Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

Making war is a storyteller’s job. A good story is crucial to legitimizing the use of military force. That’s why militaries need strong promotion and Israel is a model country in promoting its military ventures. We’ve successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, and our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding military service becomes a threat. For some children we’ll offer benefits, for most we’ll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. This is the story of children who resisted being enlisted but were capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment, and home videos of the deceased soldiers whose stories are silenced and seen as a national threat. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1272/14782

Volunteering to drive his girl friend's son home for Thanksgiving to Chicago from his boarding school in Georgia, little does Dutch expect the picaresque adventures in store for him. When a blunt, down-to-earth construction worker takes to the road with an insufferable twelve-year-old snob (desperately insecure under the surface) who doesn't approve of him in the least, quite a bit must happen before they can reach their destination as friends-- or, for that matter, get home at all. 　　 　　故事梗概： 　　 　　和丈夫离婚后，娜塔丽认识了卡车司机达奇。假期马上就要到了，由于娜塔丽的前夫瑞德要到伦敦开会，娜塔丽决定由达奇到千里之外的寄宿学校接儿子道尔回家。 　　 　　道尔聪明、身手敏捷，但却有些自闭。对于父亲不能来接自己回家，道尔感到很沮丧。但他宁愿一个人呆在空荡荡的学校里，也不愿意和一个卡车司机回家。 　　 　　达奇刚到学校道尔就给了他一个下马威。道尔用空手道将达奇掀翻在地，这下可惹恼了达奇，他强行将道尔带到车上，向家的方向开去。 　　 　　为了完成女友交给的任务，和道尔和睦相处，达奇想出很多办法。他买来焰火逗道尔开心，但道尔却并不领情，还用烟头烧坏了达奇的裤子。达奇一怒之下把道尔仍在了路边，独自开车来到了汽车旅馆。 　　 　　饥寒交迫的道尔找到了达奇，为了报复他，道尔打着了汽车并开上了路。一辆卡车将达奇的车撞得面目全非，看着达奇在报废的汽车周围焦急地寻找自己，道尔心中闪过一丝愧疚。 　　 　　汽车没有了，道尔和达奇只能搭车回家。在达奇的启发下，道尔装成患病儿童，博得了两位女士的同情。但上车之后他们才发现这两位女士竟是应召女郎。情窦初开的道尔对她们其中的一个颇有好感，但达奇知道决不能再和这两个女人坐一辆车，这将给道尔造成很不好的影响。 　　 　　应召女郎趁给车加油抛下了达奇和道尔，却带走了他们的行李钱物。这下达奇和道尔身无分文，要回家真成了大难题。无奈之下两人来到了收容所，在这里的人们的帮助下，才回到了家中。 　　 　　经历了这一路的风风雨雨，道尔接受了达奇，甚至发现自己已经离不开他了。道尔相信他将和达奇一同度过一个美好的假期。 　　 　　精彩视点： 　　 　　本片讲述了卡车司机达奇为了在假期将女友的捣蛋儿子带回家，一路上与这个人小鬼大的孩子斗智斗勇的故事。影片诙谐幽默，充满温馨。片中一些与孩子相处的方式方法也为观看影片的大人们提供了很好的参考。 　　 　　影片的导演彼得·费曼近年来并没有什么大片问世，但八十年代他导演的一部没有大明星参演的影片《鳄鱼邓肯》却取得了意想不到的效果，至今仍历历在目。影片的男主演艾德·奥尼尔曾主演过《反斗智多星》、《神秘拼图》等影片，他在本片中的表演张弛有度，十分到位。 　　 　　4月5日16：20CCTV-6

故事发生在16世纪。丹妮尔（德鲁·巴里摩尔 Drew Barrymore 饰）从小和父亲相依为命，但父亲迎娶继母罗米拉（安杰丽卡·休斯顿 Anjelica Huston 饰）后，很快出意外身亡，丹妮尔成了灰姑娘，但依旧坚强独立、热爱生活。机缘巧合之下，丹妮尔与法国王子亨利（多格雷·斯科特 Dougray Scott 饰）相遇，还从绿林大盗手中救了王子一命，两人彼此倾心，王子更想为她拒绝家中安排的政治婚姻。但继母得知这一切后，处心积虑想让自己长女玛格丽特（梅根·多兹 Megan Dodds 饰）嫁给王子，还谎称丹妮尔只是家中女仆。王子听信了继母谎言，愤怒地放弃了丹妮尔……

莫莉（柯尔斯蒂·艾利 Kirstie Alley 饰）是一名平凡的设计师，在一次工作中，她结识了名为艾尔伯特（乔治·席格 George Segal 饰）的男子。虽然艾尔伯特已经有了家室，但莫莉还是无可救药的爱上了他。两人逾越了道德的界限走到了一起。不久之后，莫莉的腹中怀上了艾尔伯特的孩子，莫莉打算将孩子生下来，她坚信艾尔伯特不会亏待他们母子两人。 　　然而事与愿违，艾尔伯特竟然无情的抛弃了这一对孤儿寡母。走投无路的莫莉决定一定要给自己的孩子寻找一个靠谱的父亲，如此想着她邂逅了名为詹姆斯（约翰·特拉沃尔塔 John Travolta 饰）的出租车司机。就在莫莉和詹姆斯之间的距离越来越近之际，艾尔伯特回到了莫莉的身边。

莫莉（柯尔斯蒂·艾利 Kirstie Alley 饰）是一名平凡的设计师，在一次工作中，她结识了名为艾尔伯特（乔治·席格 George Segal 饰）的男子。虽然艾尔伯特已经有了家室，但莫莉还是无可救药的爱上了他。两人逾越了道德的界限走到了一起。不久之后，莫莉的腹中怀上了艾尔伯特的孩子，莫莉打算将孩子生下来，她坚信艾尔伯特不会亏待他们母子两人。 　　然而事与愿违，艾尔伯特竟然无情的抛弃了这一对孤儿寡母。走投无路的莫莉决定一定要给自己的孩子寻找一个靠谱的父亲，如此想着她邂逅了名为詹姆斯（约翰·特拉沃尔塔 John Travolta 饰）的出租车司机。就在莫莉和詹姆斯之间的距离越来越近之际，艾尔伯特回到了莫莉的身边。

小女孩杰茜自幼丧母，和父亲、哥哥一起生活，父亲约翰不苟言笑脾气暴躁，没有时间和孩子沟通，而杰茜相信童话，相信圣诞老人真的存在。在一次偶然中杰茜救下一头受伤的驯鹿并坚信它属于圣诞老人，于是杰茜悄悄把驯鹿藏在家中为它疗伤并策划在圣诞前夜将它送回圣诞老人身边，可孩子天真的想象并不被大人所理解，经历了一系列矛盾和冲突后杰茜与父亲终于敞开心扉理解了彼此，而童真的心灵也终于见证了梦幻般的奇迹发生。

The shy Jonathan's luck with girls changes when he wins the rebellious Gene as a friend in his last year of highschool. Gene is adored by many girls and manages to teach Jonathan a few lessons. Gene himself would rather just be with one girl: his girlfriend Bunny. But since his father is poor, her parents don't accept him.

The shy Jonathan's luck with girls changes when he wins the rebellious Gene as a friend in his last year of highschool. Gene is adored by many girls and manages to teach Jonathan a few lessons. Gene himself would rather just be with one girl: his girlfriend Bunny. But since his father is poor, her parents don't accept him.