任曾嘉错是个九岁的小男孩，一年前被认定阿琼寺一位活佛的转世灵童，之前他在当地一所寄宿小学上学，认定活佛后他被接到寺院学习佛法，但孩子生性顽皮，喜欢玩耍调皮的他怎么也习惯不了寺院里的清规戒律，而且身边年纪大的老喇嘛们也时刻毕恭毕敬，从不把他当成小孩子对待。后来有一天，小孩神不知鬼不觉逃出了寺院，来到以前就读过的学校找自己的朋友才让。

任曾嘉错是个九岁的小男孩，一年前被认定阿琼寺一位活佛的转世灵童，之前他在当地一所寄宿小学上学，认定活佛后他被接到寺院学习佛法，但孩子生性顽皮，喜欢玩耍调皮的他怎么也习惯不了寺院里的清规戒律，而且身边年纪大的老喇嘛们也时刻毕恭毕敬，从不把他当成小孩子对待。后来有一天，小孩神不知鬼不觉逃出了寺院，来到以前就读过的学校找自己的朋友才让。

Named for a highly peculiar variety of shellfish with great significance to the people of the Algarve, the latest by the Portuguese team of Alexandra Ramires and Laura Gonçalves combines animation and documentary for an exquisitely rendered rumination on a community's relationship with the sea.

Named for a highly peculiar variety of shellfish with great significance to the people of the Algarve, the latest by the Portuguese team of Alexandra Ramires and Laura Gonçalves combines animation and documentary for an exquisitely rendered rumination on a community's relationship with the sea.

远在乡下的父亲突然到城里探访儿女们，可这个“不速之客”却成为他们的困扰，私下里甚至把他称呼为“访客”。父亲深爱着这个家，却在不知不觉间被家人逐渐疏远，他究竟为何突然造访？新人导演康斯坦茨·克诺赫的这部处女作精准地把握了家庭各成员之间微妙的心理变化，一日之内，老爸被告知失业、老妈偷情被揭发，儿女各怀心事，各种问题接踵而至，轮番升级，在老牌影星乌维·柯奇什等演员的精彩演绎下，展现出了惊人的爆发力。

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.

这是一个富有的单身女孩的故事，她假装很无辜，但随着故事的展开，事实证明是完全不同的。一个疯狂地爱上这个女孩的警官，即使在意识到她的真相后，仍然想保护她。但命运给了他别的东西…

这是一个富有的单身女孩的故事，她假装很无辜，但随着故事的展开，事实证明是完全不同的。一个疯狂地爱上这个女孩的警官，即使在意识到她的真相后，仍然想保护她。但命运给了他别的东西…

大女儿春雅一心帮父亲扛起宋家和思茅茶业的重任，在父亲的栽培下成为出色的当家人，并出任思茅商会会长。她将对早已定下婚约的失踪多年的谭家后人谭烈的深深情谊埋在心底，却与身份复杂的缅甸人查扎猜强成夫妻；二女儿夏岚被龙守云手下郑邵毅利用而错嫁，和原本相爱的周景恒擦肩而过；三妹雨浓始终解不开童年被家人遗弃的怨恨，不惜利用身体挑拨姐姐的婚姻，并与被仇恨蒙蔽的郑邵毅勾结陷害宋家夺回家产。直到宋海靖的一纸遗书道出了三姐妹的神秘身世。而此时此刻却没有时间容得各种悲喜消化，家将破，国将亡，所有爱恨情仇都化作同仇敌忾。在宋家姐妹的努力下，思茅的茶山一片绿色，而这一切，都只为保卫原本就属于自己的国土 。