全球核战后，人类文明进入创伤期。人类幸存者与AI联合建地下城躲避灾难。但在AI高度掌权和极端管控的地下城，人类社会结构和伦理观念受挑战，反抗战争悄然酝酿...

The inherent kinetic qualities are brought into actuality in GYROMORPHOSIS, as seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize this aim I have put into motion, one by one, pieces of this sculpture and, with color lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself. - Hy Hirsh

跟着两个千变万化的生物一起踏上一场充满声光效果的奇幻之旅。Sonaria 的视觉语言简单而抽象，给人予启示；声音语言则层次分明，引人入胜，不断揭示出答案。 　　Follow two ever-changing creatures as they flow from one life-form to another on a vivid journey of sound and light. Sonaria's visual language is simple and abstract, designed to suggest, while the sonic language is layered and immersive, designed to answer.

影片讲述了在世纪转折期间，意大利都灵被压榨的纺织厂工人开始争取改善工作环境，西尼加利亚教授（马斯杜安尼）被社会主义者派遣到那里帮助工人组织罢工和斗争。

Lou Diamond Phillips和Fred Gwynne与一群专业罪犯联手，他们拥有抢劫银行所需的一切。他们唯一能做的就是一个警察和他的搭档，他们比他们更愚蠢！当这个团伙进入银行金库时，可以肯定的是，会有组织的疯狂和无组织的犯罪！

"Scar Tissue" is a simple but effective visual essay on gendered body language, contrasting close-up images of strained women's feet in high heels with mid-sections of men, arms crossed in seemingly proprietary and smug comfort. As Amy Taubin says, “Juxtaposed, the two [genders] appear as if from totally different species; the film left me with a yen to see one of those heels planted splat in the middle of one of those bellies".

今時今日問10個人有什麼願望，9個人會答:身體健康！這些日子，疫症肆虐，人人都要增強抵抗力，才能與病毒共存；拉闊點看，人類平均壽命延長了，不好好保養自己等老了體弱多病的話，苦了自己也苦了家人，怎過意得去！

故事围绕青年明河展开，其“垃圾超凡力”在遭遇“神女”灾星撞击后，形成名为“依附之灵”的特殊存在，由此引发一系列冒险与危机。

【穿越成浮游生物后】别人穿越不是仙帝就是气运之子，我睁眼却成了显微镜下的浮游生物！隔壁草履虫天天炫耀被剑仙一口吞的荣耀，而我刚躲过水蚤追杀，就被吸进鲸鱼鼻孔——现在躺在鲲鹏胃里给上古神兽编食谱：#浮游生物的自我修养 #在洪荒世界凑数 #今天也在食物链底端