欧洲最大的妓院位于德国科隆，这是一栋浅蓝色的十一层高楼。来自世界各地的200多名女性在这里接客。如果你问她们为什么要做这项工作，她们会说一直以来就是这样。她们每天接待700多名男性。 在外墙之内，从来看不到阳光。他们的牌子上写着“只要30欧元，保证获得高潮”。 这是一个自给自足的世界，他们拥有自己的支付系统，发廊，美甲店，医生和24小时营业的员工餐厅。但这里真正售卖的是什么呢？是高潮还是其他什么东西？从妓十年的索尼娅说，她的很多顾客会向她哭泣。真正的满足感和亲密感是可以买的到的吗？影片《就象逾越节》试图去寻找一个未解之题的答案：为什么性对男人如此重要？

欧洲最大的妓院位于德国科隆，这是一栋浅蓝色的十一层高楼。来自世界各地的200多名女性在这里接客。如果你问她们为什么要做这项工作，她们会说一直以来就是这样。她们每天接待700多名男性。 在外墙之内，从来看不到阳光。他们的牌子上写着“只要30欧元，保证获得高潮”。 这是一个自给自足的世界，他们拥有自己的支付系统，发廊，美甲店，医生和24小时营业的员工餐厅。但这里真正售卖的是什么呢？是高潮还是其他什么东西？从妓十年的索尼娅说，她的很多顾客会向她哭泣。真正的满足感和亲密感是可以买的到的吗？影片《就象逾越节》试图去寻找一个未解之题的答案：为什么性对男人如此重要？

The directorial debut of provocative actor Sean Paul Lockhart. With a tour in Afghanistan behind him, war-torn Chris Jensen (introducing Jack Brockett) struggles to assimilate back to life in California. Drifting and living out of his car, he soon discovers that few are willing to deal with the remnants of a damaged career military man. Chris is self medicating; desperate to silence the echos from the front lines. When an opportunity finally presents itself, he makes the hard decision to employ his most coveted talents honed in special ops. A job is a job and Chris knows civilian life can be just as cut-throat as time on active duty. But just how close does he have to get to Andrew Warner (Sean Paul Lockhart) to secure the kill?

The directorial debut of provocative actor Sean Paul Lockhart. With a tour in Afghanistan behind him, war-torn Chris Jensen (introducing Jack Brockett) struggles to assimilate back to life in California. Drifting and living out of his car, he soon discovers that few are willing to deal with the remnants of a damaged career military man. Chris is self medicating; desperate to silence the echos from the front lines. When an opportunity finally presents itself, he makes the hard decision to employ his most coveted talents honed in special ops. A job is a job and Chris knows civilian life can be just as cut-throat as time on active duty. But just how close does he have to get to Andrew Warner (Sean Paul Lockhart) to secure the kill?

独居老太太周奶奶，错把房东当成自己孙子的故事。影片用52个特写镜头完成了一个简单的叙事。反转两次，故事都在戏外。

独居老太太周奶奶，错把房东当成自己孙子的故事。影片用52个特写镜头完成了一个简单的叙事。反转两次，故事都在戏外。

肯尼斯•安格（Kenneth Anger）的《烟火》（Fireworks，1947），同样精心设计出一个呼应《诗人之血》的梦境结构。描述一名年轻人被一个水手引诱，然后遭到一群水手殴伤，当他醒来时他的爱人伴随在他身旁，同时火焰正将梦境的照片烧毁殆尽。

肯尼斯•安格（Kenneth Anger）的《烟火》（Fireworks，1947），同样精心设计出一个呼应《诗人之血》的梦境结构。描述一名年轻人被一个水手引诱，然后遭到一群水手殴伤，当他醒来时他的爱人伴随在他身旁，同时火焰正将梦境的照片烧毁殆尽。