竹本武（水岛大宙 配音）是一个充满了正义感的普通少年。某一日，森林中的一个发光物体吸引了武的注意，随后，少女光（川澄绫子 配音）从光芒之中破茧而出。光的存在给武带来了许多的快乐，但她的神秘身世一直都像一道阴影一样投射在两人的生活中。 　　与此同时，一位名叫明（清水爱 配音）的少女和竹本武亲梅竹马的好友二之宫良（泷本富士子 配音）相遇了，就这样，天真善良的四人渡过了一段无忧无虑的时光。可是好景不长，原来，光是为了毁灭地球而被制造的武器，当暴虐的本性无法再隐藏之时，明和武不得不为了保护地球而站在了光的对立面。一边是世界的和平，一边是自己心爱的女孩，武会做出怎样的选择呢？

该剧以校园暴力为主题，讲述因校园暴力而站在生死边缘的儿子以及家人以儿子的名义寻找真相的故事，即便是在这个充斥着虚假、隐匿、背叛、曝光的自私的世…

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

现代艺术中的美丽消失了吗？ 　　有的思想家这么认为，他们觉得现代艺术已经无法把握真正的美。然而艺术评论家Waldemar Januszczak却不同意。 　　Has beauty disappeared from modern art? Several influential modern thinkers insist that it has. And this belief has inspired them to publish a clutch of recent books which claim that modern art is no longer capable of capturing true beauty: that beauty has gone from art. Art critic Waldemar Januszczak fiercely disagrees, believing that great art is as interested in beauty as ever. Art's search for beauty has manifested itself in depictions of the idealised female form, glorious landscapes, lovely flower studies and perfectly arranged renaissance altar pieces - but where does this search continue today? We know so much about the atomical make-up of our universe that the search for beauty can seem old-fashioned or unscientific. And because so much horror and darkness have passed through modern times, the quest for 'beauty' can even be dismissed as escapist and irrelevant. 　　But of course, it isn't. Waldemar Januszczak would argue that the need for transcendent beauty in art is greater than it has ever been. And - most importantly - art knows this. Beauty is out there. You just have to know where to find it. However, beauty today can be electronic or scientific; subtle and elusive. It can be found in the LCD sculptures of Tatsuo Miyajima or the subtle light installations of James Turrell. Carl Andre discovers a stern modern beauty in squares of industrial materials dropped around a goods yard. The cancer paintings of Damien Hirst find a terrible modern beauty in the deformed human anatomy. These and other great searchers after beauty are the subject of this film. 　　The world today needs beauty more than it has ever needed it - and modern art is one of its few suppliers.

主要情节来自真实事件，影片从1994年的一所医院里两名受伤青年的回忆始，两人从小就是好朋友，一个是塞尔维亚人，另一个是穆斯林。1992年南斯拉夫发生种族冲突，使得两人的友谊受到严峻考验。塞尔维亚巡逻兵和一名美国记者被一群穆斯林民兵困在一个连接贝尔格莱德的隧道里昔日的朋友如今因为属于不同的种族而成为死敌，他们一困就是好多天，缺水缺粮，逃生无望。既然等死，他们居然在里面表现起杂耍来了，黑色幽默可见一斑。 在南斯拉夫本土卖座鼎盛，国外好评如潮；这部东欧的话题作品，更是当年奥斯卡最佳外语片的大热门。不但人物性格突出，黑色幽默大胆破格，更难得的是以一部塞尔维亚制作贯彻反战主题，立场不偏不倚。但正由于片中塞军及回教徒都同样好战，又把官方的宣传与暴行并置，在国内各方（除了老共党和极右派）都不讨好也是自然不过。影片在真正被波斯尼亚战火烧毁的村庄实地拍摄，五段时空来回剪接，风格凌厉气势逼人。这是一部尖锐又幽默的反战影片。

平良一成 （ 萩原利久 饰）因为口吃而无法随心所欲地说话，从小就不擅于和周围的人相处，最终变成孤零零的高中3年级学生。平良的同学清居奏 （ 八木勇征 饰）是位居学校金字塔顶点的压倒性领袖人物。高中3年级的春天，在班级更换的自我介绍中，平良由于过于紧张而口吃，之后在班里被当做透明人对待，并被清居等人的团体所使唤。但是，平良非但没有在意这件事，反而觉得很开心。其实，平良从看到清居第一眼的瞬间就深深爱上了他。并暗自把冷酷又美丽的清居当作“国王”一样崇拜，忠诚地持续为他采购午餐。平良不清楚这份感情到底是憧憬还是什么。虽然无法弄明白自己的心情，但是以班级内的关系和等级发生变化为契机，两人的关系急速展开 。

平良一成（萩原利久 饰）是个沉默寡言的男生，他不说话并非个性冷淡，而是因有轻微口吃，紧张时症状会加剧。为防止秘密被人知晓，平良在学校总是选择闭嘴。好在他在母亲无微不至的关爱下长大，虽身体有小缺憾，但性格开朗乐观。 高三分班时，平良需在同学面前做自我介绍，正当他面红耳赤陷入尴尬时，闯入教室的清居奏（八木勇征 饰）打破了糟糕气氛，无形之中替平良解了围。此后，平良成了以奏为首的班级小团体的“奴隶”，整天被呼来喝去，可他不但不难受，反而还乐在其中。

Two pretty girls come of age and a painter has an unusual commission. In a repressive climate sexual exploration repression and liberation are and represented.

Two pretty girls come of age and a painter has an unusual commission. In a repressive climate sexual exploration repression and liberation are and represented.

大学生艾比和特拉维斯在做了一段时间的朋友后坠入爱河。他不相信恋爱关系，只是一夜情。直到他遇见艾比。这本即将上映的书讲述了两个有着麻烦过去的人学会相互信任并改变他们看待事物的方式。