全球核战后，人类文明进入创伤期。人类幸存者与AI联合建地下城躲避灾难。但在AI高度掌权和极端管控的地下城，人类社会结构和伦理观念受挑战，反抗战争悄然酝酿...

跟着两个千变万化的生物一起踏上一场充满声光效果的奇幻之旅。Sonaria 的视觉语言简单而抽象，给人予启示；声音语言则层次分明，引人入胜，不断揭示出答案。 　　Follow two ever-changing creatures as they flow from one life-form to another on a vivid journey of sound and light. Sonaria's visual language is simple and abstract, designed to suggest, while the sonic language is layered and immersive, designed to answer.

跟着两个千变万化的生物一起踏上一场充满声光效果的奇幻之旅。Sonaria 的视觉语言简单而抽象，给人予启示；声音语言则层次分明，引人入胜，不断揭示出答案。 　　Follow two ever-changing creatures as they flow from one life-form to another on a vivid journey of sound and light. Sonaria's visual language is simple and abstract, designed to suggest, while the sonic language is layered and immersive, designed to answer.

The inherent kinetic qualities are brought into actuality in GYROMORPHOSIS, as seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize this aim I have put into motion, one by one, pieces of this sculpture and, with color lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself. - Hy Hirsh

The inherent kinetic qualities are brought into actuality in GYROMORPHOSIS, as seen in the construction-sculpture of Constant Nieuwenhuys of Amsterdam. To realize this aim I have put into motion, one by one, pieces of this sculpture and, with color lighting, filmed them in various detail, overlaying the images on the film as they appear and disappear. In this way I have hoped to produce sensations of acceleration and suspension which are suggested to me by the sculpture itself. - Hy Hirsh

影片讲述了在世纪转折期间，意大利都灵被压榨的纺织厂工人开始争取改善工作环境，西尼加利亚教授（马斯杜安尼）被社会主义者派遣到那里帮助工人组织罢工和斗争。

影片讲述了在世纪转折期间，意大利都灵被压榨的纺织厂工人开始争取改善工作环境，西尼加利亚教授（马斯杜安尼）被社会主义者派遣到那里帮助工人组织罢工和斗争。

Lou Diamond Phillips和Fred Gwynne与一群专业罪犯联手，他们拥有抢劫银行所需的一切。他们唯一能做的就是一个警察和他的搭档，他们比他们更愚蠢！当这个团伙进入银行金库时，可以肯定的是，会有组织的疯狂和无组织的犯罪！

"Scar Tissue" is a simple but effective visual essay on gendered body language, contrasting close-up images of strained women's feet in high heels with mid-sections of men, arms crossed in seemingly proprietary and smug comfort. As Amy Taubin says, “Juxtaposed, the two [genders] appear as if from totally different species; the film left me with a yen to see one of those heels planted splat in the middle of one of those bellies".