在一个远离城市喧嚣且衰败空寂的偏僻小镇，经济衰退，希望渺茫，有能力离开的人们纷纷启程，抛弃了这座曾经营造过美好梦想的家园故土，所留下的只有深深的绝望和无尽黑暗。单亲妈妈比莉（克里斯蒂娜·亨德里克斯 Christina Hendricks 饰）和两个儿子波恩斯（伊恩·德·卡斯泰克 Iain De Caestecker 饰）及弗兰奇（Landyn Stewart 饰）住在小镇的一隅。因拖欠贷款，比莉一家陷入前所未有的危急之中，他们的家面临被拆毁的命运。波恩为贴补家用闯入废弃建筑内拆掉铜料卖钱，结果又遭到当地恶霸的威胁。逃跑中他发现了一座被谁淹没的小镇，并从邻家女孩莱特（西尔莎·罗南 Saoirse Ronan 饰）那里了解到小镇的过去。 　　莱特告诉他，他们居住的小镇之所以衰败，正是遭到了可怕的诅咒……

Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

该片是关于前东德歌手格哈德•冈德曼动荡生平的传记电影。冈德曼白天在露天煤矿驾驶着挖土车，但晚上却作为歌手登上舞台，以自己创作的音乐感染他人。他以生活和生死为题材，却也涉及政治和社会批判主题。凭借其颇具个人化和真实感、既忧郁又富有诗意的作品，他成为八十年代东德地区的大众偶 像，但也时常遭遇同上级的冲突。甚至在两德统一后，冈德曼的受欢迎程度亦丝毫不减。然而，1995年时，冈德曼作为间谍与东德国家安全局合作的往事被公开，尽管这似乎并未影响到他的音乐事业，却令他陷入了漫长的个人斗争。该片获2019年德国电影奖包括最佳影片、导演和男主角在内等六项大奖和三项提名。

米洛斯·福曼是当之无愧的艺术家，也是个普通人。这部饱含深情的纪录片总结了奥斯卡获奖导演米洛斯·福曼的一生。影片以时间顺序叙事，使用不同类型的素材，包括福曼的电影片段、家庭录影、报刊文章、早期采访、私人档案等，以及由其子彼得诉说的回忆，呈现了福曼的不同方面。本片导演力求完整地描绘福曼的生活，尤其是他人生中的转折点：从纳粹魔爪下的捷克斯洛伐克的青年时期，到他在捷克新浪潮中的崭露头角；从因“布拉格之春”而流亡纽约，到他最终的誉满天下。

讲述一位名叫赫尔曼的男子常年蜷缩在一个只有6英尺宽9英尺高的小房子内，引发人们对人性与自由思考。戴威/文

贺岁剧《约尔特奏鸣曲》，原名（《不亦乐乎之寻宝记》)是于2009年7月9日在新疆吐鲁番开机拍摄的一部融民族音乐、歌舞的民族风情贺岁喜剧。 　　该剧力邀老艺术家克里木将军和台湾明星吴奇隆、吴辰君，喜剧明星王东方联袂主演，还邀请了阿尔法和紫拉兰等少儿明星助阵，赴吐鲁番地区全程拍摄。 　　在该剧中，“二吴组合”既令观众大感意外又令观众耳目一新。台湾演员吴奇隆及吴辰君联袂担纲男女主角，一个扮演狂放不羁的音乐老师，一个扮演骄傲自大的集团女总裁，他们因一场误会在传统而神秘的吐鲁番村庄相遇，与一群淳朴善良的孩子和一位敦厚的少数民族大叔之间发生了一系列令人忍俊不禁又感到不已的故事。 　　该剧一改贺岁剧十几年来小品、相声演员团团圆圆过大年的常规做法，以大制作、超强阵容及浓郁的民族风情、音乐为特色的新型贺岁剧的操作模式，带给观众全新的视听享受。故事讲述的是一个保护少数民族文化的故事，为此制作单位北京百年华盛影视文化传播有限公司不惜重金远赴吐鲁番地区拍摄，同时男女主人公因与音乐结缘又使剧中有大量的新疆歌舞片段展现。轻松、欢快、幽默及浓郁的少数民族风情便成为该剧的突出特色，在喜庆祥和的春节带给观众喜悦而清新的感受。

导演本来计划拍摄一部历史题材纪录片，探讨内战时期谢尔曼将军对南方的征战留下的长远影响，却由于自己的感情创伤，把镜头转向身边的女性和自己的内心。完成的影片与最初的严肃设想完全不同，成了一部充满嘲讽和荒诞的个人化纪录片。 　　本片获圣丹斯电影节纪录片门类评审团大奖。

巴尔曼的设计王子 OlivierRousteing : the Young Prince of Balmain

《让娜·迪尔曼》是一部怎样的电影呢？它是阿克曼1975年的一部长达三个半小时的电影，它又是一部著名的“女权主义”电影，它还是一部在形式与内容上都极富革命精神的电影。总之，阿克曼这位拍片数极少的比利时女导演凭借她二十出头拍出的这部电影，就足以让无数的影评人、电影史学家为她 树碑立传了。它的独特、先锋已远远超出了我们的想象，我相信，以前没有，以后也不会再有如此奇妙的观影体验了！ 　　影片内容用一句话就可以概括：一个中年寡妇三天的日常生活（影片其实是从第一天下午到第三天的下午，仔细算下来也就两天多一点），影片的拍摄手法也十分“简单”——固定长镜头（影片中的机位选择非常严格，比如说厨房是正面、侧面两个机位，算下来全片也就只有十几个机位），影片场景同样十分“单调”——超过90%是在让娜?迪尔曼所住的公寓里拍摄的。