阿辉（黎明 饰）是一个平凡的青年，他从香港远赴墨西哥，希望在这里找到自己的立足之地。可是，刚刚到墨西哥没多久，阿辉就莫名其妙的遭到了追杀，原来，在墨西哥的一所监狱里，一名华人男子惨遭黑帮同伙卡洛斯陷害，好不容易死里逃生越狱的他决定报仇，而阿辉和这个男人意外的相像，所以惨遭牵连。 　　幸运的是，阿辉遇见了名为贺凝（叶玉卿 饰）的酒吧老板娘，贺凝救下了无处可去的阿辉，随着时间的推移，两人之间渐渐碰撞出了感情的火花。贺凝的哥哥也是卡洛斯的刀下冤魂，贺凝一直没有放弃为自己的哥哥寻求一个公道。之后，越狱男子也来到了酒吧。

林文辉受到失恋的打击，为了逃避感情的烦恼，他背着前度女友送他的一只吉他，决定到处去流浪。这一站他来到了墨西哥。这里的风土人情和热情澎湃的音乐吸引着林文辉，他全身心投入这次异国风情的旅程。但万万没有料到，别人把他当成是名噪一时的吉他杀手，他在墨西哥屡遭追杀，险象环生，幸得酒店老板娘贺凝出手相救，方免于遭难。贺凝得知林文辉来历后，将他收留在酒吧养伤，更被他优美的歌声所感动，两人在星空下驾着电单车夜游，度过了浪漫的一晚。贺凝告诉林文辉，她对她哥哥的死始终耿耿于怀，她怀疑此事与刀匪帮首领卡尔洛斯有关。卡尔洛斯垂涎贺凝的美色已久，当他得知贺凝与林文辉一起夜游以后，怒火中烧；在这长满仙人掌的国度里，林文辉和贺凝前面的人生路上，是否也长满了刺人的仙人掌？

一个在车祸中伤了眼睛的女人和一个年轻的盲人相恋。看风景是看世界的唯一方式吗？

一个在车祸中伤了眼睛的女人和一个年轻的盲人相恋。看风景是看世界的唯一方式吗？

Since she appeared in my film in 2009, Jenjira Pongpas has changed her name. Like many Thais, she is convinced that the new name will bring her good luck. So Jenjira has become Nach, which means water. Not long after, she was drifting online and encountered a retired soldier, Frank, from Cuba, New Mexico, USA. A few months later they got married and she has officially become Mrs. Nach Widner. 　　The newlyweds found a house near the Mekong River where Nach had grown up. She spends most of her day crocheting baby socks for sale, while he enjoys gardening and watching television (sometimes without the sound because most of the programs are in Thai). 　　Cactus River is a diary of the time I visited the couple—of the various temperaments of the water and the wind. The flow of the two rivers—Nach and the Mekong, activates my memories of the place where I shot several films. Over many years, this woman whose name was once Jenjira has introduced me to this river, her life, its history, and to her belief about its imminent future. She is certain that soon there will be no water in the river due to the upstream constructions of dams in China and Laos. I noticed too, that Jenjira was no more. –Apichatpong Weerasethakul

在墨西哥的荒原上，快乐的旅行家米奇（沃尔特•迪斯尼 Walt Disney 配音）骑着小马一路前行。不久，他来到了一家小酒馆。酒馆的女主人米妮（玛西丽特•加纳 Marcellite Garner 配音）正坐在吧台上唱着快乐的歌曲。米奇伴着歌声起舞，但是他的鲁莽却惹恼了米妮。对方大为光火，将手中的酒杯盘子扔向米奇。为了平息这位小姐的怒火，米奇跳到钢琴前面，再次奏响愉快的乐曲。他的努力没有白费，米妮转怒为喜，随着跳跃的节奏而起舞。 　　这时候，恶棍皮特闯了进来，激起轻佻地挑逗米妮。为了保护这个可人，米奇挺身而出，与皮特展开了一连串的对抗和追逐战……

Since she appeared in my film in 2009, Jenjira Pongpas has changed her name. Like many Thais, she is convinced that the new name will bring her good luck. So Jenjira has become Nach, which means water. Not long after, she was drifting online and encountered a retired soldier, Frank, from Cuba, New Mexico, USA. A few months later they got married and she has officially become Mrs. Nach Widner. 　　The newlyweds found a house near the Mekong River where Nach had grown up. She spends most of her day crocheting baby socks for sale, while he enjoys gardening and watching television (sometimes without the sound because most of the programs are in Thai). 　　Cactus River is a diary of the time I visited the couple—of the various temperaments of the water and the wind. The flow of the two rivers—Nach and the Mekong, activates my memories of the place where I shot several films. Over many years, this woman whose name was once Jenjira has introduced me to this river, her life, its history, and to her belief about its imminent future. She is certain that soon there will be no water in the river due to the upstream constructions of dams in China and Laos. I noticed too, that Jenjira was no more. –Apichatpong Weerasethakul

印度西部层峦叠嶂的壮美风光为罗翰·帕拉舒拉姆·卡纳瓦德的处女作《仙人掌之果》提供了诗意背景。这部聚焦家族伤痛与隐秘酷儿情愫的影片斩获圣丹斯电影节世界电影单元评审团大奖。某家族为悼念逝去的族长举行为期十日的哀悼仪式，令早已逃离乡野、定居孟买的阿南德（布尚·马诺杰饰）被迫重返故土。在传统悼亡仪式中（如翻看旧照、追忆往昔），阿南德与童年挚友巴尔亚重燃的情谊悄然催生出禁忌欲望。通过克制的情感铺陈、感官觉醒的细腻描摹，以及布尚·马诺杰始终内敛的表演，《仙人掌之果》最终在痛彻心扉的结局中完成对人物肖像的精妙雕琢。

A happily married couple are held hostage at their desert retreat by a murderous ex-convict and his slutish, hitch-hiker girlfriend. 　　Philip and Alexandria Marcus are a young couple who decide to take a vacation to a friend's house in the Arizona desert to rekindle their passion, only to have their vacation turn into a nightmare when they cross paths with a homicidal ex-con named Randall and his seductive hitchhiking partner/lover Maggie whom they hold Philip and Alex hostage in their house which begins a web of mind games, deceit and lust among all four involved.

Anand, a 30-something city dweller compelled to spend a 10-day mourning period for his father in the rugged countryside of western India, tenderly bonds with a local farmer struggling to stay unmarried. As the mourning ends, forcing his return, Anand must decide the fate of his relationship born under duress.