电影以1850年代加州淘金热为背景，讲述了一对年轻夫妇的爱情与残酷的现实之间的冲突。本片改编自法兰辛·里弗斯的同名小说。

本片根据弗朗辛-里弗斯的同名小说改编，讲述了旧西部一个妓女的爱情故事。

一对已婚男女突然徇情自杀，以为可以结束这一切，却不料悲剧才刚刚开始——他们的爱人，耿墨池和白考儿，同时在葬礼上邂逅。面对同样的背叛他们同时选择报复但又同时爱上彼此，注定饱受打击和折磨。然而他们想真心拥有彼此时，老天已不给他们机会，耿墨池身患不治之症注定要离去，而这时候白考儿亡夫的哥哥祁树礼出现了，纠结在两个男人之间，最终一个走向婚礼，一个走向葬礼。

一对已婚男女突然徇情自杀，以为可以结束这一切，却不料悲剧才刚刚开始——他们的爱人，耿墨池和白考儿，同时在葬礼上邂逅。面对同样的背叛他们同时选择报复但又同时爱上彼此，注定饱受打击和折磨。然而他们想真心拥有彼此时，老天已不给他们机会，耿墨池身患不治之症注定要离去，而这时候白考儿亡夫的哥哥祁树礼出现了，纠结在两个男人之间，最终一个走向婚礼，一个走向葬礼。

Kelepei Jenő, a bohém diák egy átmulatott éjszaka után elhatározza, hogy beköltözik Mutter bordélyházába. Amikor a fiatalember aggódó édesanyja váratlanul megérkezik vidékről, a Főnökasszony villámgyorsan úrilányok panziójává alakítja át a házat. 　　A Hunyady Sándor műve nyomán készült film 1978-ban a Magyar Filmkritikusok díját nyerte, Makay Margit a legjobb női alakítás díját, Tarján Györgyi pedig a legjobb női epizódalakítás díját kapta.

L’IMMORALE (Italy/France 1967) In this continuation of Pietro Germi's socially critical romantic comedies, Germi caricatures bourgeois conventions in an artistic, educated middle class milieu: Masini (Ugo Tognazzi), a prominent violinist in his mid-forties, has fallen in love with the 20-year-old harpist Marisa (Stefania Sandrelli), who is awaiting the birth of their child. The problem: Sergio already has two families and five children who are unaware of each other’s existence. Increasingly overwhelmed by having to organize three parallel families – all the birthdays, clothing sizes, favorite dishes, holiday wishes and other preferences need to be taken into account – Sergio asks for advice from Don Michele at confession.

"A PhD Candidate" is a film about a Chinese PhD student living in America. He is sponsored by Chinese government. The government pays him some money every month for living expenses. In exchange he has to return to China right after graduation. After coming here, he found he still lives in a small circle of Chinese people isolated from the American society. His professor and peers are also from China. The environment makes him doesn’t have many chances to communicate with American people. And most importantly, he doesn’t think it is necessary to get integrated with the American social life. Since he knows he will not stay in here. He feels it is more comfortable to live in a closed environment. 　　The above is what interested me at the beginning. I intended to make this film of his life to see how this unusual identity influenced him. Along with the process of filming, I realized I was involving in a new form of transnational academic life. In American academia today there are many Chinese PhDs . The full scholarship or funding provided by Chinese government covered their tuition and living expenses. A PhD for them is more like a job, rather than studying. Also their relation with professors is similar to a kind of employment. So the film is not only about the identity of a foreigner, but also about a kind of academic labor outsourcing. Through watching the film the audience may find how it is like in the lower level of the academic pyramid.