在“愤怒之罪”龙之梅利奥达斯的带领下，史上最凶恶的逆贼“七大罪”大显身手，人类、女神族、妖精族、巨人族对抗魔神族的“圣战”得以落下帷幕。虽然“傲慢之罪”狮之艾斯卡诺牺牲，但众人最终击败了魔神王，为世界换回了和平。其后“暴食之罪”猪之玛琳与亚瑟王同行，建立新的国家，其余大罪人也各自踏上自己的路途。 梅利奥达斯四处旅行，走访他与伊丽莎白公主的回忆之地。途中，他与弟弟杰鲁德利斯偶然重逢。与此同时，“怠惰之罪”熊之金与“嫉妒之罪”蛇之黛安正在筹办婚礼。在满溢祝福的婚礼现场，“贪婪之罪”狐之班和“色欲之罪”山羊高瑟也前来观礼。黛安盛装打扮让整座森林熠熠生辉，然而就在此时，传来了令人不安的巨响。 “对破坏圣战的七大罪，以及他们的同伙降下惩罚” 妖精族与巨人族的大军突然攻向这片本应重回和平的土地。领军的乃是一度消失的第二代妖精王达利亚以及巨人之名匠达布兹。侵略者眼中闪耀的异样光芒究竟从何而来？ 在期望世界陷入混沌之人策划下，平稳的生活崩塌了。威胁所有种族的可怕阴谋蠢蠢欲动。在光暗交战的尽头，究竟会有怎样的未来？被诅咒的世界能否迎来真正的和平，岌岌可危的世界命运，再次交到了“七大罪”的手中。

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

Michael Regardie is a lonely, delusional and sick religious zealot of his own invented faith -a faith that justifies hideous rituals of murder, rape and sexual torture. Absolution from his ..

1986年春天，切尔诺贝利发生爆炸，一个名叫咪咪的女孩来到了芬兰西部的一个小村庄。她立即让 15 岁的玛丽亚的生活充满了辐射的光芒。20年后，玛丽亚回到家中照顾生病的母亲，那个有意义的夏天的记忆开始浮出水面。

1986年春天，切尔诺贝利发生爆炸，一个名叫咪咪的女孩来到了芬兰西部的一个小村庄。她立即让 15 岁的玛丽亚的生活充满了辐射的光芒。20年后，玛丽亚回到家中照顾生病的母亲，那个有意义的夏天的记忆开始浮出水面。

Newspaper editor Arthur Sherwood is on a hunting trip when he accidentally stumbles upon a nudist camp in the woods. He is very much shocked by this and decides to send reporter Stacy Taylor to the camp so she can write an expose on the camp and have it shut down. However, much to her surprise, Stacy finds that she enjoys the nudist lifestyle and writes some very positive articles on her experiences, which doesn't sit well with Arthur. Arthur then decides to join the camp himself and write his own story.

米尔科是一名丛林向导，在他即将离开他从小长大的亚马逊时，一个电影摄制组到来，希望在他的帮助下拍摄一部丛林电影。《飞光飞光》是一部具有液体时间感的电影，冥想、反思着电影拍摄的过程，并在郁郁葱葱的丛林中探讨了人类生活创造出的拟象——一种以电影媒介创造出的“新现实”。在影片里，人类语言的声音渐渐融化在了自然的声波中......