剛剛申請到美國矽谷高薪工作的單身女子怡安，突然發現自己懷有八週的身孕，瞬間陷入了「拿掉小孩，追求職業成就」或是「離開職場，當起家庭主婦」的兩難局面。 　　隨著怡安性格上的「理性」與「感性」的衝突逐漸升溫，她內心對於「家庭生活」的恐懼感像是深不可測的大怪獸，從內心深處裡爬了出來，將她吞噬。

本片為導演2023年6月於印尼峇里島駐村期間與 Rumah Berdaya 社群成員的共同創作。影片中的印尼語詩句是在當地進行創意工作坊時參與者的創作及聲音。Rumah Berdaya的意思是「賦權之家」，一個峇里島當地提供思覺失調者培力與的社群。片中的台語口白則紀錄了駐村期間導演日記中的文字，本片藉由結合不同語言的詩句和影像，嘗試探討人與自身、他人和自然之間的關係。

The movie stars Ayako Wakao. It depicts the emotional turmoil of a woman caught between two kinds of love: her familial love for her father and her romantic love for her partner. Co-starring are Takashi Shimura, Tsutomu Yamazaki, and others. Released in 1972.

日活

一位男泌尿科醫生和他的牙醫丈夫深深相愛，但他們的關係在一段影片在社交媒體上爆紅後出現了意外的轉折。隨著焦點越來越明亮，名利的誘惑開始滲透進欲望之中。

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

A male urologist and his dentist husband used to be intimate. However, a video interview not only makes them famous but also examines whether they truly accept each other and their secret fetish.

一位男泌尿科醫生和他的牙醫丈夫深深相愛，但他們的關係在一段影片在社交媒體上爆紅後出現了意外的轉折。隨著焦點越來越明亮，名利的誘惑開始滲透進欲望之中。

欧锑锑娱乐第五部自製剧，当落入凡间的落魄月老与命带孤鸾的她相遇，这段姻缘会带给她们什麽考验？

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)