Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol.

PIEMULE is a film about an ethnic group of Czechs which settled over a hundred and fifty years ago in the hills not far from Timisoara. The ancestors of today's inhabitants, craftsmen and farmers came to the Romanian highlands around the year 1822 with their families, work and livelihood. Director Jana Sevikova went to Romania for the first time in the early 1980's and under very difficult conditions, she succeeded over a period of several years in capturing the way of life of one remote village fused with the changing seasons represented by religious ceremonies or social and work rituals (Christmas, carnivals, Easter, weddings, harvests, the ploughing of the land). She presents individual people their customs, behavior and opinions. Employing a complex structure of composition, the film depicts the social aspects of this small enclave foreign to Romania, its history as well as the moral depth of the people . Isolated from a foreign world this community has kept it's language , culture and also a feeling for national identity. The film does not have a factual, explicit commentary in the ordinary sense of the word. It contains the testimonies of individual people and a few essential historical facts: a song depicting the biblical story of the original sin threads it's way through the whole film. The song represents the religious character of these people and how they bear their lot. They live in relative material poverty , they are left to their own resources and the whim of Ceaucescu's regime. The film reminds us of life values which have long disappeared and only exceptionally are they found today. Jana Hadkova, film critic. In 1993, the filmmaker returned to the same place in Romania, ten years after she had completed filming. To her surprise, nothing had changed, life in Rovensko had remained unmarked, not even by Romania's revolution and other changes in the country ruled by a former Communist dictatorship. Time had already stopped during the last century.

安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。

安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。

事故か？ 殺人か？ 死霊伝説か？ 怨霊伝説の残る島で正体不明の恐怖に襲われる若者たちの運命を描いた青春ミステリー。監督は、葉山陽一郎。高野志保はサークルの仲間6人で、南の島へ卒業旅行にやってきた。他の滞在者もなく、美しいその島は志保たちの貸し切り。学生生活最後の休日を満喫する6人だったが、ふとしたことでこの島に残る怨霊伝説を知ることに。その伝説とは、恨みをもって亡くなった死者の魂が甦り、人びとを呪い殺すというものだった。そしてその夜、ホテルの支配人が死に、翌日メンバーのひとりが死体となって発見された。残る5人も次々と恐怖に襲われていく。実は、それぞれが狙われるだけの秘密を胸に隠し持っているのだった・・・。

Audrey joins a participatory isolated workcamp where Kathleen, Laurence and Baptiste, volunteers from different backgrounds, live and work under the supervision of Aymeric. In a group marked by its disparity, each one tries to find one’s way around, to form bonds and to create a community.

在中世纪，把患有精神疾病的亲戚关在棚屋和谷仓里是很常见的做法。以斯拉，一个易受影响的小男孩，听了他被监禁的叔叔的话，开始看到同样的小精灵和生物。

他们在小屋找到了他们的爱情、亲情！ 罗文与小雨俩人同读一所大学，因为家庭背景相似，令二人感情深厚，认为不能片刻分离，决定于暑假结婚。 当然二人的家长强烈反对，罗文和小雨更和家人反目，决定自己寻觅一小屋做为婚后属于自己的爱情小屋。 罗文和小雨在筹备的过程中吃尽苦头，更感到现实生活的压力很大，不但令学业成绩退步，更令二人不时发生争执。 原来俩人的家长一直在暗中帮助他们，他们知道后感到十分意外和感动，更悟到结婚不是儿戏，最后，他们能否能搬进这爱的小屋？