An utterly unique homemade sci-fi-action-sexploitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two pals running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken captive by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken platinum. Runaway Nightmare at first follows a standard male fantasy template (kidnapped by dominant females for stud solution), but it isn't pornographic. The male leads crack jokes like adolescent versions of Bob Hope and Bing Crosby, but none of it's funny. The plot includes radioactive accidents, exploding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing happens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn't an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women's bodies are different, their faces are obscured, and they're shot on videotape rather than the movie stock utilized for the rest of the picture. In spite of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic experience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious

An utterly unique homemade sci-fi-action-sexploitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two pals running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken captive by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken platinum. Runaway Nightmare at first follows a standard male fantasy template (kidnapped by dominant females for stud solution), but it isn't pornographic. The male leads crack jokes like adolescent versions of Bob Hope and Bing Crosby, but none of it's funny. The plot includes radioactive accidents, exploding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing happens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn't an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women's bodies are different, their faces are obscured, and they're shot on videotape rather than the movie stock utilized for the rest of the picture. In spite of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic experience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious

久未谋面的抓马姐姐突然造访，使牧师弟弟开始正视自己的同志身份，并向一直暗恋的同事袒露心迹。

久未谋面的抓马姐姐突然造访，使牧师弟弟开始正视自己的同志身份，并向一直暗恋的同事袒露心迹。

《Incubus-梦魇》是首部世界语恐怖片，拍摄于1965年，主演是著名演员威廉·夏特纳，电影摄影师是曾3次获奥斯卡奖的大师级人物Conrad Hall。该片的经历很诡异，1965年拍摄后因为一场火灾，胶片不知去向，直到30多年后才被发现，最终是在2001年上映。该片所有对白均为世界语。

Renowned oneirologist, Ambrose London, is requested to Arkham Asylum to study the strange case of split personality in patient James Fhelleps/Joe Slater.

In the small New England town of Galen, a young teenage boy claims he has dreams of young women being brutally raped and murdered. A doctor and the local sheriff discover that the boy's dreams are real and that a sinister occult might be behind the brutal murders.

一位女性在正午的阳光下疲倦地走入一座死火山的火山口。她躺在树荫下休息，睡着了。她的梦引导她与压抑的记忆作斗争，这也是许多受害者的谴责和沉默。通过一段梦与醒消解的旅程，一位童年性虐待的女性受害者分享了她的证词，让我们成为她经历的一部分，这是一种勇气、希望和反抗的行为。影片在多声部交织中指出了一个社会更倾向于忽视的问题，因为承认自己是被偷走的童年的受害者是令人不舒服的；作为废除针对儿童的暴力行为的第一步，让人们看到这个问题并提高人们的认识迫在眉睫。

In the small New England town of Galen, a young teenage boy claims he has dreams of young women being brutally raped and murdered. A doctor and the local sheriff discover that the boy's dreams are real and that a sinister occult might be behind the brutal murders.

约翰是一位成功的艺术家，他的作品是超现实的、具有象征意义的。一天晚上，他回到妻子罗莎家，在酒吧里遇到了一个女人(Fata Morgana)。两人过去认识，她要求与他会面。我们在倒叙中看到约翰和那个女人的历史——20年前，在约翰获得成功之前，他们曾有过一段施虐受虐关系。事实上，这个女人是约翰现在生活的关键。我们看到那个女人让约翰在性折磨最严重的时候许下诺言。交易是，为了换取一个成功的生活，他将把他未出生的女儿交给那个女人。约翰现在已经成年的女儿露西对父亲的交易并不知情。约翰的妻子罗莎很害怕这个女人现在来接她的女儿，约翰今天不得不和这个女人对质，不管他喜不喜欢。