阿根廷新浪潮电影运动的早期作，64年嘎钠影展金棕榈提名。 　　A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake. This film was one of the many collaborative efforts of producer Hector Olivera and director Fernando Ayala, though they often switched roles between screenwriter, director and producer of each project (No Exit, Funny, Dirty Little War). 　　http://en.wikipedia.org/wiki/Fernando_Ayala 　　Fernando Ayala (2 July 1920, Gualeguay, Entre Rios - 11 September 1997 in Buenos Aires) was an Argentine film producer, film director, screenwriter and film producer of the classic era. He is widely considered one of the most important Argentine film directors and producers in the history of the Cinema of Argentina. 　　Demicheli initially began as a trainee assistant director in 1942 in El Viaje and within two years he had become an assistant director. By 1949 he had developed into a main film director beginning his role as a film producer in the films he directed and some others in 1958. Between 1950 and 1987 he was involved in the direcotrship and production of well over 40 films, directing and producing films such as Ayer fue primavera (1955) and Argentinísima and Argentinísima II in 1972 and 1973 respectively.

You are never fully liberated from Auschwitz, 11 July 2016 　　Author: Red-125 from Upstate New York 　　The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. 　　Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. 　　We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. 　　The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. 　　They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. 　　For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!

艾米莉亚（安娜·莎若狄拉 Ana Serradilla 饰）是一名才华横溢的女摄影师，在父亲的邀请下，她千里迢迢来到了智利，准备去参加在父亲伊斯多罗（荷西·索里亚诺 José Soriano 饰）的葡萄庄园里举行的宴会。在生下了艾米莉亚后，伊斯多罗便离开了母女两人，但实际上，上一辈的这段缘分并没有走到尽头。 　　在伊斯多罗的带领下，艾米莉亚享受着庄园里如诗如画的景色和醉人的美酒，与此同时，父亲经历过的种种让艾米莉亚开始理解父亲做出的选择，父女两人间的隔阂渐渐消解。在智利，艾米莉亚邂逅了名为大卫（法兰西斯柯·梅洛 Francisco Melo 饰）的男子，两人之间产生了致命的吸引力，然而，大卫已经有了家庭，这让艾米莉亚陷入了道德的困境之中。

艾米莉亚（安娜·莎若狄拉 Ana Serradilla 饰）是一名才华横溢的女摄影师，在父亲的邀请下，她千里迢迢来到了智利，准备去参加在父亲伊斯多罗（荷西·索里亚诺 José Soriano 饰）的葡萄庄园里举行的宴会。在生下了艾米莉亚后，伊斯多罗便离开了母女两人，但实际上，上一辈的这段缘分并没有走到尽头。 　　在伊斯多罗的带领下，艾米莉亚享受着庄园里如诗如画的景色和醉人的美酒，与此同时，父亲经历过的种种让艾米莉亚开始理解父亲做出的选择，父女两人间的隔阂渐渐消解。在智利，艾米莉亚邂逅了名为大卫（法兰西斯柯·梅洛 Francisco Melo 饰）的男子，两人之间产生了致命的吸引力，然而，大卫已经有了家庭，这让艾米莉亚陷入了道德的困境之中。

《干了这碗人间烟火》是国内首档聚焦美味素食的11集系列纪录片，该片走访全国将近20个城市，从土地到餐桌，再到生活方式，多方面展现素食生活的丰富多彩，探索了一种自然健康、绿色时尚、环保文明的新风尚。该片真实质朴接地气，所拍摄的人物大多是普通平凡的人，他们真诚、朴实、善良，热爱生活，谱写了一曲曲温暖乐观的人间故事。与此同时，该片不批判、不说教，素食本身就有独立存在的价值和意义，不需要依赖任何宗教。

Leila偶然发现了隐藏在她最喜爱的虚拟现实游戏Azana中的「红色药丸」—— 一个绝密的天堂。母亲去世后，Leila陷入了深深的孤独感。所幸她为自己创造了一个数字身份「影疾」，可以在游戏世界中暂时忘掉烦恼。每当登入虚拟现实游戏Azana之后，她才感觉自己真正活着。在这个令 人惊叹的虚拟之地，Leila遇到了神秘的游戏角色Mania，她拥有Leila所没有的一切：快乐主义、任性、永不知足。当Leila发现秘密天堂「红色药丸」之后，「红色药丸」的领袖Adrian声称她不可以不请自来，然后将她的数字角色「影疾」赶出了游戏。第二天，Mania——或者说Mania的现实生活身份Tess——竟然出现在Leila工作的地方，从此进入Leila的现实生活，Leila的世界永远被改变了。Leila很快意识到，所谓的虚拟天堂不是神秘庇护所，也不是Adrian所声称的美好之地。但她更想知道Tess/Mania究竟是怎么回事……

Leila偶然发现了隐藏在她最喜爱的虚拟现实游戏Azana中的「红色药丸」—— 一个绝密的天堂。母亲去世后，Leila陷入了深深的孤独感。所幸她为自己创造了一个数字身份「影疾」，可以在游戏世界中暂时忘掉烦恼。每当登入虚拟现实游戏Azana之后，她才感觉自己真正活着。在这个令 人惊叹的虚拟之地，Leila遇到了神秘的游戏角色Mania，她拥有Leila所没有的一切：快乐主义、任性、永不知足。当Leila发现秘密天堂「红色药丸」之后，「红色药丸」的领袖Adrian声称她不可以不请自来，然后将她的数字角色「影疾」赶出了游戏。第二天，Mania——或者说Mania的现实生活身份Tess——竟然出现在Leila工作的地方，从此进入Leila的现实生活，Leila的世界永远被改变了。Leila很快意识到，所谓的虚拟天堂不是神秘庇护所，也不是Adrian所声称的美好之地。但她更想知道Tess/Mania究竟是怎么回事……

功成名就的李明成回乡过年，想要把父母接到城里养老，殊不知妻子竟然背着自己将自己的亲生母亲接到城里，而李明成对于自己亲生父母的遭遇毫无所知，依然无脑选择相信自己的妻子，但通过妻子异常的反应和母亲的诉说，发现很多蛛丝马迹不对劲，最终得知真相的李明成也悔恨不已，而妻子也认识到自己的错误，忏悔认错！