年轻同志瑞奇，奉母亲之命。去法国西部农村，接独居的祖父来城里居住。当地民风保守仇视同性恋者，所以瑞奇虽然生长于当地，却绝少返乡探亲。 当回到家乡的瑞奇，故意收敛自己装作“正常人”时，他的两个同志好友却来拜访他，引起一阵骚乱……（http://www.kan84.net/bdhd/btFarWest2003.html）

This Belgian/French tale chronicles the efforts of Jacques (Jacques Brel) to find the Old West in modern America. Dressed as cowboy, he travels throughout western American cities and towns and finds others similarly dressed. These idealists gather together and build an old-western-style town in the middle of an abandoned factory, battling local bureaucracies in the process.

Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter's search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers's novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. 　　Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet's status as a mystery writer, naturally, means she's the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women's college. --Ali Davis

Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter's search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers's novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. 　　Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet's status as a mystery writer, naturally, means she's the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women's college. --Ali Davis

本剧同样由《Friday Night Lights》的一位制片人打造，用来接替NBC播出了15年之久的人气长剧《急诊室的故事》（ER）。NBC介绍说，这是一部「非常新颖」的医疗剧，不仅情节和气氛紧张，而且「真实性」也非常强。该剧描述了医疗行业中最危险的一类职业－－第一急救员。你在美国的影视作品中经常可以看到这类场景：当有人遭受重大人身伤害（比如中枪）时，急救车很快便风驰电掣地赶到，从车上跳下几个人，有的拿医疗箱，有的抬担架，有的负责检查伤者、做人工呼吸、打强心针，等等。这些人就被称作「第一急救员」。 　　每当有紧急情况出现，无论伤者在陆上，在水上，还是在空中，无论要爬上环美金字塔中心（Transamerica Pyramid）那高高的楼顶，还是要潜入旧金山湾那漆黑的海底，旧金山中心医院急救小组总是在第一时间赶到现场。不管周遭的环境有多么险恶，形势有多么复杂，治病救人始终是他们的首要任务。 　　对这群可歌可敬的英雄来说，生活永远充满了挑战。

本剧同样由《Friday Night Lights》的一位制片人打造，用来接替NBC播出了15年之久的人气长剧《急诊室的故事》（ER）。NBC介绍说，这是一部「非常新颖」的医疗剧，不仅情节和气氛紧张，而且「真实性」也非常强。该剧描述了医疗行业中最危险的一类职业－－第一急救员。你在美国的影视作品中经常可以看到这类场景：当有人遭受重大人身伤害（比如中枪）时，急救车很快便风驰电掣地赶到，从车上跳下几个人，有的拿医疗箱，有的抬担架，有的负责检查伤者、做人工呼吸、打强心针，等等。这些人就被称作「第一急救员」。 　　每当有紧急情况出现，无论伤者在陆上，在水上，还是在空中，无论要爬上环美金字塔中心（Transamerica Pyramid）那高高的楼顶，还是要潜入旧金山湾那漆黑的海底，旧金山中心医院急救小组总是在第一时间赶到现场。不管周遭的环境有多么险恶，形势有多么复杂，治病救人始终是他们的首要任务。 　　对这群可歌可敬的英雄来说，生活永远充满了挑战。

西班牙广播电视网Mediaset España联手华纳、Netflix打造惊悚新剧[缉毒小组](Brigada Costa del Sol，暂译)，主演乌戈·席尔瓦。故事源自真实事件，时间背景设置在上世纪70、80年代，聚焦西班牙第一支缉毒小分队。该剧下月初马拉加开拍，Mediaset España旗下Telecinco频道首播，之后登陆Netflix。

FBI探员汤姆·布兰迪斯（马克·鲁法洛 饰）带领一个特别小组来到费城郊外的工薪阶层地区，旨在终结近期发生的一系列毒品屋抢劫活动。与此同时，影片同步展现了幕后主使——垃圾工罗比·普伦德格拉斯特（汤姆·派福瑞 饰）一边谋划抢劫，一边处理自己破碎家庭问题的过程。

聚焦FBI探员汤姆·布兰迪斯（马克·鲁法洛 饰）领导一个特别小组来到费城郊外的工薪阶层区域，想要终结近来发生的一系列毒品屋洗劫活动，同时同步展示身为幕后主使的垃圾工罗比·普伦德格拉斯特（汤姆·派福瑞 饰）如何一边策划洗劫，一边应对自己支离破碎的家庭。

Netflix 剧集《远漂》由安德鲁·欣德雷克打造，是一部史诗级的感人剧情片，歌颂了人类所能取得的不可思议的进步，以及在这一过程中所必须做出的个人牺牲。当美国宇航员艾玛·格林（希拉里·斯万克饰）准备率领国际团队首次前往火星执行任务时，她不得不权衡自己的决定，在丈夫（乔西·查尔斯饰）和十几岁的女儿（特丽莎·贝特曼饰）最需要她的时候离开他们。随着宇航员太空之旅的任务不断加重，他们的个人互动以及远离地球亲人对其造成的影响变得越来越复杂。《远漂》告诉我们，有时候要想实现梦想，我们必须背井离乡。该剧由剧集主管杰西卡·戈德堡、马特·里夫斯、杰森·卡蒂玛姆利、 爱德华·兹威克、希拉里·斯万克、亚当·卡桑、安德鲁·欣德雷克、詹尼·穆莱因和米歇尔·李担任监制。