许多年后，导演 Carla Valencia Dávila 重新发现了自己年轻时在乌拉圭骑行旅行时所拍摄的影像。那些关于延绵的公路、空荡的旅馆，以及旅途中偶然邂逅的画面让她陷入回忆——仿佛那是另一个人拍下的影像。 　　其中有些画面她已毫无印象，而另一些则因人生经验的累积而被赋予了全新的意义。她重新剪辑这些素材，将它们组构成一部穿越自身记忆的公路电影，并配以当时的日记内容，同时加入家庭影像、拾得的旧片段与 Super 8 胶片。风成为贯穿其间的母题，几乎出现在她所有的影像里。 　　凭借《风与所有的时光》，她踏上了一段穿越自我过去、也穿越塑造了她家庭的那片大陆的旅程。她的父亲年轻时离开智利——在独裁时期重返故土时，他发现那个国家已让他感到陌生。而事实证明，在青少年时期，她的母亲也曾遭遇与 Carla 未来相似的创伤经验。借助那些看似偶然的影像，导演在自己的人生故事与亲人的记忆之间，编织出隐秘而深刻的联系。

In 1962 an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th century. 　　This film charts The Beatles' extraordinary journey from Please Please Me to Abbey Road and reflects how they developed as musicians, matured as songwriters and created a body of work that sounds as fresh now as the time it was recorded. 　　Narrated entirely by John, Paul, George and Ringo and Sir George Martin, the documentary features rare footage and photos from The Beatles' archives and never heard before out-takes of music and studio chat from the Abbey Road recording sessions.

In 1962 an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th century. 　　This film charts The Beatles' extraordinary journey from Please Please Me to Abbey Road and reflects how they developed as musicians, matured as songwriters and created a body of work that sounds as fresh now as the time it was recorded. 　　Narrated entirely by John, Paul, George and Ringo and Sir George Martin, the documentary features rare footage and photos from The Beatles' archives and never heard before out-takes of music and studio chat from the Abbey Road recording sessions.

影片真实再现了中国第一位女共产党员缪伯英和中国共产党早期革命家何孟雄二人短暂而壮丽的一生。按照狱中何孟雄的视角，着重讲述了缪伯英在北京、湖南、上海三地，战斗在工人运动、妇女运动和学生运动第一线的故事，表现了“英雄”夫妻在革命早期的百折不挠、敢于牺牲的大无畏精神。

影片真实再现了中国第一位女共产党员缪伯英和中国共产党早期革命家何孟雄二人短暂而壮丽的一生。按照狱中何孟雄的视角，着重讲述了缪伯英在北京、湖南、上海三地，战斗在工人运动、妇女运动和学生运动第一线的故事，表现了“英雄”夫妻在革命早期的百折不挠、敢于牺牲的大无畏精神。

dolce… 　　1999, 60 min, colour, Betacam SP, Stereo 　　Studio Bereg 　　Quest (Japan) 　　producer: Yudji Kogure 　　international project manager Hiroko Kodjima 　　written by Alexander Sokurov 　　camera: Koshiro Otsu 　　sound: Sergei Moshkov 　　editors: Alexei Jankowski, Sergei Ivanov 　　Summary 　　The film deals with real people: the well–known Japanese writer Toshio Shimao, who died in 1986, his widow and their daughter. Yet the film's documentary approach is only the framework for a penetrating biographical portrait; video is used here in an “intimate” way, to capture the inner worlds of the characters. The dramatic events of the writer's life and work make for a story which itself reveals the quintessence of the film–maker's reflections on Japan and the Japanese people. The principal narrative strand is a lyrical monologue, that of the heroine, Miho Shimao, the writer's wife. She lives on a solitary island far into the ocean, with her handicapped daughter, shunning visitors. 　　She discovers herself through self–analysis, a form of catharsis brought on by the spiritual denudation of this existence. This proves to be the pivotal event in her life — a confined life, where actions have come to mean less than emotions. 　　The film–maker here reveals the contours of memory, the contrasts of feelings and the nuances of the psyche in an impressionist manner. The only way to enter this world, to be able to approach its exquisite flavour and perverse pain, is to make a film akin to a lyrical piece of music, with tenderness, “dolce.” 　　Alexandra Tuchniskaya 　　Translated into English with assistance from Benjamin Halligan.

关于被偷走的黄金的故事，它被藏了起来，各种团体在寻找它的过程中经历了种种背叛和双重背叛...

dolce… 　　1999, 60 min, colour, Betacam SP, Stereo 　　Studio Bereg 　　Quest (Japan) 　　producer: Yudji Kogure 　　international project manager Hiroko Kodjima 　　written by Alexander Sokurov 　　camera: Koshiro Otsu 　　sound: Sergei Moshkov 　　editors: Alexei Jankowski, Sergei Ivanov 　　Summary 　　The film deals with real people: the well–known Japanese writer Toshio Shimao, who died in 1986, his widow and their daughter. Yet the film's documentary approach is only the framework for a penetrating biographical portrait; video is used here in an “intimate” way, to capture the inner worlds of the characters. The dramatic events of the writer's life and work make for a story which itself reveals the quintessence of the film–maker's reflections on Japan and the Japanese people. The principal narrative strand is a lyrical monologue, that of the heroine, Miho Shimao, the writer's wife. She lives on a solitary island far into the ocean, with her handicapped daughter, shunning visitors. 　　She discovers herself through self–analysis, a form of catharsis brought on by the spiritual denudation of this existence. This proves to be the pivotal event in her life — a confined life, where actions have come to mean less than emotions. 　　The film–maker here reveals the contours of memory, the contrasts of feelings and the nuances of the psyche in an impressionist manner. The only way to enter this world, to be able to approach its exquisite flavour and perverse pain, is to make a film akin to a lyrical piece of music, with tenderness, “dolce.” 　　Alexandra Tuchniskaya 　　Translated into English with assistance from Benjamin Halligan.

《追光吧！》是由优酷和东方卫视联合出品，灿星制作承制的致敬主题音乐竞演综艺，这是一场旨在从新视角、多维度展现中国男性特质，深耕中国经典男性文化气质表达，打开传统与流行文化融合新出口，定义和引领男性力量与担当新趋势，主推“中国男性特质”概念，通过21位男性文艺工作者努力奋斗的“追光” 之路，打造具有艺术担当、文化担当、与时代同频共振的竞演舞台。

《追光吧！》是由优酷和东方卫视联合出品，灿星制作承制的致敬主题音乐竞演综艺，这是一场旨在从新视角、多维度展现中国男性特质，深耕中国经典男性文化气质表达，打开传统与流行文化融合新出口，定义和引领男性力量与担当新趋势，主推“中国男性特质”概念，通过21位男性文艺工作者努力奋斗的“追光” 之路，打造具有艺术担当、文化担当、与时代同频共振的竞演舞台。