백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

姜早为了揭开母亲惨死之谜，以丑奴之身隐忍入府。斗恶妃、撕伪姐、斩奸佞，步步为营。当幕后黑手浮出水面，真正的权谋较量才刚刚开始···看她如何在这吃人的王府中，血刃仇敌，涅槃重生！

安娜(艾莉森·雷 Alison Rey 饰)在极力想成为好莱坞女星却不得志后，她找到了一份高级应召女郎的工作。在一位有经验的妈妈桑指导下，安娜了解到了这个行业的来龙去脉，发现了成功最终就会如己所愿。

安娜(艾莉森·雷 Alison Rey 饰)在极力想成为好莱坞女星却不得志后，她找到了一份高级应召女郎的工作。在一位有经验的妈妈桑指导下，安娜了解到了这个行业的来龙去脉，发现了成功最终就会如己所愿。

riko这里有从18岁到29岁的热血青春！当服兵役的命令文件象炸弹一样飞入热恋中的情侣们中间时，男男女女们受打击的程度不亚于火星撞地球。作为大韩民国中流砥柱的男人们，谁也无法拒绝保卫祖国的使命。在无法改变的事实面前，年轻人们从最初兵慌马乱式的无所适从，到在纠纷面前一边碰撞一边解开，价值观和行动方式正在悄然地发生变化……当然，这里也有二十几岁的年轻人最实用的恋爱诀窍。 …… 第一对：年龄相差六岁的时髦姐弟情侣 沅在（张根锡饰）+孝珍（孙泰英饰） 这里的东西好漂亮。 是啊，你也挑个喜欢的吧。 这个不错，对吗？ 恩…这个好像更适合年轻的人，那边的更配你啦。 ……我也是年轻人！！！ 第二对：单身们“人见喊打”的肉麻学生情侣 恩硕（金山浩饰）+真雅（刘仁英饰） 这可是我特意为你准备的——爱的糖果盒，里面有包得精美的各色甜点哦。 我看看，亲爱的，你真用心，还在每个糖果纸上画上可爱的笑脸。…… 第三对：要向准备入伍的他告白的单恋女 民哲（Danny安饰）+ 宝蓝 （张熙珍饰） 这水是你拿来的吗？ 我什么也不知道。 第四对：无法控制…闯祸的奔放型恋人 许昱（吴丞珉饰）+菲儿（韩业云饰） 你是我给手机号码的第一个男生哦。 真的？ 菲儿，又认识新的男朋友了？这是第几个？（另一个男生路过） …… 男友进入兵营可不意味着爱情放入了保险库， 在当兵的730个日日夜夜，这些情侣之间究竟会发生什么故事呢？ 如同翻越一座座高山的这场爱情保卫之战，路途中洒下的“鲜血”见证了他们对爱情的认真精神。谁能得到勋章，成为得意洋洋的“爱情勇士”？

梅（凯丽·贝格朗德 Kelli Berglund 饰）和盖比（琪娜·安妮·麦克兰 China Anne McClain 饰）是两个古灵精怪的高中二年级女生。热爱科学的两人脑袋里整日里飘荡着稀奇古怪的念头，这一次，她们联手设计出了一台能够改变人类行为模式的机器，两人决定在一个名叫阿尔伯特（马歇尔·威廉姆斯 Marshall Williams 饰）的英俊男孩身上做实验，将他改造成一名完美男友。 　　然而，梅和盖比并不知道的是，她们所使用的机器的前身，竟然曾被用作制造机器人超级战士。当被改造后的阿尔伯特展现出越来越诡异和危险的举止是，两个惹祸精究竟该怎样才能弥补她们所捅出的大篓子呢？在这场意外中，两个女孩的友谊也经历了前所未有的考验。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

北京的夜生活，临近毕业就读北电的四个同寝室的好姐妹，李若溪、乔姿、晨妮、美美和北漂女演员婷婷用各自不同的方式，为自己的演艺谋出路。李若溪在古装戏的片场，咬着牙忍着痛被容嬷嬷和小明星娟姐饰演的皇后一遍又一遍的泼冷水，扇耳光、针扎。乔姿在参加明星A的生日派对，和各路明星大佬玩自拍，晒微博。晨妮在夜店包房里被几个制片人模样的人用酒从头浇到脚，一顿狂灌和乱摸。美美的脸上画满符号，在手术室里准备整容。婷婷和秦导在酒店客房里激情，后发现秦导是动画导演，一脚把他踢到床上，关门离去。李若溪、乔姿、美美、婷婷同时接到电话，赶到晨妮所在的夜店厕所，晨妮醉倒在地上，地上散乱着几个用过的套子。李若溪提议报警，但在众姐妹的阻拦下，最后选择沉默和无奈。五个女生诠释了北漂艺人的辛酸。

北京的夜生活，临近毕业就读北电的四个同寝室的好姐妹，李若溪、乔姿、晨妮、美美和北漂女演员婷婷用各自不同的方式，为自己的演艺谋出路。李若溪在古装戏的片场，咬着牙忍着痛被容嬷嬷和小明星娟姐饰演的皇后一遍又一遍的泼冷水，扇耳光、针扎。乔姿在参加明星A的生日派对，和各路明星大佬玩自拍，晒微博。晨妮在夜店包房里被几个制片人模样的人用酒从头浇到脚，一顿狂灌和乱摸。美美的脸上画满符号，在手术室里准备整容。婷婷和秦导在酒店客房里激情，后发现秦导是动画导演，一脚把他踢到床上，关门离去。李若溪、乔姿、美美、婷婷同时接到电话，赶到晨妮所在的夜店厕所，晨妮醉倒在地上，地上散乱着几个用过的套子。李若溪提议报警，但在众姐妹的阻拦下，最后选择沉默和无奈。五个女生诠释了北漂艺人的辛酸。