백현, K-POP 솔로 아티스트로 새로운 역사를 쓴다! 　　백현이 12년 만에 선보인 첫 단독 아시아 투어의 마지막을 장식한 ‘Lonsdaleite [dot]’ 이 스크린에 펼쳐진다! 　　2024년 3월, 서울에서 시작하여 아시아 13개 도시를 거쳐 피날레 콘서트로 마무리된 뜨거운 순간! 　　백현의 히트곡 ‘Bambi’, ‘Candy’, ‘UN Village’ 무대는 물론, 　　화려한 퍼포먼스와 완벽한 라이브로 그날의 감동을 선사한다! 　　오직 영화에서만 볼 수 있는 백현의 단독 인터뷰와 비하인드 영상까지! 　　ScreenX, 4DX, ULTRA 4DX로 더 크게, 더 생생하게 대형 스크린으로 만난다! 　　전율의 무대를 다시 느낄 시간! 'BAEKHYUN: Lonsdaleite [dot] IN CINEMAS'

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

一场意外，让萧宁魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。

一场意外，让萧宁（潘毅鸿 饰）魂穿大境朝沦为苏家赘婿，他以古法点化茶韵酒香，引得万民竞逐；创报纸、揽英才，助公主纵横朝堂；面对商女刁难、前妻轻慢，他从容布局，以商道为剑斩断世俗偏见，在鄙夷声中书写逆袭传奇。

这部惊悚片由塔菩希·潘努、维金兰特·马西和哈什瓦汉·拉纳主演，讲述了一名女子涉嫌谋害亲夫的故事。

一个富裕的德国家庭在普罗旺斯的夏日假期期间聘请了一位年轻女子作为女仆。渐渐地，这个家庭的整个生活发生了变化——并带来了戏剧性的后果。

皮特（卡曼妮·耶美肯 Khemanit Jamikorn 饰）和普雷潘（卡曼妮·耶美肯 Khemanit Jamikorn 饰）虽是一对孪生姐妹，但是性格却大相径庭，姐姐单纯善良，妹妹独断善妒。某日，皮特邂逅了名为韦斯特（塔万·素里亚杰 Tanwa Suriyajak 饰）的男子，两人坠入了情网之中，决定携手步入婚姻的殿堂，哪知道普雷潘亦深深的爱上了英俊的韦斯特，为了拆散姐姐和姐夫，普雷潘竟然不择手段，毒害了姐姐。 　　最终，韦斯特得知了妻子死亡的真相，他非常厌恶诡计多端夺人所爱的普雷潘，宁愿出家也不愿意和她在一起。临死之际，皮特的灵魂附身在一枚戒指之上，而没能够得到爱人的普雷潘也发了毒誓，无论投胎转世多少次，都要找到并且缠上韦斯特。

皮特（卡曼妮·耶美肯 Khemanit Jamikorn 饰）和普雷潘（卡曼妮·耶美肯 Khemanit Jamikorn 饰）虽是一对孪生姐妹，但是性格却大相径庭，姐姐单纯善良，妹妹独断善妒。某日，皮特邂逅了名为韦斯特（塔万·素里亚杰 Tanwa Suriyajak 饰）的男子，两人坠入了情网之中，决定携手步入婚姻的殿堂，哪知道普雷潘亦深深的爱上了英俊的韦斯特，为了拆散姐姐和姐夫，普雷潘竟然不择手段，毒害了姐姐。 　　最终，韦斯特得知了妻子死亡的真相，他非常厌恶诡计多端夺人所爱的普雷潘，宁愿出家也不愿意和她在一起。临死之际，皮特的灵魂附身在一枚戒指之上，而没能够得到爱人的普雷潘也发了毒誓，无论投胎转世多少次，都要找到并且缠上韦斯特。

姜妹仪曾是裴琰心尖上的宠妃、宠冠后宫、无人能及， 却因亲妹妹姜婉清的挑拨，为儿子裴煜百般争斗，最终落得被勒死的下场。重生后，姜姝仪决定紧握帝王宠爱， 坐稳宠妃地位，不再重蹈前世覆辙，过程中，姜姝仪也通过梦到前世死后之事，逐渐明白了裴琰对她的爱和宠， 爱人最终双向奔赴、共度余生。根据番茄小说《重生在龙榻，宠妃抱着陛下哭》改编，作者蹒珊行