奇异果TV制片人孙艺荷（宋茜 饰）、健身房合伙人Karen（卢靖姗 饰）、练习生经纪人丁丁（张佳宁 饰）、DMA公司副总裁任染（李纯 饰），四个年过三十岁的…

在结婚纪念日这天，产科医生温绾接诊了一个特殊的孕妇——她老公的白月光宋瓷，而陪她来产检的人是她的老公江停澜。温绾在这天同时做了两个决定，一是离婚，二是人流，她冷静地完成离婚与人流手术，在江停澜毫不知情的情况下悄然离开。当江停澜发现温绾离开，得知她怀孕又流产的真相时，终于认清自己的感情，但此时的温绾早已开启了新的生活，最终他只能看着温绾走向新的幸福。

即使這個世界尷尬又沮喪，至少還有純真的愛情故事。17歲的日比野渚就讀高中二年級，他與父母分隔兩地、獨自住在神奈川縣藤澤市的海邊小鎮。渚熱愛衝浪，並在江之島一家旅館的澡堂打工。某天，與渚同年紀的井川迅放春假前往該地遊玩，邂逅的兩人發展出一段友達以上的純純愛戀，但衝浪店老闆的女兒千歌其實早已暗戀渚許久…… 　　《小小夜曲》日本名導今泉力哉最新BL影集，萬眾期待電影版推出前必修前傳

A young boy's village is overrun by the North Korean army soon after war breaks out. His uncle Sun-cheol joins the Communists, but tries to protect his in-laws; especially his intellectual anti-communist uncle Gil-jun. The tide turns and South Korean troops oust the Northerners and family members are forced to become blood enemies. 　　在韩战爆发后一个小孩子的村子很快被朝鲜军队占领，他叔Sun-cheol加入了朝鲜的党，但其尽力保护自己的亲家，尤其是那个反动知识分子 Gil-jun叔；形势扭转后，韩国军队赶走了北方军队，该家族的成员也不共戴天了。

出生在一个被黑手党控制的小城里，一名愤怒的年轻女子决意向拆散和囚禁她家人的邪恶力量复仇。

钟灿（金柱赫 饰）和妻子妍红（孙艺珍 饰）结婚多年，膝下有一可爱的女儿，两人男才女貌，在外人眼中是如同神仙眷侣一般的存在。钟灿涉足政坛，事业小有成就，同僚们都知道，他将有极大的可能成为下一任的国会议员。 　　某一日，厄运降临到了这个幸福的家庭之中，女儿无故失踪下落不明，留下难以解释的模糊线索，令警方毫无头绪。让妍红感到不可思议的是，对于女儿的失踪，钟灿似乎并没有那么焦急，他脑中所想的，只有如何在下一场竞选中取得胜利，夫妻两人之间的感情因此而产生裂痕。无奈之下，妍红只得强打起精神，她知道，女儿所能依靠的只有自己。

一名受人尊敬的主播（高庚杓 饰）突然在播报时失去自我约束力，此举吸引了一名电视台编剧（姜汉娜 饰）的注意，并邀请他上自己的综艺节目。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

老人斯拉维萨（Miodrag Krstovic 饰）与女儿女婿住在一起。他的老伴已经去世，而他渐渐患上了阿茨海默综合征，记忆力不断减退。他甚至忘记了自己曾经当教授时写过的教材，而在雨夜中也会迷失回家的路。 　　斯拉维萨只有在老伴的墓碑前才显得头脑清晰，每次都表达着对逝去的伴侣的思念和对当前无奈的感受。女儿和女婿忙于工作和照顾他们自己的家庭，无法完美的顾及到老人的需求。最终，他们不得不做出决定，将老人送进养老院，那里毕竟是专业照顾老人的机构。为了降低老人摔倒的风险，养老院没有设置台阶。虽然在决定和送老人去之间有很多不舍和无奈，但这被认为是最好的选择。