王而立（杜海涛 饰）个性单纯善良，是一个开朗正直的有为青年，只是，年近三十的他依然过着形单影只的生活，还有一个个性强势的母亲（柳英霞 饰）。对于儿子的感情状况，王妈妈感到十分不满，因此，她几乎抓住了一切机会，向王而立施展逼婚大法。 　　周美娜（沈梦辰 饰）个性温和外表靓丽，却因为对爱情要求太高，挑来挑去，最终反而变成了被剩下的那一个，但是，她并不愿因此而降低对另一半的要求，所以，对于家人找来的歪瓜裂枣般的相亲对象，周美娜避之而不及。某日，逃避相亲的周美娜遇见了逃婚的王而立，两人共同踏上了一段充满了惊险和趣事的旅途。

影片主要讲述的是一个被逼婚的老板和一个家族显赫的剩女之间发生的故事，电影情节环环相扣，追求出乎意料的结果，堪称迷你版“泰囧”。杜海涛在剧中饰演一个大叔，矮穷挫的形象，杜海涛说：“看似一个矮穷挫骨子里是一个高富帅，无论是高富帅气质还是矮穷挫，海涛声称自己均可Hold住”。海涛坦言，挺期待这个角色的，不小心就升级为大叔，觉得饰演大叔应该是很好玩的。在该部戏中，范军客串海涛的老舅。

万小花是一名江湖游侠，因胆小怕死，打击罪犯时挑选的目标都是老弱病残，但凡身手、年纪和他相仿的坏人，出于安全起见，他都会礼让给那些勇于冒险的大侠。直到，他遇见了一位名叫苏墨嫣的侠女，由此踏上了一段危机四伏的惊险旅程。

万小花是一名江湖游侠，因胆小怕死，打击罪犯时挑选的目标都是老弱病残，但凡身手、年纪和他相仿的坏人，出于安全起见，他都会礼让给那些勇于冒险的大侠。直到，他遇见了一位名叫苏墨嫣的侠女，由此踏上了一段危机四伏的惊险旅程……

故事讲述戏精怂包少女遇上冷酷凶恶大叔的故事，两个性格迥异的家伙擦出爆笑治愈的火花！ 　　本剧根据腾讯动漫《酷大叔的恋爱物语》改编。

剧情讲述南梁大将军之子龙辰因家族惨遭灭门后穿越至东周宫廷，被迫成为太监身份。面对南梁的挑衅，龙辰凭借诗词造诣参与文斗，一边帮东周化解危机，一边暗中策划复仇恢复家族荣耀。该剧融合穿越、权谋、宫斗等元素，展现主角逆袭与复仇的叙事脉络

剧情讲述南梁大将军之子龙辰因家族惨遭灭门后穿越至东周宫廷，被迫成为太监身份。面对南梁的挑衅，龙辰凭借诗词造诣参与文斗，一边帮东周化解危机，一边暗中策划复仇恢复家族荣耀。该剧融合穿越、权谋、宫斗等元素，展现主角逆袭与复仇的叙事脉络

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

在快穿世界，绑定了败家系统，不花钱就要狗带，任务花钱虐渣打脸就算了，还要保证小奶狗好人卡的身心健康，初筝的内心是崩溃拒绝的。没听说过……但没办法，系统太强大。初筝只能身体力行的告诉诸位，想当位面大佬，从花钱开始！

在快穿世界，绑定了败家系统，不花钱就要狗带，任务花钱虐渣打脸就算了，还要保证小奶狗好人卡的身心健康，初筝的内心是崩溃拒绝的。没听说过……但没办法，系统太强大。初筝只能身体力行的告诉诸位，想当位面大佬，从花钱开始！