話を読み始めていく……。宮沢賢治の生誕100周年記念に制作された長編映画。主人公のゴーシュが賢治の童話「氷河ねずみの毛皮」「猫の事務所」「双子の星」を読み上げていくという形で、３本の短編アニメが挿入。物語のラストには宮沢賢治当人も登場する（演じるは賢治と同郷の新沼謙治）。

長い演奏旅行から家に戻ったセロ弾きのゴーシュ。しかしゴーシュは停車場でトランクを取り違えてしまい、子どもたちへのおみやげが入っているはずのトランクの中には、たくさんの「お話」が入っていた。子どもたちにせがまれたゴーシュは、しかたなしにお話を読み始めていく……。宮沢賢治の生誕100周年記念に制作された長編映画。主人公のゴーシュが賢治の童話「氷河ねずみの毛皮」「猫の事務所」「双子の星」を読み上げていくという形で、３本の短編アニメが挿入。物語のラストには宮沢賢治当人も登場する（演じるは賢治と同郷の新沼謙治）。

影帝“穆廷州（徐正溪饰）是个“母胎solo”的高冷男神，却阴差阳错地在一次意外后“失去记忆”，他认定自己是来自古代的“太傅”，而明薇（周洁琼饰）是…

影帝“穆廷州”，是个“母胎solo”的高冷男神，却阴差阳错地在一次意外后“失去记忆”，他认定自己是来自古代的“太傅”，而明薇是他的“公主”，自此对明薇毕恭毕敬又管东管西。男女主的思维交汇不断在古代和现代交错穿插，他们的日常画风也是格外“错乱”，穆廷州会在化身太傅后每日打电话向女主请安：“微臣穆昀，遥拜公主”，也会身着笔挺的西装当着众人的面向女主行跪拜之礼。

影片讲述了一个名叫斯坦利的中年男子在监狱中的故事。斯坦利是二十世纪六七十年代经典英国电影和电视的狂热崇拜者。他以莫须有的罪名被关进监狱，在经过多年孤独的监狱生涯后，他开始产生妄想症，再加上他想要获得假释为女儿过十六岁生日的执念，他的妄想症状越来越严重。他开始与自己脑海中的各种人物交流、谈话……

景国公主嘉禾刺杀越国国君不成，被越国国君当殿刺死。但嘉禾醒来却发现自己只是被车撞晕了，这是穿越了？！

影片讲述了一个名叫斯坦利的中年男子在监狱中的故事。斯坦利是二十世纪六七十年代经典英国电影和电视的狂热崇拜者。他以莫须有的罪名被关进监狱，在经过多年孤独的监狱生涯后，他开始产生妄想症，再加上他想要获得假释为女儿过十六岁生日的执念，他的妄想症状越来越严重。他开始与自己脑海中的各种人物交流、谈话……