吉米和莱克斯是一对年轻情侣，某日他们在实施抢劫后发现了一辆没上锁的车，车后座有一个小男孩，但他们没有管他，偷了一把枪就走了。吉米因不慎而枪走了火，他才急匆匆救出孩子并带回了家。莱克斯对孩子很不耐烦，把他关进了衣柜里，而吉米则发现枪走火时可能误杀了人……日本知名个性派导演真利子哲也曾以《错乱的一代》赢得2016年洛迦诺国际电影节当代电影人单元最佳新导演奖，《从宫本到你》入选电影旬报年度十佳。本片是他的最新短片，全程英语对白。

享尽万般宠爱的许家千金许期得知自己竟并非许家的真千金，而自从真千金许明珠被认回后，一向溺爱自己的父母和哥哥都开始偏听偏信许明珠的一面之词。因误以为许期将奶奶推下楼导致昏迷，许家人将许期送进女德学校忏悔改过，致使许期遭受了长达三年的非人折磨，落下无法逆转的终身残疾。三年后，许期被许家接回，许家人发现，曾经那个明媚爱笑的许期如今拒人千里

莱昂内尔爵士（休·杰克曼 Hugh Jackman 配音）是一名怪物调查员，为了获得探险精英的认可，他将自己的生死置之度外，为了寻找未被人类发现的怪物跋山涉水，远渡重洋，发誓要将自己探险的足迹遍布整个世界。某日，雷昂内尔爵士收到了一封匿名信，信中声称，在美国太平洋西北地区发现了一只罕见的，体型巨大的长毛怪。如获至宝的莱昂内尔爵士立刻就踏上了前往那里的旅途。 　　果不其然，很快，莱昂内尔就见到了自己的梦中情怪——林克先生（扎克·加利费安纳基斯 Zach Galifianakis 配音），让莱昂内尔爵士感到震惊的是，林克先生似乎缺乏野心，而且精通人类的语言。在林克先生的请求下，莱昂内尔爵士决定带着他前往香格里拉，去寻找他在那里生活的远亲——大雪怪。

莱昂内尔-弗罗斯特爵士认为，在调查世界上的神秘生物领域，自己是世界上数一数二的专家，但是他的同行们却对他不以为然。为了获得探险精英的认可，他赌上…

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

After years abroad, Ena returns to Venezuela with a fragmented sense of self. At home, she finds her grandmother losing her grasp of reality. Meanwhile, her father spends his days looking for rare books in an attempt to safeguard the country’s literary past. When Ena discovers a mysterious postcard inside a book, she embarks on a search across Caracas to uncover a forgotten writer. Her search gradually interweaves with her grandmother’s memory loss and her father’s quixotic dreams.

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782