六个场景。六年。六个塑造了Jenna和Leon关系的时刻。《Pink Wall》审视了定义我们的人事物，性别期望的压力，以及我们在生活和抱负之间的永恒斗争。

街边吹唢呐的老爷爷看到剧院人满为患，舞台上的人虽假唱却仍备受瞩目，对此心动的老爷爷抛弃了唢呐这些老家伙，也站上了舞台，拿起洋乐器假模假样表演起来。但最终，热情退散的观众让老爷爷不得不另谋他路，却发现曾经一起吹唢呐的老友们都已作古。 　　本片为中国传媒大学艺术学部动画与数字艺术学院12级学生毕业作品。

街边吹唢呐的老爷爷看到剧院人满为患，舞台上的人虽假唱却仍备受瞩目，对此心动的老爷爷抛弃了唢呐这些老家伙，也站上了舞台，拿起洋乐器假模假样表演起来。但最终，热情退散的观众让老爷爷不得不另谋他路，却发现曾经一起吹唢呐的老友们都已作古。 　　本片为中国传媒大学艺术学部动画与数字艺术学院12级学生毕业作品。

Production Co: Studio Se-Ma-For 　　Short art film from Polish Animator Piotr Dumala. Created 1988. Credits. Direction, Animation and Writt ing - Piotr Dumala. Cinematography - Grzegorz Swietlikowski Music - Przemyslaw Gintrowski Won Best Score and the Golden Dragon award at Cracow Film Festival 1988. Won Best film Between 5 - 10 minutes at Ottawa International Animation Festival 1988.

Production Co: Studio Se-Ma-For 　　Short art film from Polish Animator Piotr Dumala. Created 1988. Credits. Direction, Animation and Writt ing - Piotr Dumala. Cinematography - Grzegorz Swietlikowski Music - Przemyslaw Gintrowski Won Best Score and the Golden Dragon award at Cracow Film Festival 1988. Won Best film Between 5 - 10 minutes at Ottawa International Animation Festival 1988.

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. 　　His path is open - at least as far as the next wall... 　　A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 　　1966 Special Prize, London 　　1966 First Prize, San Francisco 　　1966 First Prize, Belgrade 　　1966 Honorary Diploma, Locarno 　　1966 City of Zagreb Award 　　1966 Special Diploma, Bergamo 　　1966 First Prize, Mamaia

This is a film about two persons and a wall that blocks their path. Faced with the wall, one of them immediatelly and resigned submits, while the other refuses to admit defeat. In various ways he tries to surmount this obstacle - always falling. Finally, in despair but not admitting defeat, he smashes a hole in the wall with his head, paying for victory with his life... Now all the other has to do is bend down a little to pass through the hole. 　　His path is open - at least as far as the next wall... 　　A wall blocks the path of two people. One man submits, while the other refuses to admit defeat. Finally the second man smashes a hole in the wall with his head, paying for the victory with his life. Now the other person's path is open - at least until the next wall. Directed by Ante Zaninovic. 　　1966 Special Prize, London 　　1966 First Prize, San Francisco 　　1966 First Prize, Belgrade 　　1966 Honorary Diploma, Locarno 　　1966 City of Zagreb Award 　　1966 Special Diploma, Bergamo 　　1966 First Prize, Mamaia

马上就要下雨了，男人关掉电台，手提雨伞和雨靴上路了。同样是这样乌云密布的清晨，勾起了男人一段难忘的回忆。小时候，他跟在画匠父亲身边，一起在墙上写大字报。校园里正播放着广播体操的音乐，他不禁想翻过这座墙去看看里面的模样。可是当父亲翻出小男孩书包里的玻璃球时，不禁大发雷霆。他哭着跑开了。下雨了，父亲给儿子准备的雨靴，却被他一口拒绝。陌生的行人打断了男人的思绪，邮筒里被寄出的信，就像当年他手中的成绩单一样，在大雨倾盆下无处藏身。破旧的老城墙被拆毁了，随之而来的是修建一新的高层现代建筑。男人撑着伞，目睹这一切的默默变迁…… 　　这部由中国传媒大学南广学院动画系，蓁源团队于2011年制作的原创作品《墙》，以版画般浓烈的黑白对比，讲述一段围绕着“墙”而展开的温情故事。故事采用双线的叙事结构，跳转在现实与回忆之间，以见证岁月变迁的“墙”为线索，不仅体现着如城墙般坚不可摧的父爱，更道出新旧蜕变下人们生活和观念上的变化。

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 　　本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。

这部围绕着以色列隔离带的纪录片由出生在摩洛哥的犹太女导演Simone Bitton制作。对以色列国防部长的访谈贯穿全片，他声称隔离带的作用是防止阿拉伯人恐怖袭击与盗窃，这条每千米造价200万美元的隔离带根据作用与施工环境的不同有多种构建形式：农田上的铁丝网妨碍了阿拉伯农民收获果实，有时只能看着果实烂在地里；居民区中间的水泥墙、哨卡分开了犹太人与阿拉伯人，孩子们在高墙下成长……为养家糊口而参与围墙施工的巴勒斯坦工头叮嘱导演去掉他的形象，因为这可能导致他被追杀。在影片最后，加沙地区又一次被封锁了。 　　本片获2004年马赛纪录片电影节最高奖。2005年圣丹斯电影节纪录类评委会特别奖。