1543年，一艘葡萄牙船首次访问日本，揭开了向远东扩张、文化交流和贸易的序幕。这个动画利用屏风，生动地展现了当年那些长鼻子的西方人是如何历尽艰辛到达彼岸，以及日本当时的风土人情。航行带来了大量的新奇物品，奇珍异兽，最主要的是，历史的新一页掀开了。

周富贵老人近日被诊断出患有老年冠心病，医生建议其前往城里大医院进行全面检查。然而，这对他来说是个难题，因为他的老伴已在城里为两个儿子带了十年孙子，留下他独自一人在村里生活。孤独与疾病的双重压力让他倍感艰难，这样的日子让他难以继续。面对健康挑战与亲情的牵绊，周富贵老人陷入了深深的困境，急需家人的关怀与支持。

以下是来源于IMDb上的评论 　　'Voyage into Next (1974)' is a quaint little anti-war statement, the sort of laid-back, hippie-inspired short film that one would expect the 1970s to have produced. But it was also directed by John and Faith Hubley, a husband-and-wife animating team whose work is more subtle and understated than most. Many of the pair's films were produced by animating unrehearsed conversations (usually) between two people, and I had previously enjoyed their 'Windy Day (1968),' which excellently utilised this free-wheeling technique. 'Voyage into Next' was obviously more tightly-scripted, and that the film was to be an anti-war cartoon restricted the voice actors (namely Maureen Stapleton and Dizzy Gillespie) in which conversational paths they could take. Stapleton and Gillespie play Mother Earth and Father Time, respectively, as they observe the destructive conflicts waged between the human nations (represented here as floating boxes) and ponder why our species so unthinkably forgot the virtues of sharing that allowed our ancestors to progress beyond the Stone Age. 　　There's nothing particularly impressive about the Hubleys' style of animation – minimalist line-drawn human figures highlighted with soft shades of colour – but their style is distinctive, later influencing short films such as the Oscar-winning 'Leisure (1976).' The two well-known voice actors are perfectly chosen (Dizzy Gillespie has one of the coolest-sounding voices ever), and the jazz musician's music is employed successfully to create the film's lighthearted mood, despite the grimness of the subject matter. Mother Earth and Father Time oversee their lilliputian creations, hidden amid mini puffs of artillery smoke, and contemplate their inability to alter human history. The future, it seems, is not in the hands of the gods, but in our own. Of course we have the ability to achieve peace and mutual understanding once more… but will we attain it in time? 'Voyage into Next' was nominated for an Academy Award in 1975, but lost out to the inferior claymation 'Closed Mondays (1974).

儿媳归家：医生白宇宁自幼和母亲唐晴学习医术，经营一家医馆维持生活。表面上平平无奇，但实际上唐晴却是当世闻名的神医鬼手。白宇宁在给海城首富高强开完方子后，动身赶往婆婆家过中秋，高强献起殷勤，亲自送白宇宁回村。白宇宁带着母亲配置的药回到村里，本想给婆婆治病，却没想到自己反而成了被嘲笑羞辱的对象，自己的老公张建国非但不维护自己，反而还指责自己的不是。究其根本，就是因为白宇宁让张建国丢脸了。在中秋饭吃完之后，白宇宁给婆婆送上良药，却被婆婆一家人质疑是假药，拒绝白宇宁的好意，反而对其他两个儿媳请来的医术一般的陈院长追捧有加婆婆的病耽搁不得，很快恶化到危急性命的程度，关键时刻陈院长束手无策，白宇宁出手相救

女主白宇宁的原生家庭是一个隐居世外的医药世家，母亲是世界著名的中医。但是家族的人都不喜欢纸醉金迷。反而喜欢平凡自然。女主嫁给了平常人家的男主张建国，生了一个女儿。但是婆家的人都是重男轻女，总是看不起女主和男主，包括他俩的女儿，由于男主家中排行老三，因此也没有少受家里人的批评。大哥大嫂二哥二嫂也一直在劝男主早点离婚，母亲郭玉琴也对女主咄咄逼人，但是他们不知道的是，婆婆的声音不好，一直是靠着女主的药养着身体。而作为男主青梅竹马的唐曼曼，对女主也是厌恶至极，她...

伊万和查理骑着翻新后的复古摩托车，从伊万位于苏格兰的家出发，前往查理在英格兰的家。不过，他们没走最短路线，而是选择“绕远路”。他们会穿越北海抵达斯堪的纳维亚，骑行至北极圈，接着南下波罗的海国家，横穿欧洲大陆，历经两个月跨越英吉利海峡后返回家乡。这是一场穿越超15个国家的冒险之旅，他们将欣赏壮丽风光，驰骋在世界上一些最棒的驾驶路线上。途中，他们还会深入体验当地文化，与当地人交流互动，参与各种独特又有趣的活动。

青森県南地域を走る青い森鉄道をはじめ、県内の車窓風景を撮影。デジタルビデオカメラで撮影した映像に直接ペイントを施した8ミリフィルムの映像を組み合わせた作品。『FLASH』『Night Train』に続く小田の車窓映画シリーズ。

记录了伊万和查理骑着翻新后的复古摩托车，从伊万在苏格兰的家一路骑到查理在英格兰的家——但他们可不是走最短的路线，而是选择“绕远路”！他们将穿越北海前往斯堪的纳维亚，骑至北极圈，再南下波罗的海国家、横穿欧洲大陆，最终在两个月后跨越英吉利海峡回到家乡。 这是一场穿越超过15个国家的冒险旅程，他们将领略壮丽风光，行驶在世界上一些最精彩的驾驶路线中。途中，他们还会深入当地文化，与当地人互动，体验各种独特又有趣的活动。

22岁少年凌柯幸运的出生在一个富裕的家庭，有着云城首富苏氏集团董事长妈妈苏美玉和慈祥和蔼的父亲凌正威，但同时他又是不幸的……凌柯是一位天生躁郁症患者，曾因控制不住自己故意伤害别人后被关在精神病进行了长达10年的治疗，在治疗期间，凌柯曾崇拜的父亲凌正威因病而故。10年期限已满，凌柯坐大巴车回家一心只想快点去祭拜父亲凌正威却在大巴车上遇到了蛮不讲理的梁玉梅一家，梁玉梅的儿子童童想玩凌柯的笔记本电脑但凌柯并不同意，梁玉梅便不由分说的将凌柯的电脑重重砸下用高跟鞋踩烂。...