毫无征兆的一天，一架军用运输机坠毁在英国伦敦市中心的海德公园附近。这起事故在伦敦引起不小的混乱，而谁也没想到它所装载的最高军事机密将给当地人造成怎样的危害。城市的另一端，人们似乎并不太关心这起事故的前因后果，愤怒的查理（Noel Clarke 饰）和好友马克（科林·奥多霍诺 Colin O'Donoghue 饰）正驱车前往24号仓库寻找女友雪莉（Antonia Campbell-Hughes 饰），此前查理和雪莉不欢而散，情感陷入僵局。当他们面对面争吵理论之际，仓库内的电力突然中断，所有人都被困在这座黑暗的承包之中。 　　更令他们不敢相信的是，某种神秘而恐怖的生物盘桓期间，时刻准备夺取这些人的性命……

在一个阳光明媚的日子里，某户人家传来了咆哮声。房门打开，肥胖的女仆将布鲁托拎出了屋子。她大骂布鲁托的懒惰和馋嘴，为了防止正在做的美味烤肉被布鲁托偷吃，她将大狗拴在狗窝旁边，并且警告它不得进屋，否则会狠狠滴把它踢出去。干完这件事后，女仆哼唱着快乐的旋律，把完成的烤肉端出来。肉的香气悄然飘到屋外，钻进了布鲁托的鼻孔。一时间大狗垂涎欲滴，它向往无上的美味，于是罔顾女仆的警告，想尽办法挣脱绳索的束缚，偷偷溜进了房间。 　　为了一口吃的，布鲁托受尽磨难，也想尽了办法……

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现代图书管理员萧飞意外翻开一本古籍，穿越到书中的古代世界，化身成无名小卒，邂逅了身负打破命运枷锁使命的墨澜公主。为助公主摆脱既定剧情的束缚，林逸凭借现代思维周旋于复杂的宫廷斗争，时而化身骑士护公主周全，时而化身谋士为她化解危机。二人从最初的陌生戒备，到携手共对幕后黑手的阴谋，感情在一次次冒险中升温。最终林逸击败反派，助公主打破命运桎梏，两人也跨越时空界限，成就一段甜蜜的跨次元爱恋。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

Kelepei Jenő, a bohém diák egy átmulatott éjszaka után elhatározza, hogy beköltözik Mutter bordélyházába. Amikor a fiatalember aggódó édesanyja váratlanul megérkezik vidékről, a Főnökasszony villámgyorsan úrilányok panziójává alakítja át a házat. 　　A Hunyady Sándor műve nyomán készült film 1978-ban a Magyar Filmkritikusok díját nyerte, Makay Margit a legjobb női alakítás díját, Tarján Györgyi pedig a legjobb női epizódalakítás díját kapta.