“I envy the Japanese.” 　　如果梵谷幾曾造夢，夢中的境地必定是日本，那個他從沒去過，卻影響著他畢生畫風的亞洲國度。 　　梵高在前往法國南部阿爾勒的火車旅途中，一邊留意窗外的光景，一邊寫信給高更：「看看『是不是已經有點像日本了』很幼稚，對吧！」梵高充滿著遺憾的一生，亦幾曾充滿希冀地渴求著外國的風情，稚氣地試圖由身邊的日常光景找尋東方色彩。他收藏了數百幅日本版畫，臨摹過當中不少的作品，可惜他卻沒法等到自己作品流傳日本，得到東方世界賞識的一天⋯…導演這次走訪阿姆斯特丹的梵高藝術館、法國及日本揭開來自東方的紗幕，與你投身梵高的日本夢，遊走在浮世繪與木刻版畫之間，等待星夜的到來。也許在日本夢中，梵高繃緊的精神終能得到剎那的平靜。

威廉-亨利-端纳，澳大利亚记者出身。1903年到香港任《德臣报》编辑，从此与中国结 ... 的顾问，经历了从清朝覆灭、民国建立、直到抗日胜利长达40年的民国发展史，是西安事变的斡旋者，其堪称是民国史上重大政治事件的历史见证人。

由于在现实生活中太过不顺，加上空地也无法玩耍，大雄和他的伙伴小夫、胖虎和静香决定进行史上最大规模的离家出走。同时，由于发生时空错乱，一名名叫古古儿的远古时代中国人来到20世纪的东京，后被大雄等发现，带到七万年前。原来古古儿所在的光明族被黑暗族侵略，而黑暗族的首领是来自未来世界的巨尊比，他妄图改变世界历史，但是在时光巡逻队的协助下，最后巨尊比的阴谋破产，而古古儿和他的部族来到了日本，成为日本人的始祖。舞台在七万年前的中国。

故事发生在2007年的初夏，落魄的逃难画家金成南（金英浩 饰）来到了巴黎，然而，这个艺术家们眼中的创作天堂对于一穷二白的金成南来说，不过只是另一个牢笼而已，对于故乡和妻子的思念日日折磨着他。 　　一次偶然中，金成南结识了名叫柔贞（朴恩惠 饰）的美丽女子，此时他的境遇和心态已和初到巴黎时大为不同，柔贞的出现无异于又一计强心针，很快，身处异国他乡的孤男寡女之间燃起了汹汹的爱情火焰。正当金成南和柔贞打得火热之时，远在祖国的妻子怀孕的消息让他陷入了矛盾和自责之中，与此同时，他和柔贞的关系也因此发生了质的转变。一边是家庭，一边是爱情，金成南会做出怎样的选择呢？

An epic saga of the Niechcic family, told from a woman's perspective. In 1914 in the war-torn Kaliniec, Barbara Niechcic remembers her youthful love, marriage hardships, family life in the countryside and finally her husband's death.

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

1949年初，北平解放前夕，李亨以中统川调室科长身份潜入成都。因叛徒出卖，接头计划败露，老周为护他被俘。旧敌贾云武对其突然出现存疑，沈一禾表面重用实则监控。二人审讯老周无果，李亨遇初恋贾云英。深夜，贾云武忆起十年前李亨刺杀日军将领之事，派大奎、小六监视其动向。

《锋味》是2018年浙江卫视推出的大型生活类户外美食节目。本节目是《十二道锋味》的全新改版以及升级。 　　本季《锋味》打造出独特的“锋味厨房”作为每一集美食故事的起点与终点，为观众呈现最高品质的视觉美食盛宴，在这里，大厨霆锋将通过对料理的研究探索来展开每一集不同的情怀主题。 在节目尾声“锋味厨房”展示“锋味”料理的诞生过程，结合霆锋的料理概念阐述与感性独白，深入讲述每一道“锋味”背后“料理与人”之间的故事。 　　霆锋将邀请多位嘉宾好友，共同前往海外以及国内城市，其中包括希腊米克诺斯岛、捷克布拉格、俄罗斯圣彼得堡、土耳其伊斯坦布尔等海外著名美食旅游都市；也包含成都、顺德、厦门为首的多个国内美食文化之都，在《锋味》的美食之旅中体验各地独特的风土民情、品尝各式特色美食、体验当地人的生活方式。霆锋与他的好友们将拜访“有故事”的华人或是热爱中国文化的外国朋友，每一集的主题也将围绕这12位“锋味之友”展开。每一集中霆锋与嘉宾都将一同来到当地人家中，走近日常生活，并在家中厨房内量身打造专属的“锋味”。

在成都解放前夕，一名因战乱与组织失联的共产党员李亨（杜淳饰）成为一个断线的风筝，长期被中统收编顺理成章进入川室，国共双方的地下斗争，江湖袍哥的恩怨纷争、国民党内派系以及川军团中的明争暗斗，将李亨置于争斗的中心，在各种关系中斡旋，直到遇见被严刑拷打的故人老周，得到老周留下的线索，找到了于同（郭家铭饰），成为与于同单线联系的我党潜伏人员，在这过程中逐渐有了明确的目标，找回组织。同时与昔日的恋人贾云英（颖儿饰）身处对立阵营，为了革命事业大局着想，李亨选择与义父临终托付的陆淑芬（种丹妮饰）共同承担袍哥大爷的重任，两段不寻常的爱情使这个男人有血有肉。李亨这只断了线的风筝，在隐秘硝烟的战争中重新找回自己身份，用实际行动诠释着共产党员这个称谓。