大哥英年早逝，嫂子翠春成了寡妇，含辛茹苦把我养大供我上大学，在我心里的地位等同母亲，随着大学毕业我放弃在城里就业，回到老家建设，同时也希望能够照料嫂子。嫂子学过草药，对治毒独有药方，尤其是治疗蛇毒非常厉害，也因此被称为蛇嫂，但寡妇身份，也因此被村里不少闲汉惦记，也遭受同村女性的嫌弃，被传闲话。叶晓回来后，帮嫂子斗恶邻，不要脸的婆家，八卦的村姑凿壁偷光的闲汉。但也村里也开始传播关于嫂子以及叶晓的负面新闻，各种家长里短的话语。

古村！狐妖！怨灵！……女生独闯千年妖村，夜宿邪宅，触发魔咒，鬼魅魍魉惊魂登场。是人？是鬼？疑似“杀人狂”的村主任却被吓破胆；为财？为情？诡异的雌雄双邪时隐时现，留下迷雾重重；是宝物？是尸体？暗墙边移动的大号编织袋，究竟藏了什么？女生突遇绿脸鬼魅，诡异笑声弥漫古村，凄厉惊叫令人毛骨悚然……当她突破魔咒，夜行禁地，才发现，古村迷宅里不仅有妖风邪雨，还有惊人真相。

古村！狐妖！怨灵！……女生独闯千年妖村，夜宿邪宅，触发魔咒，鬼魅魍魉惊魂登场。是人？是鬼？疑似“杀人狂”的村主任却被吓破胆；为财？为情？诡异的雌雄双邪时隐时现，留下迷雾重重；是宝物？是尸体？暗墙边移动的大号编织袋，究竟藏了什么？女生突遇绿脸鬼魅，诡异笑声弥漫古村，凄厉惊叫令人毛骨悚然……当她突破魔咒，夜行禁地，才发现，古村迷宅里不仅有妖风邪雨，还有惊人真相。

享尽万般宠爱的许家千金许期得知自己竟并非许家的真千金，而自从真千金许明珠被认回后，一向溺爱自己的父母和哥哥都开始偏听偏信许明珠的一面之词。因误以为许期将奶奶推下楼导致昏迷，许家人将许期送进女德学校忏悔改过，致使许期遭受了长达三年的非人折磨，落下无法逆转的终身残疾。三年后，许期被许家接回，许家人发现，曾经那个明媚爱笑的许期如今拒人千里

莱昂内尔爵士（休·杰克曼 Hugh Jackman 配音）是一名怪物调查员，为了获得探险精英的认可，他将自己的生死置之度外，为了寻找未被人类发现的怪物跋山涉水，远渡重洋，发誓要将自己探险的足迹遍布整个世界。某日，雷昂内尔爵士收到了一封匿名信，信中声称，在美国太平洋西北地区发现了一只罕见的，体型巨大的长毛怪。如获至宝的莱昂内尔爵士立刻就踏上了前往那里的旅途。 　　果不其然，很快，莱昂内尔就见到了自己的梦中情怪——林克先生（扎克·加利费安纳基斯 Zach Galifianakis 配音），让莱昂内尔爵士感到震惊的是，林克先生似乎缺乏野心，而且精通人类的语言。在林克先生的请求下，莱昂内尔爵士决定带着他前往香格里拉，去寻找他在那里生活的远亲——大雪怪。

莱昂内尔-弗罗斯特爵士认为，在调查世界上的神秘生物领域，自己是世界上数一数二的专家，但是他的同行们却对他不以为然。为了获得探险精英的认可，他赌上…

苏颜（黄姵嘉 饰）是一个看似活泼开朗，但其实内心有些自卑的女生，因不愿敞开心扉，曾经和家人、朋友发生了很多误会与矛盾，在男友陆瑾瑜（陈玺安 饰）的关爱和照顾下，在结婚前夕她决定以邮件的方式向亲朋好友吐露心声，揭开所有隐藏的真相，这封密码信也开启了他们对曾经那段青春往事的回忆，然而一场车祸却在此时不期而至……

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

After years abroad, Ena returns to Venezuela with a fragmented sense of self. At home, she finds her grandmother losing her grasp of reality. Meanwhile, her father spends his days looking for rare books in an attempt to safeguard the country’s literary past. When Ena discovers a mysterious postcard inside a book, she embarks on a search across Caracas to uncover a forgotten writer. Her search gradually interweaves with her grandmother’s memory loss and her father’s quixotic dreams.