迷失第四季的特别EP,回顾了前三季的内容.

迷失第四季的特别EP,回顾了前三季的内容.

“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。

“在这座城市里拥有爱情，我配么？”这也许是每一个“漂一族”的自我怀疑。一次交通意外，让王惜月（王智 饰）陷入了一场从未预想的“一见钟情”；同为…

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

The series is a complex story of destinies that intersect when they assassinate a media mogul on their wedding day, at the same time that an assassin in the United States is executed in the electric chair. The tycoon's soul is reincarnated in the body of the hit man and, in turn, the killer's soul ends up in the body of a professor of anthropology. Now, every man will not only have to deal with a new body, but also adapt to a new spirit.

“Deep love has finally happened in Ukraine.” 　　Perhaps the most prominent and radical figure in Ukrainian animation, Lyskov (b. 1983) crafts a surreal portrait of his home city Dnipro. Documenting how the people of the riverine metropolis weathered post-USSR storms of social upheaval, this colourful exercise in urban surrealism is a non-verbal phantasmagoria in which entities absurdly and oneirically intermingle. Essentially empathetic and humane, it explores the idea of “Kohannia”—defined by Lyskov as “a feeling that arises in the soul and has a connection with the transcendental and divine… which I do not see around me nowadays.” (N.Y.)

“Deep love has finally happened in Ukraine.” 　　Perhaps the most prominent and radical figure in Ukrainian animation, Lyskov (b. 1983) crafts a surreal portrait of his home city Dnipro. Documenting how the people of the riverine metropolis weathered post-USSR storms of social upheaval, this colourful exercise in urban surrealism is a non-verbal phantasmagoria in which entities absurdly and oneirically intermingle. Essentially empathetic and humane, it explores the idea of “Kohannia”—defined by Lyskov as “a feeling that arises in the soul and has a connection with the transcendental and divine… which I do not see around me nowadays.” (N.Y.)

HBO制作。也许没有任何一个行业像模特业一样如此惧怕岁月。“变老”对于大多数名模来说都是不得不面对的终极挑战。《嘉人Marie Claire》携手纪录片导演兼肖像摄影师提摩西·格林菲尔德-桑德斯探访了十余位四十到七十年代风靡一时的超模，拍摄她们走下T台后的真实生活，制作出纪录片《关于容颜：超级名模的前世今生》。面对镜头，她们回忆了那对模特来说“最好的时代”，并首次开诚布公地表达自己对毒品、性、整容手术和老去的看法。

HBO制作。也许没有任何一个行业像模特业一样如此惧怕岁月。“变老”对于大多数名模来说都是不得不面对的终极挑战。《嘉人Marie Claire》携手纪录片导演兼肖像摄影师提摩西·格林菲尔德-桑德斯探访了十余位四十到七十年代风靡一时的超模，拍摄她们走下T台后的真实生活，制作出纪录片《关于容颜：超级名模的前世今生》。面对镜头，她们回忆了那对模特来说“最好的时代”，并首次开诚布公地表达自己对毒品、性、整容手术和老去的看法。