从小在省委大院长大的杨志南与同是高干子女的尚莉莉偶然邂逅，两情相悦。而与志南一同长大的同学兼好友周海涛竟也同时爱上了莉莉。志南的母亲却早已把有望成为省委副书记的宋光明之女宋乔娅看作内定的理想儿媳。周海涛的妹妹周海青与志南青梅竹马，她错位地把兄妹情当作爱情，于是她找到莉莉和乔娅大闹了一场。对越自卫反击战打响了，志南义无返顾地回到部队。莉莉鸿雁传书、苦苦等候的结果却是志南牺牲的噩耗。海青很快从悲痛中自拔，乔娅则与新欢打得火热，只有莉莉痛不欲生。海涛默默地陪伴在莉莉身边，莉莉被海涛的万般柔情所感动，准备接受他的爱。

从小在省委大院长大的杨志南与同是高干子女的尚莉莉偶然邂逅，两情相悦。而与志南一同长大的同学兼好友周海涛竟也同时爱上了莉莉。志南的母亲却早已把有…

阿May好玩好赌，但头脑简单，容易相信人，所以三更贫五更富，生活起居乱作一团。她年轻时与富家子泽楷诞下一子小富，但泽楷舍她而走，十二年来母子相依为命。阿达对May展开追求，也与小富产生了父子之情，正当三人的生活逐渐步入正轨时，泽楷归国而来，并意将小富夺回自己身边。

阿May好玩好赌，但头脑简单，容易相信人，所以三更贫五更富，生活起居乱作一团。她年轻时与富家子泽楷诞下一子小富，但泽楷舍她而走，十二年来母子相依为命。阿达对May展开追求，也与小富产生了父子之情，正当三人的生活逐渐步入正轨时，泽楷归国而来，并意将小富夺回自己身边。

《相依年年》讲述一个普通家庭的生活，故事很简单：艾文静的丈夫少年时过失杀人，为防有朝一日事发入狱，便全身心地投入“养鱼事业”，以为妻儿留下些生活依靠。艾文静不理解丈夫为什么只顾养鱼，而使家庭生活单调乏味，直到丈夫入狱，她才深深体会到丈夫对她、对家庭的深沉的爱。难舍真情，相依年年。同时也能看到人物内心情感的爆发和人道主义的展现。

《相依年年》讲述一个普通家庭的生活，故事很简单：艾文静的丈夫少年时过失杀人，为防有朝一日事发入狱，便全身心地投入“养鱼事业”，以为妻儿留下些生活依靠。艾文静不理解丈夫为什么只顾养鱼，而使家庭生活单调乏味，直到丈夫入狱，她才深深体会到丈夫对她、对家庭的深沉的爱。难舍真情，相依年年。同时也能看到人物内心情感的爆发和人道主义的展现。

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.

When the eldest grandson of Mr. Kang (Choi Seong-ho), a prominent local figure in the village of Suri in Hwanghae-do, becomes afflicted with a mysterious, life-threatening illness, the entire household is plunged in anxiety. The imminent death of the direct heir to the family name is a serious matter indeed, since the Kangs have a history of seeing their sons die young a fact that has resulted in a household teaming with widows. The family matriarch (Hwang Jung-seun) calls in the most famous shamans and has them perform healing rituals, but the illness shows no sign of improving. The family steward recommends that they bring in Ok-hwa (Yoo Ji-in), who is renowned for her extraordinary spiritual powers. While she is performing the ritual, a large snake drops down from the eaves of the house and causes a commotion. Amazingly, the incident brings about a dramatic improvement in the condition of Mr. Kang's grandson. The household buzzes with glad excitement, with everyone clinging to Ok-hwa and asking her to cure the disease outright. But Ok-hwa searches all around as if possessed by a spirit and discovers a sinister-looking gourd bottle buried deep in the ground in the pine forest. This bottle hides a bloody secret. 　　Some twenty years ago, there was, in the Kang family, a young widow by the name of Lee (Kim Yun-kyeong). Bound by strict moral codes, Lee was living a lonely life of enforced celibacy. She had taken to stabbing her thigh with a small silver knife every night in order to suppress her frustrated desires, but the wound became infected and she came on the verge of death. According to family tradition, the Kangs removed Lee to an isolated hut (called pi-makin Korean), and left her there to await her own death. The family matriarch, wishing to grant her daughter-in-law one final wish, arranged for her to spend a night with the hut keeper, Sam-dol (Nam Koong-won). Through Sam-dol's devoted care, Lee miraculously recovered and the two developed deep feelings for each other. The matriarch welcomed her daughter-in-law's recovery at first, but became enraged when she found out about Lee's adulterous relationship with Sam-dol. As punishment, the Kang family secretly murdered both Sam-dol and Lee. 　　Ok-hwa, who is in fact Sam-dol's daughter, was merely pretending to be a shaman in order to exact revenge for her father. Possessed by a real spirit, she attempts to kill Mr. Kang inside the hut but lets him go unscathed. She enters the hut, sets it on fire, and dies in the flames.