故事发生在一座位于地中海的工厂中，瓦莱里奥（乔治·马沙尔 Georges Marchal 饰）在那里工作，而他的妻子安贺拉（西蒙娜·帕里斯 Simone Paris 饰）因为精神方面的问题返回了欧洲休养。 　　在工厂里，瓦劳利奥认识了名叫克拉拉（露西娅·波塞 Lucia Bosè 饰）的女孩，两人之间逐渐产生了感情。桑德罗是瓦莱里奥的好友，他杀死了一直压榨他们的工头，因为这个工头间接导致了他的妻子的死亡。瓦莱里奥偷偷的把桑德罗藏在了自己家里，调查此案的警察法萨诺（朱利安·贝尔托 Julien Bertheau 饰）则开始了对于案件的调查。当安贺拉得知自己的丈夫竟然包庇一位杀人犯后，她和瓦莱里奥决裂了。

故事发生在一座位于地中海的工厂中，瓦莱里奥（乔治·马沙尔 Georges Marchal 饰）在那里工作，而他的妻子安贺拉（西蒙娜·帕里斯 Simone Paris 饰）因为精神方面的问题返回了欧洲休养。 　　在工厂里，瓦劳利奥认识了名叫克拉拉（露西娅·波塞 Lucia Bosè 饰）的女孩，两人之间逐渐产生了感情。桑德罗是瓦莱里奥的好友，他杀死了一直压榨他们的工头，因为这个工头间接导致了他的妻子的死亡。瓦莱里奥偷偷的把桑德罗藏在了自己家里，调查此案的警察法萨诺（朱利安·贝尔托 Julien Bertheau 饰）则开始了对于案件的调查。当安贺拉得知自己的丈夫竟然包庇一位杀人犯后，她和瓦莱里奥决裂了。

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.

《黎明》（Daybreak）是《触摸未来》（Touch）的网络衍生剧，两者在情节上没有直接关联。《触摸未来》第一季后半部分剧情中提到了一个神秘的「十二面体」，一些人认为这东西有神奇的力量。《黎明》的故事将重点描述这个「十二面体」的秘密，包括其形状的由来和真实的力量。

《黎明》（Daybreak）是《触摸未来》（Touch）的网络衍生剧，两者在情节上没有直接关联。《触摸未来》第一季后半部分剧情中提到了一个神秘的「十二面体」，一些人认为这东西有神奇的力量。《黎明》的故事将重点描述这个「十二面体」的秘密，包括其形状的由来和真实的力量。