闻檀因为和黑粉对骂三天三夜，被经纪公司勒令停止所有活动在家里闲了半个月后，她耐不住好友的软磨硬泡，答应了去帮她混选修课的点到。明濯是国家地质学专家，年轻有为，清冷斯文。毕业后，明濯受邀回母校当了客座教授，每节课都座无虚席。课堂抽问，他偏偏点到了闻檀好友的名字。 　　本以为是一场无人在意的交集，却不知，闻檀见到明濯的第一眼起，就在想该怎么扒下他的西装，让他藏在金丝边框后那双冷淡的黑眸，为她沉沦。所有人都觉得闻檀是在异想天开，像是明濯那样的高岭之花，是不可能轻易下凡的，就连闻檀自己也是这么觉得，象征性的追了追，就拍拍屁股走人。直到某天夜里，明濯摘下碍事的眼镜，将人抵在书架前男人骨节分明的手握住她的，放在了自己的衬衣纽扣上，音线冷感又低哑:“你来。”在别人眼里，明濯清冷自持，克已受礼，而闻檀人如其名，清冷中还带了几分雅致，实在想不出他们能擦出什么火花来，还有人给他们取名性冷淡CP，只有闻檀知道，明濯敛藏在骨子下的野。也只有明濯知道，闻檀那双眼睛笑起来有多明媚动人。成年男女的爱情故事，你是最耀眼的那颗星星。

闻檀因为和黑粉对骂三天三夜，被经纪公司勒令停止所有活动在家里闲了半个月后，她耐不住好友的软磨硬泡，答应了去帮她混选修课的点到。明濯是国家地质学专家，年轻有为，清冷斯文。毕业后，明濯受邀回母校当了客座教授，每节课都座无虚席。课堂抽问，他偏偏点到了闻檀好友的名字。 　　本以为是一场无人在意的交集，却不知，闻檀见到明濯的第一眼起，就在想该怎么扒下他的西装，让他藏在金丝边框后那双冷淡的黑眸，为她沉沦。所有人都觉得闻檀是在异想天开，像是明濯那样的高岭之花，是不可能轻易下凡的，就连闻檀自己也是这么觉得，象征性的追了追，就拍拍屁股走人。直到某天夜里，明濯摘下碍事的眼镜，将人抵在书架前男人骨节分明的手握住她的，放在了自己的衬衣纽扣上，音线冷感又低哑:“你来。”在别人眼里，明濯清冷自持，克已受礼，而闻檀人如其名，清冷中还带了几分雅致，实在想不出他们能擦出什么火花来，还有人给他们取名性冷淡CP，只有闻檀知道，明濯敛藏在骨子下的野。也只有明濯知道，闻檀那双眼睛笑起来有多明媚动人。成年男女的爱情故事，你是最耀眼的那颗星星。

백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

徐贞恩（高贤贞饰）从小被父母抛弃，在西海一个岛上的保健所所长徐达浩家长大，先天孤僻。小学4年级时，一个未婚男老师赞扬的一句话激励着她开始学习钢琴。而贞恩内心深处对男老师也开始萌生一种莫名的情感。长大后，她抱着考音乐大学的美梦到处应考，却全都落榜，再加上初恋梦想的破灭，一次意外的受伤，使她无法继续弹心爱的钢琴，也使她患上了失语症……贞恩放弃了一切来到乡下，4年的乡下生活她始终不开口讲话，像鱼缸里的鱼一样安静。 　　高恩浩（池镇熙饰）出生在医生世家，父亲高亨振是个有名的医生。原以为生活在幸福家庭的恩浩，有一天妈妈却突然失踪了，继母慧琳带着弟弟恩燮（赵仁成饰）出现在他的生活中……在冷酷的爸爸面前，恩浩表面上表现得宽厚礼貌，但内心里却经受着残酷的折磨，就这样在孤独中长大。长大后，恩浩考上医科大学，才知道原来小时候爸爸在外面一直有另一个家庭，恩燮是他同父异母的两兄弟，亲生母亲一直在煎熬中度日，后来还被爸爸赶走…… 　　恩浩到乡下去找知道生母住处的保健所所长徐达浩，后来还在达浩的保健所里开始工作。在这里，他见到了曾经偶遇过的贞恩，对患有失语症的贞恩产生了同病相怜的感觉，不幸的遭遇拉近了两人的距离。恩浩想尽办法想让贞恩开口，重新说话；还把生母的钢琴送给了贞恩。渐渐的，爱情在两个人心中慢慢滋生…… 　　为了贞恩，恩浩想住在岛上，于是回汉城收拾行李，在那儿见到了生母。恩浩坐上生母开的车，却不幸遭遇交通事故，突然天旋地转，巨大的爆炸声使他昏迷过去，醒来的他面前躺着的是睁眼死去的妈妈，而他自己也因这场车祸失去了记忆，智力变得像小学生一样…… 　　在恩燮的童年记忆中，爸爸一个月只会回两次家，因为爸爸那时还有真正的家庭。一直渴望得到真正父爱的恩燮，经常听到妈妈说 “要比你哥哥恩浩要有出息”的话。妈妈希望恩燮学医，将来好继承爸爸的医院。在这种期盼下，恩燮好不容易才考上医科大学，跟恩浩一样在爸爸的医院里当了实习大夫。 　　但是，酒、女人和爵士乐，这才是恩燮真正喜欢的东西。在医院里，恩燮每天一看到血或者病人就流眼泪，所以医院里的大夫、护士们称他“哭鬼大夫”。恩燮很讨厌医生的工作服，还有医院的味儿、病人，一看见血就想呕吐。有一天，恩燮因为小小的失误而在众人面前被爸爸骂，于是恩燮拿它当借口偷了爸爸的车，带上自己的乐器，离家出走，去追求享乐的生活……但听说哥哥恩浩变成植物人的消息后，恩燮马上赶了回来。 　　毫不知情的贞恩千里迢迢到汉城去寻找恩浩，却发现他已经遭遇车祸丧失了全部记忆。恩燮在医院中第一次见到了贞恩，尽管贞恩对自己连正眼都不看一眼，但恩燮还是对贞恩心生怜意，继而爱上了她。面对失忆的哥哥和爱着自己的弟弟，贞恩陷入迷惘之中……

徐贞恩（高贤贞饰）从小被父母抛弃，在西海一个岛上的保健所所长徐达浩家长大，先天孤僻。小学4年级时，一个未婚男老师赞扬的一句话激励着她开始学习钢琴。而贞恩内心深处对男老师也开始萌生一种莫名的情感。长大后，她抱着考音乐大学的美梦到处应考，却全都落榜，再加上初恋梦想的破灭，一次意外的受伤，使她无法继续弹心爱的钢琴，也使她患上了失语症……贞恩放弃了一切来到乡下，4年的乡下生活她始终不开口讲话，像鱼缸里的鱼一样安静。 　　高恩浩（池镇熙饰）出生在医生世家，父亲高亨振是个有名的医生。原以为生活在幸福家庭的恩浩，有一天妈妈却突然失踪了，继母慧琳带着弟弟恩燮（赵仁成饰）出现在他的生活中……在冷酷的爸爸面前，恩浩表面上表现得宽厚礼貌，但内心里却经受着残酷的折磨，就这样在孤独中长大。长大后，恩浩考上医科大学，才知道原来小时候爸爸在外面一直有另一个家庭，恩燮是他同父异母的两兄弟，亲生母亲一直在煎熬中度日，后来还被爸爸赶走…… 　　恩浩到乡下去找知道生母住处的保健所所长徐达浩，后来还在达浩的保健所里开始工作。在这里，他见到了曾经偶遇过的贞恩，对患有失语症的贞恩产生了同病相怜的感觉，不幸的遭遇拉近了两人的距离。恩浩想尽办法想让贞恩开口，重新说话；还把生母的钢琴送给了贞恩。渐渐的，爱情在两个人心中慢慢滋生…… 　　为了贞恩，恩浩想住在岛上，于是回汉城收拾行李，在那儿见到了生母。恩浩坐上生母开的车，却不幸遭遇交通事故，突然天旋地转，巨大的爆炸声使他昏迷过去，醒来的他面前躺着的是睁眼死去的妈妈，而他自己也因这场车祸失去了记忆，智力变得像小学生一样…… 　　在恩燮的童年记忆中，爸爸一个月只会回两次家，因为爸爸那时还有真正的家庭。一直渴望得到真正父爱的恩燮，经常听到妈妈说 “要比你哥哥恩浩要有出息”的话。妈妈希望恩燮学医，将来好继承爸爸的医院。在这种期盼下，恩燮好不容易才考上医科大学，跟恩浩一样在爸爸的医院里当了实习大夫。 　　但是，酒、女人和爵士乐，这才是恩燮真正喜欢的东西。在医院里，恩燮每天一看到血或者病人就流眼泪，所以医院里的大夫、护士们称他“哭鬼大夫”。恩燮很讨厌医生的工作服，还有医院的味儿、病人，一看见血就想呕吐。有一天，恩燮因为小小的失误而在众人面前被爸爸骂，于是恩燮拿它当借口偷了爸爸的车，带上自己的乐器，离家出走，去追求享乐的生活……但听说哥哥恩浩变成植物人的消息后，恩燮马上赶了回来。 　　毫不知情的贞恩千里迢迢到汉城去寻找恩浩，却发现他已经遭遇车祸丧失了全部记忆。恩燮在医院中第一次见到了贞恩，尽管贞恩对自己连正眼都不看一眼，但恩燮还是对贞恩心生怜意，继而爱上了她。面对失忆的哥哥和爱着自己的弟弟，贞恩陷入迷惘之中……

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

商会千金赵春漫为父报仇潜入玉春戏院，却不幸死于义帮二当家周迟之手。时间重置，赵春漫发现事情似有不同。为查清父亲死亡真相，改变自己的结局，春漫一次次面对命运的抉择，步步为营，也在与周迟的感情中攻城略地。

商会千金赵春漫（吉舒亦 饰）为父报仇潜入玉春戏院，却不幸死于义帮二当家周迟（边天扬 饰）之手。时间重置，赵春漫发现事情似有不同。为查清父亲死亡真相，改变自己的结局，春漫一次次面对命运的抉择，步步为营，也在与周迟的感情中攻城略地。

一场意外，让萧宁魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。