SYNOPSIS 　　Discharged philosophy professor Kim Jin-woo is a talented man who is smarter than the people around him. Professor Kim grew up under unfortunate circumstances. Due to the mental pressure and stress from his childhood, he shows signs of schizophrenia. He thinks of himself as a speeding horse on a racetrack. Worried about these symptoms, Jin-woo and his wife, Hi-young, go to a psychologist named Hyun-woo. Hyun-woo does his best as a friend. But he is unable to hide his surprise as Jin-woo's past is revealed. Hyun-woo tells Hee-young of Jin-woo's home. Watching Jin-woo's pain, Hi-young falls into great sadness and finally kills herself. Hyun-woo grows resentment towards Jin-woo due to Hi-young's death. 　　故事 　　被解雇的哲学教授金瑾佑是一位优秀的学者。他认为精神分裂症是由于精神压力和压力在不利的环境下造成的，认为他是一匹失控的马。担心和忧虑这个症状，金宇和他的妻子熙英去精神科医生贤宇和玄宇玩朋友。但是，对于金宇过去的故事，玄宇感到惊讶，向常青报告了金宇的地位。喜洋以自己忧心忡忡的表情深深地自杀，玄宇因死亡而对金宇怀恨在心。

故事讲述一个十几岁的小女孩儿，从小就被母亲关在家里，从未出过门。就连最基础的学习也是在房子里一点点完成。终于有一天，小女孩儿发现了母亲的秘密，…

Audrey Benac (Deragh Campbell) lives alone in Paris after having moved there to tend to the home of her recently deceased friend, Juliane. She struggles to find her footing in the world, moving through the days without any clear motivation or sense of purpose. Audrey forges a correspondence with two male filmmakers —Burak, who lives in Istanbul, and Blake, who lives in Toronto—and entertains their efforts to help her get through this sorrowful and directionless time. 　　A Woman Escapes is a fusion in every sense, combining various shooting formats (16mm, 3D, & 2K), genres (diary film, video correspondence, psychodrama, & essay film), shooting locations (France, Turkey, & Canada), and each director’s distinct creative sensibility. Through its dynamic, hyper-hybridized structure and workflow, the film explores our collective curiosities about isolation, grief, spirituality, contemporary means of communication, and the increasingly variegated nature of the modern world.

旁观的人群在窃窃私语，他们说一台手风琴永远无法和一匹白色的马对话。

旁观的人群在窃窃私语，他们说一台手风琴永远无法和一匹白色的马对话。

Also known as At Great Cost, this adaptation of a story by Mikhailo Kotsyubinsky—a Ukrainian writer executed in the Stalinist purges but rehabilitated in 1955—anticipates the wave of Sixties poetic cinema in its focus on star-crossed lovers and its celebration of nature. Set in the 1930s, the film begins as Solomia is forced into an arranged marriage. She escapes with her lover, Ostep, and for a while it looks as if the fugitives will make a clean getaway. Yet eventually they come to the attention of the police, who mistake them for being part of a gang of thieves. One of the major figures of the earlier current of socialist realism, Donskoy, in one of his first post-Stalin era productions, here loosens his style to reveal a delicate romanticism rarely felt in his earlier films.

In the beginning of the Twentieth Century, in Britanny, Pierre-Jacques narrates the story of his peasant parents since they got married in their province. Pierre-Alain and Anne-Marie got married and live with their parents in the same house. They work with their neighbors, women and men performing separate work. They have good moments with their plantation and bad moments with starvation. The Breton's religion, superstitions, beliefs and customs are transmitted by parents to their kids along with the stories told by the elders. When the men go to fight in the World War I, the women need to work harder to survive with their families. Despite the poverty, people is proud of their lives. Since the family of Pierre-Jacques cannot afford to have a horse, his grandfather Alain and his father put him on their shoulder to ride on the horse of pride.

美国无声记录短片《跃起的马》（英语：Bucking Broncho），由爱迪生制造公司（Edison Manufacturing Company）1894年出品，制作人威廉·迪克森（William.K.Dickson），摄影威廉·海斯（William Heise）。骑马者是李·马丁（Lee Martin ），是一位牛仔，也是“水牛比尔”马戏团西部秀的演员。该片记录了一次专业的表演，现场有观众在观看。

为救母亲，温暖用自己的清白和沐倾倾做了交易，做了陆景深的解药。就在陆景深要与沐倾倾订婚前夕，沐倾倾因为滥交昏迷，只能让与她长相相似的温暖暂替，之后温暖就经常以双重身份面对陆景深，对他产生情愫，却碍于身份，被他频频误会，一段虐恋从此展开，而温暖的身份之谜，也逐渐浮出水面