主角修炼无需打坐，睡觉即可进入 “心牢” 剧本杀世界，扮演惨死历史人物、完成其心愿后，能继承能力与感悟。本想低调发育的他，却因丹道宗师记忆在食堂脱口报出上古丹方露馅，意外卷入丹堂事务，凭专业知识救活青灵草，获丹堂重视。后被迫参加升仙大会，他借帝王威压、军师阵法知识等不同角色能力，一路逆袭夺冠，还被派带领小队对抗血魔盟，单杀元婴期的血魔盟主。

微笑着的胖女人，空无一人的餐厅，只有一只嗡嗡作响的苍蝇满屋乱飞。她开门吹起口哨，一个拖着玩具汽车的小男孩进屋就餐。口哨声仿佛指令一般，催促着监视着小男孩赶快吃饭。时间马上就要到九点了。可是在小男孩眼中，这却是如同蹲监狱一般痛苦难熬。他把胖女人想象成看守人，餐厅就是冰冷灰暗的囚室。还差几分钟就是九点了。男孩只好吃起了饭。一个意想不到的发现改变了这一切——粥碗下是条深不可测的通道，他终于可以逃出这座监狱了。终于，他逃出了这座暗无天日的监狱。九点整，也许事实并非如此。 　　本部水彩手绘动画短片，以极其简单的人物形象跟故事情节，道出了一个深刻的生活无奈：也许终其一生，不过是在他者的监视和控制下求得生存吧。

一位家暴幸存者精心策划了一个缜密的骗局，想要保护她的家人免受她有权有势的丈夫及其仇敌的伤害。

由基音工作室出品、周振南导演的同志公益微电影《逃离》正式上线，讲述上世纪九十年代末期，同性恋者被社会严重歧视，为了躲避世人的鄙夷目光，他们在荒芜之地“生物岛”聚集，寻找真正属于自己的快乐，从而发生许多开心或悲伤的故事，包括晓晨和志鹏刚刚开始的一段恋情。

一位家暴幸存者精心策划了一个缜密的骗局，想要保护她的家人免受她有权有势的丈夫及其仇敌的伤害。

Cédric Dupuis, a fledgling independent filmmaker, has set out to make the most terrifying horror film of all time. But shooting without any budget to speak of and a cast of his friends, Cédric soon realizes the frustration of indie film-making. The only way for Cédric to get the realism he wants is to actually murder his cast on camera. This is his documentary of the events that unfolded during the making of his opus. One of the most disturbing films of recent years with a sickening dose jet-black humor.

影片《逃离》讲述的是一名跨性别高中生对自我性别的探索。所谓的“跨性别者”（transgender）指的是心理性别与生理性别不一致、不认同自己生理性别的人。影片主人公张望安是一位高中男生，但心里总是觉得自己应该是女生，而且他只敢在家长不在家的时候穿裙子、化妆、涂指甲油。 　　剧情梗概是，高中男生成泽热心善良，曾在主人公张望安小时候被同学们嘲笑“娘”时出手相助，长大后因为一次打赌，他在微信上假扮女孩与张望安假扮的女生“安琪”成为好友。然而成泽真实身份的暴露和女孩叶梓琪的爱慕，让张望安陷入了两难的境地。同班同学顾筠将一切看在眼里，她希望能帮助张望安认清自我，鼓励他做最真实的自己。经过探索路上的挣扎，张望安最终认识到自己是一位跨性别者，喜欢男性。

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.

丧尸末日爆发后，我和妈妈躲进了山洞里，靠着养鸡种菜勉勉强强活了下来，直到突然有一天，我听着外边有人叫喊，出去一看，竟然是丧尸在模仿人类的声音，在骗我们出去！！我叫晴天，本来是一个上班族，正在等公交回家，突然一只丧尸来了..