After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem about Iranian film, that also echoes our own time of physical distancing.

After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem about Iranian film, that also echoes our own time of physical distancing.

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Man appears to be eternally bound to fix things that sooner or later will somehow get broken again. 　　What if one day, by this same law, the Universe too began falling apart?

Adapted from prolific western novelist Dusty Richard’s “Mustanger and the Lady,” 'Painted Woman' is the story of Julie Richards Julie is a woman of her time, passed from hand to hand in a web of abuse and prostitution, landing her at the feet of Kyle Allison. Allison, a wealthy powerbroker of the old west town of Goldfield, took young Julie into his home and made her his trophy. This life came with the gift of being taken care of and the cost of more abuse. As Julie’s time with Allison is coming to a dangerous close, Julie is given two chances of escape, with two very different men… The story of PAINTED WOMAN is two distinct chapters in Julie's life, with each chapter mirroring the other. Chapter one follows Julie meeting Frank. It is told mostly at night in the town of Goldfield. Chapter two follows the Mustanger. It takes place in the wilderness and is told mostly during the day.

在深圳政府新的政策驱动下，大芬油画村的数千名画家正在摆脱复制，迈向原创。影片对来自大芬的十四幅画作进行了一场田野调查，探索艺术，商品，和社会现实之间层层缠绕的交互作用。影片同时也构建了一场画展，献给这些在瞬息万变的环境中必须重新审视自我身份的画家们。

在深圳政府新的政策驱动下，大芬油画村的数千名画家正在摆脱复制，迈向原创。影片对来自大芬的十四幅画作进行了一场田野调查，探索艺术，商品，和社会现实之间层层缠绕的交互作用。影片同时也构建了一场画展，献给这些在瞬息万变的环境中必须重新审视自我身份的画家们。

深夜，“FINE ART”美术馆大楼，失窃的画作。次日，一位中年男子乘坐公交汽车来到这里观看画展。实际上，他是想盗走这里的名画。慌乱中触发了美术馆保安措施，警察一路追踪。危急时，他变形成这幅名画中的“变异蜘蛛女人”，安然逃脱。当他回到家里打开电视时，发现自己的行径已经公之于众。可是当他看着这满屋爱不释手的珍藏名画时，仍然如痴如醉。突然的，他一口咬下一幅名画，居然像画中人一样长出了翅膀。他就这样沉迷在各色的世界名画中，遁入自己构想的虚幻世界中，无可自拔。也许，这些都只是他的一场梦。男人醒来时，开始自己执笔绘画，可是都不满意。唯有破坏和随手涂鸦时，他才释放出自己。当他再次咬下刚刚画完的油画时，再一次，他变成画中喷溅四射的油彩，成为了这座美术馆所展出画作的其中一幅。 　　本部构思巧妙的黑色幽默动画短片，是法国创意工作室 ChezEddy 旗下精英 Léo Verrier ，向美国二十世纪抽象画大师 Jackson Pollock 致敬之作。