You won’t instantly notice the great burden resting on Bela’s shoulders at the well-to-do family’s picnic. This free adaptation of Kleist’s story Der Findling has shifted location to Portugal in the mid-16th century. The seemingly bold young man Bela is from a poor neighbourhood in Lisbon. He was adopted by the family to replace the merchant’s real son, who never returned from a journey to Africa. The world is Bela’s oyster. A fiancée has been chosen for him, he has a knack for trade, so why does he secretly meet with Rosa, a servant stolen from Morocco, who works at the local monastery? Is it love? A desire for freedom? And what are Rosa's motives? 　　The drama unfolds calmly, yet inexorably. This family fresco is marbled with secret affairs, hidden tragedies, and charged relationships. The calm inevitability is reflected in the production’s style with its carefully staged tableaux and intimate close-ups. Intimate, playful moments and poetic effusions cannot dispel the sense that everything is about to fall apart. Death is always close. Bela sees someone else in the mirror. 　　The location, in a paradisiacal landscape, just outside Lisbon, reinforces its universal nature. Simultaneously, it is not hard to view this as a mirror for a rich and powerful country sliding into stagnation and dissolution. Subtle references to colonialism and the inquisition provide this understated tragedy with additional depth.

You won’t instantly notice the great burden resting on Bela’s shoulders at the well-to-do family’s picnic. This free adaptation of Kleist’s story Der Findling has shifted location to Portugal in the mid-16th century. The seemingly bold young man Bela is from a poor neighbourhood in Lisbon. He was adopted by the family to replace the merchant’s real son, who never returned from a journey to Africa. The world is Bela’s oyster. A fiancée has been chosen for him, he has a knack for trade, so why does he secretly meet with Rosa, a servant stolen from Morocco, who works at the local monastery? Is it love? A desire for freedom? And what are Rosa's motives? 　　The drama unfolds calmly, yet inexorably. This family fresco is marbled with secret affairs, hidden tragedies, and charged relationships. The calm inevitability is reflected in the production’s style with its carefully staged tableaux and intimate close-ups. Intimate, playful moments and poetic effusions cannot dispel the sense that everything is about to fall apart. Death is always close. Bela sees someone else in the mirror. 　　The location, in a paradisiacal landscape, just outside Lisbon, reinforces its universal nature. Simultaneously, it is not hard to view this as a mirror for a rich and powerful country sliding into stagnation and dissolution. Subtle references to colonialism and the inquisition provide this understated tragedy with additional depth.

担任临时教师的君岛穗香(涩谷凪咲)，目击了一个女学生从屋顶跳下的瞬间。当她在暑假补习班上课时，又注意到有个不应该存在的学生。不久后，穗香与补习班的三浦瞳(早濑憩)、前川武(山时聪真)等学生们，得知了与那个女学生有关的令人震惊的事实。

担任临时教师的君岛穗香(涩谷凪咲)，目击了一个女学生从屋顶跳下的瞬间。当她在暑假补习班上课时，又注意到有个不应该存在的学生。不久后，穗香与补习班的三浦瞳(早濑憩)、前川武(山时聪真)等学生们，得知了与那个女学生有关的令人震惊的事实。

一位住在偏远修道院的修女声称自己是无垢受孕，梵蒂冈派出一位神父前往调查，因为他们担心一个古老的预言：一个女人会生下一对双胞胎男孩：一个是弥赛亚，另一个是反基督者。

一位住在偏远修道院的修女声称自己是无垢受孕，梵蒂冈派出一位神父前往调查，因为他们担心一个古老的预言：一个女人会生下一对双胞胎男孩：一个是弥赛亚，另一个是反基督者。

本剧改编自同名漫画，讲述了高中2年级的川上福，和青梅竹马的恋人月岛宝，父母也公认两人的关系，两人分别上不同的高中，度过了平静的青春时代。不久，两人自然而然地以恋人的身份相爱并结合。但是，有一天，避孕失败了，之后，发现身体的异常的福怀孕了。为绝不可能发生的事情而烦恼、纠结的两人，“真的能生儿育女吗？”——被提出这种根本性问题的“还是孩子”的福和宝…

本剧改编自同名漫画，讲述了高中2年级的川上福，和青梅竹马的恋人月岛宝，父母也公认两人的关系，两人分别上不同的高中，度过了平静的青春时代。不久，两人自然而然地以恋人的身份相爱并结合。但是，有一天，避孕失败了，之后，发现身体的异常的福怀孕了。为绝不可能发生的事情而烦恼、纠结的两人，“真的能生儿育女吗？”——被提出这种根本性问题的“还是孩子”的福和宝…

从小在封闭小镇里长大的时尧（景研竣 饰）和陆苗（石杭鹭 饰），因一次意外相逢于各自人生的低谷，他们饱受原生家庭折磨和打击，却从未对现实妥协，一直抱有对未来的美好期待和希冀。时尧和陆苗在生活的泥潭中艰难前行，他们克服流言蜚语以及生存压力，相互扶持双向奔赴，成为彼此生命中的温暖和希望。

故事发生在1990年代的南京，高中生吴南与陈晓建立了深厚的友情。然而，陈晓因家庭和学业原因即将离开南京，这让吴南开始怀疑自己对他的感情是否超越了友情的界限。 　　影片通过散文化叙述展示他们的成长轨迹，独特美学风格注重人物主观世界的描摹和旁观视点的运用，营造空灵氛围和借景抒情的韵味。