一位长辈五年间倾力帮晚辈打理餐饮店，不取分毫酬劳，还不断贴补店铺开销。忙碌之际，只因随手饮用一瓶水，便收到万元罚单，这件事彻底敲醒了她。面对家庭误会与网络片面舆论，她整理票据凭证，用证据还原真相，依法维护自身权益。历经这场风波，她放下过往执念，学会为自己生活，也点醒家人：亲情离不开感恩，更要有分寸与尊重。

While searching for the meaning of his existence, Ben Layton uncovers a family secret that leads him to a woman named Hanna... who might have almost been his adopted sister. But when he and Hanna inadvertently fall in love, and his life becomes increasingly and weirdly complicated, Ben starts to realize that everything is incredibly connected - and that the world might just be more inexplicable than he ever imagined.

年轻的心理学毕业生桑德拉(马蒂尔德·吉奥尼饰)刚刚被著名的在线心理治疗网站GETHELP.COM雇佣。但是当她回到家，把一切都告诉她的男朋友Stefano (Francesco Centorame)时，她发现他手里拿着他的行李箱:他抛弃了她，没有给她任何解释。桑德拉陷入了彻底的危机，因为她要求知道为什么她被留下了。矛盾的是，在她上班的第一天，她不仅意识到一个网站漏洞给了她一个活泼的70岁老太太的身份和照片，而且她的第一个病人是她的前任。为了不被认出来，她及时关掉了摄像头，并伪装自己的声音，假装自己是老年心理治疗师。桑德拉在私家侦探马尔科(皮尔保罗·斯波隆饰)的帮助下，将道德抛到了九霄云外，她决定在接下来的会议中即兴扮演新的窈窕奶爸，装扮成她无意中窃取了其在线身份的人，以获得困扰她的问题的答案:你为什么离开我？尽管心理治疗没有取得多大成功，桑德拉最好的朋友贝尼代塔(爱西亚·阿基多饰)的婚礼还是到来了，在婚礼期间，所有的人物都被揭穿了...被看见。

互联网大厂精英林暮寒在同一天迎来两件事：花五十元中八千万彩票，却被偏心父母逼迫签下放弃协议，家中四套高档公寓尽数分给妹妹林晓月。长久以来家人重女轻男，不断索取兜底，彻底寒心的林暮寒隐瞒奖金，全款购置江景大宅、豪车开启新生活。不久林晓月创业亏空三百万，全家轮番上门道德绑架，逼他变卖房产填窟窿。堂哥婚宴上林暮寒当众亮出中奖凭证，请来律师签订家庭责任边界协议，划清经济纠葛。妹妹无奈卖房自救，父母终知亏欠。林暮寒职场晋升，与通透律师沈曼相伴，彻底摆脱原生家庭的吸血枷锁，寻得属于自己的安稳人生。

千万天降横财，让偏心家人的贪婪嘴脸暴露无遗。父母偏心妹妹，夺他房产、逼他退让，多年付出被全盘无视。林暮寒隐忍蓄力、低调蜕变，在家人负债逼他填坑之际，当众撕破伪装，签订责任协议斩断纠葛。贪心妹妹自食恶果，父母幡然醒悟，他终摆脱枷锁，坐拥事业与良缘。

林芊芊攥着手机的手指泛白，屏幕上陈村发来的信息像毒蛇吐信：“我女儿又发烧了，你不能见死不救！” 窗外暴雨拍打着玻璃，和她擂鼓般的心跳声混在一起。自从大学那次骨髓捐献后，她的生活就被这家人彻底搅乱 —— 工作日堵在公司楼下，周末守在小区门口，甚至往家里寄恐吓信。​ “老婆，别理他们。” 顾遇白轻轻搂住她颤抖的肩膀，掌心传来的温度让她眼眶发烫。他早就辞掉了出差频繁的工作，每天接送孩子上下学，把家打理得井井有

林芊芊在大学期间捐赠了一次骨髓，工作之后被受赠者陈村一家找上们来，让她二次捐献。林芊芊拒绝无果，被陈村一家一直纠缠。工作也黄了，家里也不得安宁。顾遇白作为丈夫一直陪伴林芊芊，两人相互扶持保护孩子，揭穿陈村一家的真面目。

张建军因受哥哥救命之恩，婚后对寡嫂李云霞过度照料。李云霞自私泼辣，借恩情不断提出无理要求，干涉张建军与妻子孙娟的生活，还暗藏情愫挑拨二人关系，从索要物质到公开表白、楼道撒泼，矛盾持续升级。孙娟虽温柔包容，却也因丈夫的失衡对待备受委屈。最终，张建军认清底线，与李云霞彻底摊牌明确家庭边界。李云霞幡然醒悟，一年后，三人化解隔阂和睦相处，张建军与孙娟的感情愈发坚固，如愿迈向新生活。

The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 源自：https://iffr.com/en/iffr/2023/films/endless-borders