1543年，一艘葡萄牙船首次访问日本，揭开了向远东扩张、文化交流和贸易的序幕。这个动画利用屏风，生动地展现了当年那些长鼻子的西方人是如何历尽艰辛到达彼岸，以及日本当时的风土人情。航行带来了大量的新奇物品，奇珍异兽，最主要的是，历史的新一页掀开了。

以下是来源于IMDb上的评论 　　'Voyage into Next (1974)' is a quaint little anti-war statement, the sort of laid-back, hippie-inspired short film that one would expect the 1970s to have produced. But it was also directed by John and Faith Hubley, a husband-and-wife animating team whose work is more subtle and understated than most. Many of the pair's films were produced by animating unrehearsed conversations (usually) between two people, and I had previously enjoyed their 'Windy Day (1968),' which excellently utilised this free-wheeling technique. 'Voyage into Next' was obviously more tightly-scripted, and that the film was to be an anti-war cartoon restricted the voice actors (namely Maureen Stapleton and Dizzy Gillespie) in which conversational paths they could take. Stapleton and Gillespie play Mother Earth and Father Time, respectively, as they observe the destructive conflicts waged between the human nations (represented here as floating boxes) and ponder why our species so unthinkably forgot the virtues of sharing that allowed our ancestors to progress beyond the Stone Age. 　　There's nothing particularly impressive about the Hubleys' style of animation – minimalist line-drawn human figures highlighted with soft shades of colour – but their style is distinctive, later influencing short films such as the Oscar-winning 'Leisure (1976).' The two well-known voice actors are perfectly chosen (Dizzy Gillespie has one of the coolest-sounding voices ever), and the jazz musician's music is employed successfully to create the film's lighthearted mood, despite the grimness of the subject matter. Mother Earth and Father Time oversee their lilliputian creations, hidden amid mini puffs of artillery smoke, and contemplate their inability to alter human history. The future, it seems, is not in the hands of the gods, but in our own. Of course we have the ability to achieve peace and mutual understanding once more… but will we attain it in time? 'Voyage into Next' was nominated for an Academy Award in 1975, but lost out to the inferior claymation 'Closed Mondays (1974).

有上面，就有下面；有上去，就有下来。

The security guards walk through various building spaces every day. The artist got inspiration from the daily work of the security guard after learning about the event of collective repair and leak stoppage after a rainstorm, and filmed the experience of a security guard walking in different spaces, looking for the unknown experience brought by the change of space.

VISIONの2周年記念作品として制作された本作の主人公は謎の男・カワサキだ。上下関係に厳しい田舎から上京した本田小夏は、一目惚れしたレトロなアパート・メゾンピルグリムに入居する。しかし、そこに住んでいたのは、クセのある“下層”の人間ばかりだった。不思議な存在感を持つカワサキに戸惑う小夏は引っ越し当日の夜、謎の少女の悲鳴を聞き恐怖する。そして彼女は以前住んでいた住人が、少女の悲鳴を聞いたあと行方不明になっていることを知るのだった。

孟然在爷爷去世后随父母来到鞍城城市令他格格不入，离家出走途中结识了女医生陈忆青，两人纯洁光明的关系被误会为“不道德”的情感。他们聚众批斗了女医生，女医生为保存尊严自尽。孟然在伴随着对医生的回忆长大。 　　片名“上下来去”四个字取自中国小学识字课本，试图通过守山老人、城镇女医生和初入城市的小男孩三代人的经历，探寻我们该如何度过自己的一生。

VISIONの2周年記念作品として制作された本作の主人公は謎の男・カワサキだ。上下関係に厳しい田舎から上京した本田小夏は、一目惚れしたレトロなアパート・メゾンピルグリムに入居する。しかし、そこに住んでいたのは、クセのある“下層”の人間ばかりだった。不思議な存在感を持つカワサキに戸惑う小夏は引っ越し当日の夜、謎の少女の悲鳴を聞き恐怖する。そして彼女は以前住んでいた住人が、少女の悲鳴を聞いたあと行方不明になっていることを知るのだった。

孟然在爷爷去世后随父母来到鞍城城市令他格格不入，离家出走途中结识了女医生陈忆青，两人纯洁光明的关系被误会为“不道德”的情感。他们聚众批斗了女医生，女医生为保存尊严自尽。孟然在伴随着对医生的回忆长大。 　　片名“上下来去”四个字取自中国小学识字课本，试图通过守山老人、城镇女医生和初入城市的小男孩三代人的经历，探寻我们该如何度过自己的一生。