1543年，一艘葡萄牙船首次访问日本，揭开了向远东扩张、文化交流和贸易的序幕。这个动画利用屏风，生动地展现了当年那些长鼻子的西方人是如何历尽艰辛到达彼岸，以及日本当时的风土人情。航行带来了大量的新奇物品，奇珍异兽，最主要的是，历史的新一页掀开了。

以下是来源于IMDb上的评论 　　'Voyage into Next (1974)' is a quaint little anti-war statement, the sort of laid-back, hippie-inspired short film that one would expect the 1970s to have produced. But it was also directed by John and Faith Hubley, a husband-and-wife animating team whose work is more subtle and understated than most. Many of the pair's films were produced by animating unrehearsed conversations (usually) between two people, and I had previously enjoyed their 'Windy Day (1968),' which excellently utilised this free-wheeling technique. 'Voyage into Next' was obviously more tightly-scripted, and that the film was to be an anti-war cartoon restricted the voice actors (namely Maureen Stapleton and Dizzy Gillespie) in which conversational paths they could take. Stapleton and Gillespie play Mother Earth and Father Time, respectively, as they observe the destructive conflicts waged between the human nations (represented here as floating boxes) and ponder why our species so unthinkably forgot the virtues of sharing that allowed our ancestors to progress beyond the Stone Age. 　　There's nothing particularly impressive about the Hubleys' style of animation – minimalist line-drawn human figures highlighted with soft shades of colour – but their style is distinctive, later influencing short films such as the Oscar-winning 'Leisure (1976).' The two well-known voice actors are perfectly chosen (Dizzy Gillespie has one of the coolest-sounding voices ever), and the jazz musician's music is employed successfully to create the film's lighthearted mood, despite the grimness of the subject matter. Mother Earth and Father Time oversee their lilliputian creations, hidden amid mini puffs of artillery smoke, and contemplate their inability to alter human history. The future, it seems, is not in the hands of the gods, but in our own. Of course we have the ability to achieve peace and mutual understanding once more… but will we attain it in time? 'Voyage into Next' was nominated for an Academy Award in 1975, but lost out to the inferior claymation 'Closed Mondays (1974).

故事从一桩谋杀案开始。在一个村子里，昌德鲁萨卡尔·格瓦达（Sharan饰）是一位领导人，其实也就是村里一些游手好闲以及无职业者自行拉拢起来的带有讽刺意味的一个组织。他都失恋10次了，第11次恋情是爱上一个高中老师。艾西瓦娅（Raksha饰）是村里德高望重的村长希瓦鲁德·格瓦达（Ravishankar饰）最小的女儿，也是昌德鲁暗恋的老师的学生。艾西瓦娅小小年纪就被迫和他爸爸选择的人结婚，因为她爸爸害怕他的女儿会跟男孩私奔而毁了他的名誉。昌德鲁得知消息前去警察局报案，由此会引起什么样的风波呢？谋杀案的真相究竟是怎样的？

世界那么大，故事那么多，萝莉和你说一说，这里有最全最新的奇闻搞笑趣事、独家趣味科学分析的奇闻现象。每周五，不见不散哦。

世界那么大，故事那么多，萝莉和你说一说，这里有最全最新的奇闻搞笑趣事、独家趣味科学分析的奇闻现象。每周五，不见不散哦。

体育恶作剧。高中的记忆集中在一位前足球教练和一位老师之间的关系上，他们每个人都回到五年前被解雇(因为一些不当行为)的高中重聚。自从上次见面以来，教练和老师都经历了巨大的个人变化。通过倒叙，我们瞥见了他们充满性的过去。

体育恶作剧。高中的记忆集中在一位前足球教练和一位老师之间的关系上，他们每个人都回到五年前被解雇(因为一些不当行为)的高中重聚。自从上次见面以来，教练和老师都经历了巨大的个人变化。通过倒叙，我们瞥见了他们充满性的过去。

青年轿夫混水摸鱼，斗胆假扮王爷与王妃偷欢，结果被拉去当太监。日本塑泥高手井上吉的夫人与情夫山田成偷情，井上吉还以为夫人为他带来大买卖。艺妓仙云嫁予郡守为妻，而郡守酒后即醉，醉了则睡得形如死猪，结果仙云乘机与情夫崔铭幽会。剪刀铺老板娘张杨氏乘丈夫前往天津，先后与小开胡楚与学徒小韩偷欢，怎知其丈夫提早回来，张杨氏竟以一个偷情故事瞒混过去。