讲述的是李廷镇饰演失去妻子之后心怀伤痛独自生活的监狱看守，而林秀香饰演因为杀人嫌疑而被关押的无国籍女囚犯“银河”。

운동을 좋아하고 화장이나 치마와는 거리가 먼 고등학생 은우. 어느 날 우연히 운동장에서 주운 틴트를 계기로 같은 학교 태은을 만나게 된다. 얼마 후 복도에서 마주친 태은은 체육복을 안 가져왔다며 다짜고짜 자신의 치마와 바꿔 입어 줄 것을 부탁한다. 이 상황이 당황스럽기만 한 은우는 이후 또다시 태은에게 휘말려 난생처음 화장까지 받게 된다. 낯선 것들 투성이 속에서 은우의 감정은 혼란스럽기만 하다.

姜妍在童年时被生母高岚抛弃，幸运的是，她被姜大山夫妇收养，并视如己出。尽管患有心脏病，但养父母不惜一切代价为她治疗。成年后，高岚为了争夺家产，试图认回姜妍。然而，姜妍选择留在养父母身边。 面对生母的回归和家产的争夺，姜妍经历了一系列冲突和挑战。在这个过程中，她逐渐发现了高岚的真面目。在养父母和爷爷的支持下，姜妍勇敢地揭露了高岚的虚伪和贪婪。 这个故事告诉我们，亲情的力量是无穷的，而真正的家庭并不在于血缘关系，而在于彼此之间的关爱和支持。姜妍的选择让我们看到了一个坚强、勇敢的女性形象，她的故事也提醒我们珍惜身边的人，感恩生活中的每一份爱。

赵显德被女儿赵书瑶和其女婿要挟住进养老院，万万没想到这个养老院竟是只进不出的老年人监狱，赵显德最后在养老院中郁郁而终。结果上天竟然给他又重活一世的机会，这次他发誓要将女儿赵书瑶和女婿一家赶出家门，拿回自己失去的一切。

"厂工何家栋为救孤儿石头（况天昊）牺牲，妻子黄翠兰收养石头，却遭堂哥何二狗霸占家产、刁难。为让石头上学，她历经入学、户口、被诬陷等难关，石头凭数学天赋获机会，教育局领导察觉其身世被况家养女况傲雪阻挠。 石头上学后屡被何二狗之子刁难，考试中救人性命以致于缺考；黄翠兰为让何家栋灵位入祠堂，被何二狗逼受 “过三关” 重伤，石头拆穿谎言，村民讨回何家院落。黄翠兰查出癌症，石头为筹钱参赛，况傲雪多次作梗，甚至制造跳河危机，幸被况国富解救。 况国富告知石头是况家遗孤，黄翠兰忍痛送其归况家，况傲雪陷害未果反被石头录下罪证。黄翠兰谎称出国治病，实则独自抗癌。多年后石头考中状元还乡，才知干娘已病故"

赵显德被女儿赵书瑶和其女婿要挟住进养老院，万万没想到这个养老院竟是只进不出的老年人监狱，赵显德最后在养老院中郁郁而终。结果上天竟然给他又重活一世的机会，这次他发誓要将女儿赵书瑶和女婿一家赶出家门，拿回自己失去的一切。

她用血泪托举儿子登上云端，终于被总裁儿子接进奢华别墅安享晚年。然而，迎接她的不是感恩，而是贵妇丈母娘的鸠占鹊巢与处处刁难，儿子处处维护外人，林秀英不在忍耐，绝地反击，手撕绿茶丈母娘，她能拿回属于自己的一切吗？

在一座装潢考究的大房子里，暖黄的灯光充满卧室每一个角落。留着小胡子的男主人身着睡衣，悠然自得走了过来，他赶走了捣乱的小狗，随后吹响了口哨。奇妙的事情发生了，伴随着口哨声灯光亮了起来，高科技的音响放松出美妙的音乐。我们看见，男人的家如同宫殿一般豪华，这里不仅装潢考究，而且都配备了高精尖的先进设备。他无需动手，只需吹吹口哨或弄出点儿什么声响，相关设施就会启动服务它的主人。男人站在履带地毯上滑向了浴室，在自动洗浴机的帮助下洗澡。这时，收音机出了故障，任凭他给出怎样的指令都无法恢复正常。 　　男人准备修理一下音响，而大混乱随即发生……

迪士尼频道迷你剧《加速吧蕾恩》讲述了习惯严格按计划行事的少女蕾恩，意外发现了一辆名叫阿文的会说话的智能汽车，从此她按部就班的生活突然驶入快车道，被卷入一个又一个意外。她将和朋友一起，试图揭开这辆智能汽车背后的秘密。

What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.